Alaska in the early 1950s was one of the world's last great undeveloped areas. Yet sweeping changes were underway. In l958 Congress awarded the new state over 100 million acres to promote economic development. In 1971, it gave Native groups more than 40 million acres to settle land claims and facilitate the building of an 800-mile oil pipeline. Spurred by the newly militant environmental movement, it also began to consider the preservation of Alaska's magnificent scenery and wildlife. Northern Landscapes is an essential guide to Alaska's recent past and to contemporary local and national debates over the future of public lands and resources. It is the first comprehensive examination of the campaign to preserve wild Alaska through the creation of a vast system of parks and wildlife refuges. Drawing on archival sources and interviews, Daniel Nelson traces disputes over resources alongside the politics of the Alaska statehood movement. He provides in-depth coverage of the growth of Alaskan environmental organizations, their partnerships with national groups, and their participation in political campaigns into the 1970s and after. Engagingly written, Northern Landscapes focuses on efforts to persuade public officials to recognize the value of Alaska's mountains, forests, and wildlife. That activity culminated in the passage of the Alaska National Interest Lands Conservation Act (ANILCA) of 1980, which set aside more than 100 million acres, doubling the size of the national park and wildlife refuge systems, and tripling the size of the wilderness preservation system. Arguably the single greatest triumph of environmentalism, ANILCA also set the stage for continuing battles over the Arctic National Wildlife Refuge and Alaska's national forests.
How distinctive is the landscape of the North East of England? How far does its distinctive nature contribute to region's identity? These are key questions addressed by this book, drawing on hiterto little-known detail and many new research findings. --
Norway-based Todd Saunders is one of the most important contemporary Canadian architects working internationally. His simple yet powerful architecture incorporates elements of his home country’s vernacular identity – including the use of wood and carefully picked Modernist influences – brought into the 21st century with excellent execution, quality materials and a hands-on approach. His most important projects include the Aurland Lookout in Norway and the series of artists' studios and a hotel on Fogo Island in Newfoundland. This second revised edition includes new projects and unpublished material. Edited by Jonathan Bell and Ellie Stathaki (respectively editor-at-large and architecture editor at Wallpaper), the book was designed by renowned graphic designer Henrik Nygren.
Todd Saunders (1969) is one of the most important young contemporary Canadian architects working internationally. His architecture, simple yet powerful, incorporates elements of his country’s architectural identity – including the use of wood and carefully picked Modernist influences – bringing it at the same time into the 21st century with excellent execution, carefully chosen materials and a hands-on approach. Saunders (he lives and works in Bergen, Norway) has successfully executed work in both Canada, Norway, and Finland, creating architecture with a strong sense of northern identity, an individual approach that is informed by the strongness of natural landscape. The most important projects: Aurland Lookout, Long Studio, Fogo Island, Tower Studio, Fogo Island, Squish Studio, Fogo Island and Villa G. The first reference monograph on a remarkable young architect working in Scandinavia and Canada. The monograph provides interesting unpublished documents, curated by Jonathan Bell (Architecture Editor, Wallpaper* magazine) and Ellie Stathaki (Deputy Architecture Editor, Wallpaper* magazine) as well as three interviews by Olaf Gipser, Zita Cobb, and Brian MacKay-Lyons. The artwork of the book is by the international renowned graphic designer Henrik Nygren.
Northern landscapes are both real places and representations, imagined spaces - notions which are bound to collide in landscape photography. In this book, photographers, academics, curators, and archivists from Germany, Finland, Scandinavia, the US, and the UK address urgent questions about environmental degradation, globalization, consumerism, and the role of new technologies of representation in relation to landscape. Wide-ranging case studies examine the interpretation, experience, and appropriation of landscape in northern Europe, northern England, Scotland, and the Nordic countries. The book explores tensions in landscape photography between an emphasis on proximity and the embodied experience of place and space, and an advocacy of distance and critical engagement and a questioning of the primacy of direct experience.
“The best nature writer working in Britain today.” – The Los Angeles Times. Eagles, more than any other bird, spark our imaginations. These magnificent creatures encapsulate the majesty and wildness of Scottish nature. But change is afoot for the eagles of Scotland: the golden eagles are now sharing the skies with sea eagles after a successful reintroduction programme. In ‘The Eagle’s Way’, Jim Crumley exploits his years of observing these spectacular birds to paint an intimate portrait of their lives and how they interact with each other and the Scottish landscape. Combining passion, beautifully descriptive prose and the writer’s 25 years of experience, ‘The Eagle’s Way’ explores the ultimate question - what now for the eagles? - making it essential reading for wildlife lovers and eco-enthusiasts.
This unique volume aims to break down the lingering linguistic boundaries that continue to divide up the circumpolar world, to move beyond ethnographic ‘thick description’ to integrate the study of northern Eurasian hunting and herding societies more effectively by encouraging increased international collaboration between archaeologists, ethnographers and historians, and to open new directions for archaeological investigation of spirituality and northern landscape traditions. Authors examine the life-ways and beliefs of the indigenous peoples of northern Eurasia; chapters contribute ethnographic, ethnohistoric and archaeological case-studies stretching from Fennoscandia, through Siberia, and into Chukotka and the Russian Far East.
"The first in-depth presentation of the Nordic landscapes to be published in nearly twenty years. “Norden” -- the region along the northern edge of Europe bordered by Russia and the Baltic nations to the east and by North America to the west -- is a particularly fruitful site for the examination of the ever-evolving meaning of landscape and region as place. Contributors to this work reveal how Norden’s regions and people have been defined by and against the dominant culture of Europe while at the same time their landscapes and cultures have shaped and inspired Europe’s ways of life. Together, the essays provide a much-needed picture of this culturally rich and geographically varied part of the world."--pub. desc.
People all over the globe are experiencing unprecedented and often hazardous situations as environments change at speeds never before experienced. This edited collection proposes that anthropological perspectives on landscape have great potential to address the resulting conundrums. The contributions build on broadly phenomenological, structuralist and multi-species approaches to environmental perception and experience, but they also argue for incorporating political power into analysis alongside dwelling, cosmology and everyday practice. The book’s 13 ethnographically rich chapters explore how the material and the conceptual are entangled in and as landscapes, but it also looks at how these processes unfold at many scales in time and space, involving different actors with different powers. Thus it reaches towards new methodologies and new ways of using anthropology to engage with the sense of crisis concerning environment, movements of people, climate change and other planetary transformations. Dwelling in political landscapes: contemporary anthropological perspectives builds substantially upon anthropological work by Tim Ingold, Anna Tsing and Philippe Descola and on related work beyond, which emphasises the ongoing and open-ended, yet historically conditioned ways in which humans and nonhumans produce the environments they inhabit. In such work, landscapes are understood as the medium and outcome of meaningful life activities, where humans, like other animals, dwell. This means that landscapes are neither social/cultural nor natural, but socio-natural. Protesting against and moving on from the proverbial dualisms of modern, Western and maybe capitalist thought, is only the first step in renewing anthropology’s methodology for the current epoch, however. The contributions ask how seemingly disconnected temporal, representational, economic and other systemic dynamics fold back on lived experience that are materialised in landscapes. Foremost through studying how socially valued landscapes become irreversibly disturbed, commodified or subjected to wilful markings or erasures, the book explores a number of approaches to how landscapes are entangled in the ways people gather and organise themselves. Mindful of troubling changes in Earth Systems, all the authors argue from empirics. They show that processes of landscape change are always both habitual and laden with choices. That is, landscape change is political. Undoubtedly, landscape politics is bound up not just in how nature has been imagined, but in long histories of consumption. Today, an alarming quest for raw materials and energy continues to change both political and geological formations. Meanwhile dominant socio-political aspirations mean the exploitation of staggering volumes of cheap resources like fossil fuels in order to sustain economic processes that are as taken-for-granted as they are unsustainable. Like anthropology generally, this book attends to the contextual details buried in such planet-scale pictures. Building on traditional anthropological strengths, many authors consider the details of how the past is brought into the present – or erased from it – in material flows and sensory awareness, as well as in narratives that are explicitly linked to particular landscapes. Colonial identity formation and the different ways that it links with how landscape is viewed and managed (for instance for resource development for a global market), whether in Southern Africa, Israel/Palestine, the Canadian arctic or Indonesia, is a particularly striking example of how to talk about landscape is also to talk about past, present and future. And as the idea that we inhabit the Anthropocene becomes commonplace, the discipline can meaningfully discuss the current era as one of disavowed ruins as well as of poorly understood multispecies relations. To think of landscape as historically produced across multiple scales, does not mean ignoring its sensuous qualities let alone its role in cosmological systems. On the contrary, the analyses in the collection attend to the ways people’s movements through the landscape produce it as a material and conceptual resource. Taken together, the book’s ethnographic analyses take on board the unprecedented conditions under which people everywhere are having to make sense and forge relationships to the worlds they inhabit. Since landscapes are not what they used to be, neither can anthropology be.
Photographer Groin presents all-too-vivid color images of sites in the US where nuclear testing has significantly altered the landscape and anything (usually not much) that still lives there. Also includes historical and official photographs of tests and their effects. An exhibit of the photographs is currently touring the country. Annotation copyrighted by Book News, Inc., Portland, OR