Norwich in the Second World War is the story of the city and its people, both civilian and military, from the construction of the first air raid shelters in 1938 through to VE Day in 1945 and the return of Far Eastern prisoners of war in 1946. Featuring first-hand accounts of what happened when enemy bombers raided the city, notably during the notorious Baedeker Blitz of 1942, rare photographs and documents make this book a must for anyone who knows and loves the city of Norwich.
An “engaging, enthusiastic, sympathetic, funny” journey through French history from the New York Times–bestselling author of Absolute Monarchs (The Wall Street Journal). Beginning with Julius Caesar’s conquest of Gaul in the first century BC, this study of French history comprises a cast of legendary characters―Charlemagne, Louis XIV, Napoleon, Joan of Arc, and Marie Antoinette, to name a few―as John Julius Norwich chronicles France’s often violent, always fascinating history. From the French Revolution―after which neither France nor the world would be the same again―to the storming of the Bastille, from the Vichy regime and the Resistance to the end of the Second World War, A History of France is packed with heroes and villains, battles and rebellion—written with both an expert command of detail and a lively appreciation for the subject matter by this “true master of narrative history” (Simon Sebag Montefiore).
Originally a town that was built of wood by the Anglo-Saxons, it was later burned down and then rebuilt as Englands second city, after London, by William the Conqueror. Riots between the church and the citizens saw Norwich at war with the Pope in 1272 when a gate was constructed as a penance. The Norfolk Regiment has seen its men in combat from the Napoleonic Wars, the Crimean War, the Boer War and both World Wars. The more recent conflicts in the Falklands, Iraq and Afghanistan have also witnessed the bravery of the Norfolks. A comprehensive list of military personnel who gave their lives is examined, including Norwich-born Second Lieutenant Wilfred Edwards VC, as well as an account of 9694 Private John Henry Abigail of the Norfolk Regiment who, on 12 September 1917, aged 21, was executed for being AWOL. It would not be until November 2006 that Private Abigail was pardoned by the British government.
As part of the Aviation Heritage Trail series, this book covers airfields in Lincolnshire, Norfolk, Yorkshire and Northamptonshire. 12 Group was formed in 1937 within Fighter Command to become responsible for aerial defense of the industrial Midlands. During World War Two this group was the second most important fighter group and as such, it received it's fair share of attacks from the German Luftwaffe throughout the war. As well as regional defense, 12 Group were also supposed to fly cover for 11 Group airfields during the Battle of Britain. The airfields and other places of interest include Digby, Hibaldstow, Kirton on Lindsey, Coltishall, Matlask, Swanton Morley, Catterick, Church Fenton, Clifton, Hutton Cranswick and WitteringThis book looks at the history and personalities associated with each base, what remains today and explores the favorite local wartime haunts. Museums and places that are relevant will also be described and general directions on how to get them included.
When the Second World War air raids threaten their safety in the city, Carrie and her brother Nick are evacuated to a small Welsh village. But the countryside has dangers and adventures of its own - and a group of characters who will change Carrie's life for ever. There's mean Mr Evans, who won't let the children eat meat; but there’s also kind Auntie Lou. There's brilliant young Albert Sandwich, another evacuee, and Mr Johnny, who speaks a language all of his own. Then there's Hepzibah Green, the witch at Druid’s Grove who makes perfect mince pies, and the ancient skull with its terrifying curse... For adults and young people aged eight and over. Emma Reeves has created a stunning stage adaptation of Nina Bawden’s much loved classic account of life as an evacuee in the 1940s, which opened at the Lillian Bayliss Theatre in November 2006. This edition includes teachers' notes and activities for classes based on the play.
This collection of highly readable essays reveals that research is not restricted to library archives. When researchers pursue information and perspectives from sources beyond the archives—from existing people and places— they are often rewarded with unexpected discoveries that enrich their research and their lives. Beyond the Archives: Research as a Lived Process presents narratives that demystify and illuminate the research process by showing how personal experiences, family history, and scholarly research intersect. Editors Gesa E. Kirsch and Liz Rohan emphasize how important it is for researchers to tap into their passions, pursuing research subjects that attract their attention with creativity and intuition without limiting themselves to traditional archival sources and research methods. Eighteen contributors from a number of disciplines detail inspiring research opportunities that led to recently published works, while offering insights on such topics as starting and finishing research projects, using a wide range of types of sources and methods, and taking advantage of unexpected leads, chance encounters and simple clues. In addition, the narratives trace the importance of place in archival research, the parallels between the lives of research subjects and researchers, and explore archives as sites that resurrect personal, cultural, and historical memory. Beyond the Archives sheds light on the creative, joyful, and serendipitous nature of research, addressing what attracts researchers to their subjects, as well as what inspires them to produce the most thorough, complete, and engaged scholarly work. This timely and essential volume supplements traditional-method textbooks and effectively models concrete practices of retrieving and synthesizing information by professional researchers.
Critically acclaimed author John Julius Norwich weaves the turbulent story of Sicily into a spellbinding narrative that places the island at the crossroads of world history. “Sicily,” said Goethe, “is the key to everything.” It is the largest island in the Mediterranean, the stepping-stone between Europe and Africa, the link between the Latin West and the Greek East. Sicily’s strategic location has tempted Roman emperors, French princes, and Spanish kings. The subsequent struggles to conquer and keep it have played crucial roles in the rise and fall of the world’s most powerful dynasties. Yet Sicily has often been little more than a footnote in books about other empires. John Julius Norwich’s engrossing narrative is the first to knit together all of the colorful strands of Sicilian history into a single comprehensive study. Here is a vivid, erudite, page-turning chronicle of an island and the remarkable kings, queens, and tyrants who fought to rule it. From its beginnings as a Greek city-state to its emergence as a multicultural trading hub during the Crusades, from the rebellion against Italian unification to the rise of the Mafia, the story of Sicily is rich with extraordinary moments and dramatic characters. Writing with his customary deftness and humor, Norwich outlines the surprising influence Sicily has had on world history—the Romans’ fascination with Greek civilization dates back to their sack of Sicily—and tells the story of one of the world’s most kaleidoscopic cultures in a galvanizing, contemporary way. This volume has been a long time coming—Norwich began to explore Sicily’s colorful history during his first visit to the island in the early 1960s. The dean of popular historians leads his readers through the millennia with the steady narrative hand of a master teacher or the world’s most learned tour guide. Like the island itself, Sicily is a book brimming with bold flavors that begs to be revisited again and again. Praise for Sicily “Suavely readable . . . The very model of a popular historian, [Norwich] writes to give pleasure to the common reader. And what pleasure it is.”—The Wall Street Journal “Entertaining on every page . . . There is something ancient and sorrowful in Sicily, ‘some dark, brooding quality,’ just as captivating as its spellbinding history or its beautiful and varied landscapes, from beaches to lemon groves, pine forests to volcanoes. . . . The most amiable and freewheeling of guides, Norwich will always find time for the amusing anecdote.”—The Sunday Times “Utterly engrossing . . . written with passion about the art and architecture of this magical island, filled with gossipy tidbits and sweeping historical theories.”—The Daily Beast “Dazzling . . . Norwich is an elegantly graceful and entertaining storyteller.”—Richmond Times-Dispatch “Charming . . . richly nuanced history relayed with enormous fondness.”—Kirkus Reviews “A brisk and always-lively tour.”—Open Letters Monthly “Norwich is deeply in love with Sicily. [His] boundless affection has inspired a determined effort to understand its painful past. The result is impressionistic, as love often is.”—The Times “Norwich sketches personalities vividly. . . . He does the island and the reader a generous service in providing such an amiable introduction.”—The Sunday Telegraph “Norwich tells [Sicily’s] long, sad but fascinating story with sympathy and brio.”—Literary Review
The late James Mahoney went overseas in the spring of 1944 as the leader of one of the four bomb squadrons in a B-24 bomb group (the original 492nd) which endured extraordinary losses for 89 days of operation before being disbanded. The enduring mystery of why such an exceptionally well qualified and prepared group suffered so singularly is one of many significant themes he addresses in his 52 vignettes. Mahoney was reassigned to a bomb group with much better luck (the 467th), and finished the war as their Deputy Commander. As both a 'man among men' and a recognized natural leader, he was positioned to note character and ability, and took it as his charge to develop both of these in the course of administering to the technical and demanding business of a combat organization comprising 3,000 souls. Later in life, wanting to make sense of what he experienced and to record the terrific sacrifice of his peers, he distilled and organized his memories. Overcoming his natural reticence to show his hand emotionally, and fearful that grisly accounts might register as sensational horror instead of sobering lesson, he labored carefully to build for his readers a rich context for his 'war stories'. These memoirs take the reader through the methodology and equipment of aviation and strategic bombing in the era before stand-off weaponry, when hundreds of planes at a time, each with ten-man crews, flew in unpressurized planes through flak and fighter filled skies for hours at a time at 40 degrees below zero, to bomb targets in Hitler-occupied Europe. He introduces the reader to his acquaintances and friends, commanders and charges - a range of memorable rascals, unforgettable heroes, and ordinary mortals showing their true mettle and courage under dire circumstances. Jim Mahoney's account of his 13 months in combat is an engaging mix of timeless morals and enduring humor. The big themes are laid out with common sense, while the practical joke, the stroke of genius, or personal quirk are offered as clear windows to the host of characters and their relationships. These certainly capture the fact and flavor of the daylight bombing campaign over northern Europe and make a contribution to the historical record, but they also transcend that specific time and place, drawing the readers in any era into human drama, played out in all of its variety in the pressure-cooker of wartime. The son's contribution has been to document some of the more unusual aspects of his father's account, so that these can be received as more than just precious memoir - as contributions to the historical record. This has entailed many interviews, travel to remnants of his father's Rackheath and North Pickenham bases in East Anglia, and contemplation of the horrible effectiveness of aerial bombardment on several of the Mighty Eighth Air Force's 'ground zeros' in Germany. Additionally, the son supplies the reader with a variety of material designed to make the dated technology of aviation in its 20th century adolescence more understandable, and to put into broader contexts the struggles to control European airspace and weaken the foe through costly strategic bombardment. Tables and an extensive WW II timeline give a framework for understanding American involvement and the role of air power. A comprehensive glossary of terms makes the aviation and military lingo clear, and his bibliography will equip the motivated reader to delve deeper. Photographs from 'then' and 'now' bring the reader along on the son's odyssey, retracing the father's steps and honoring the sacrifices of survivors and the fallen alike. A foreword by Brigadier General Robin Olds, USAF (Ret.), fighter leader in three wars and a WW II ace, adds important insight to the riddle of why survivors of grisly combat action are typically so tight-lipped about their experience. Reluctant Witness is the combined effort of a pragmatic realist and a hardened optimist. This rich account of one witness's experience is offered to a general audience of conscientious citizens everywhere, with encouragements to never let their guard down and enable the tyrant, or ever despair of their ability, when committed to what is just and fair, to set things right. Widespread appreciation of the waste and senselessness of war impells practical efforts to 'wage peace'.
The Second World War challenged many of the concepts that had provided stability and unity in the world. As totalitarian regimes in Europe and Asia attempted to impose their world view on their neighbours, a struggle for what Winston Churchill described as `Christian civilisation took place on many fronts. On the home front, on land, on sea and in the air, as well as in the horrific concentration camps of Europe and prisoner of war camps in the Far East, people of a Christian faith found their beliefs challenged. However, for many this challenge provided an affirmation of that faith, as it provided a rock amidst the ever shifting sands of circumstance. This book contains the accounts of twenty such individuals, many drawn from previously unpublished sources. Their testimonies provide evidence that during a time of discord, disruption, dislocation and death, the Christian faith remained a key force in sustaining morale and a willingness to fight the good fight.Interesting Facts King George VI called National Days of Prayer during Britains darkest days in 1940Had Michael Benn survived the war, he would have become the 2nd Viscount Stansgate, meaning his brother, Tony, would not have had to fight to renounce his peerageBill Frankland avoided near certain death at the Alexandra Hospital Massacre by the toss of a coinStanley Warren only found out about the rediscovery of his Changi Murals during a chance work conversation in the 1950sAs a boy, Ken Tout was told by his parents to cross the street to avoid walking past the Catholic church. As a man he was invited to a private audience with Pope John Paul II.
Architecture can be analogous to a history, a fiction, and a landscape. We expect a history or a novel to be written in words, but they can also be cast in concrete or seeded in soil. The catalyst to this tradition was the simultaneous and interdependent emergence in the eighteenth century of new art forms: the picturesque landscape, the analytical history, and the English novel. Each of them instigated a creative and questioning response to empiricism’s detailed investigation of subjective experience and the natural world, and together they stimulated a design practice and lyrical environmentalism that profoundly influenced subsequent centuries. Associating the changing natural world with journeys in self-understanding, and the design process with a visual and spatial autobiography, this book describes journeys between London and the North Sea in successive centuries, analysing an enduring and evolving tradition from the picturesque and romanticism to modernism. Creative architects have often looked to the past to understand the present and imagine the future. Twenty-first-century architects need to appreciate the shock of the old as well as the shock of the new.
