The children whose stories are told in Nobody Don't Love Nobody share one thing in common: they all live with their families in a homeless shelter's family dormitory, where they can stay for up to three months. And most of them attend classes at the School With No Name, a public school classroom at the shelter, where Stacey Bess is their teacher. Their stories do much to humanize the face of homelessness today and emphasize that the homeless are not simply a population of aimless or alcoholic, single men. But mostly these stories show how love and respect can change and empower a life. When the children are befriended by their teacher, their peers, an NBA all-star, and other members of the community who take the time to reach out, the children respond in kind with remarkable offerings of their own.
Author of the popular BookTok series The Inheritance GamesJennifer Lynn Barnes introduces us to . . . Nobody. There are people in this world who are Nobody. No one sees them. No one notices them. They live their lives under the radar, forgotten as soon as you turn away. That's why they make the perfect assassins. The Institute finds these people when they're young and takes them away for training. But an untrained Nobody is a threat to their organization. And threats must be eliminated. Claire has been invisible her whole life, missed by the Institute's monitoring. But now they've ID'ed her and have sent Nix to remove her. Yet the moment Nix lays eyes on her, he can't make the hit. It's as if Claire and Nix are the only people in the world for each other. And they are—because no one else can really see them.
Screw the person that said "What don't kill you will make you stronger" and you can tell them that Samoine Ross said it. I believe "What don't kill you, will give you a dam good story to tell" and that's what I'm going to do. Tell you my story. I was raised in the South by my grandma but birthed by my selfish gold digging momma Me-Me, who moved me to Compton with her and her husband Al. It was hard adjusting to a whole new life in Cali until my Stepdad took me under his wings and taught me the game. Everything was good for a while but when a tragedy occurred, my life headed downhill fast and before it was all over, betrayal, drama and heartache wasn't the only thing I was faced with. Now, some of you who read my story will like it and some of you wont but I really don't give a dam. I'm allowing you in my business for one reason only and that's to let you see how I learned the hard way that ''The Game Don't Love Nobody''
Since the early 1990s, thanks to inflamed rhetoric in the media about “superpredators” and a wave of get-tough-on-crime laws, the number of juveniles in prison has risen by 35 percent, according to the U.S. Department of Justice, and their placement in adult prison has increased by 208 percent, according to a 2007 survey by the Campaign for Youth. Since 1992, every state except Nebraska has passed laws making it easier to prosecute youth under eighteen as adults, and most states have legalized harsher sentences for juveniles. David Chura taught high school in a New York county penitentiary for ten years and saw these young people—and the effects of our laws on them—up close. Here he introduces us to the real kids behind the hysteria: vibrant, animated kids full of humor and passion; kids who were born into families broken up and beaten down by drugs, gang violence, AIDS, poverty, and abuse. He also introduces us to wardens, correctional officers, family members, and doctors, and shows how everyone in this world is a child of disappointment. We meet Wade, who carries a stack of photos of his HIV-positive mother in his pocket to take out and share with pride. Khalil has spent all fifteen years of his life in foster care, group homes, juvenile detention, and mental hospitals, yet has channeled his inner demons into poetry. There’s Anna, a hard-nosed one-time teenage drug baroness who serves as a tutor to students and older women alike; Dominic, a father of two who only reads in jail, and only the Harry Potter books; and Eddyberto, a bright student and self-taught artist whose wildly creative drawings are confiscated and used to accuse him of being a potential terrorist and threat to national security. Then there’s O’Shay, a big, burly, snarling Bronx-Irish classroom officer with a surprising protective side for the underdog, and Ms. Wharton, a hallway officer with a spiky demeanor but a soft spot for animals. In language that carries both the grit of the street and the expansiveness of poetry, Chura breaks down the divisions we so easily erect between us and them, the keepers and the kept—and shows how, ultimately, we as individuals and as a society have failed these young people.
In 26 giant photographs—of a roaring grizzly, a piranhas razor-sharp teeth, a rattlesnakes poisonous fangs—Seymour Simon reveals the truth about natures most misunderstood animals and lets the reader decide what to really think about natures grossest, fiercest, and most fascinating survivors.
Thomas feels like no matter what he does, he can’t escape Kyle’s persistent bullying. At school, at soccer—nowhere feels safe! “Mom said Kyle would grow over the summer and stop picking on me, but he didn’t grow up, he just grew.” With support from friends, classmates, and adults, Thomas starts to feel more confident in himself and his hobbies, while Kyle learns the importance of kindness to others. The book concludes with “activity club” pages for kids, as well as information to help parents, teachers, counselors, and other adults foster dialogue with children about ways to stop bullying.
They needed the perfect assassin. Boy Nobody is the perennial new kid in school, the one few notice and nobody thinks much about. He shows up in a new high school in a new town under a new name, makes a few friends, and doesn't stay long. Just long enough for someone in his new friend's family to die-of "natural causes." Mission accomplished, Boy Nobody disappears, moving on to the next target. But when he's assigned to the mayor of New York City, things change. The daughter is unlike anyone he has encountered before; the mayor reminds him of his father. And when memories and questions surface, his handlers at The Program are watching. Because somewhere deep inside, Boy Nobody is somebody: the kid he once was; the teen who wants normal things, like a real home and parents; a young man who wants out. And who just might want those things badly enough to sabotage The Program's mission. In this action-packed series debut, author Allen Zadoff pens a page-turning thriller that is as thought-provoking as it is gripping, introducing an utterly original and unforgettable antihero.
Celebrated artist and lead character designer of Brave, Ratatouille, and Despicable Me, Carter Goodrich, shows that sometimes, even the prickliest people—or the crankiest cacti—need a little love. Hank is the prickliest cactus in the entire world. He sits in a pot in a window that faces the empty desert, which is just how he likes it. So, when all manner of creatures—from tumbleweed to lizard to owl—come to disturb his peace, Hank is annoyed. He doesn’t like noise, he doesn’t like rowdiness, and definitely does not like hugs. But the thing is, no one is offering one. Who would want to hug a plant so mean? Hank is beginning to discover that being alone can be, well, lonely. So he comes up with a plan to get the one thing he thought he would never need: a hug from a friend.
There's a mantra that real writers know but wannabe writers don’t. And the secret phrase is this: NOBODY WANTS TO READ YOUR SH*T. Recognizing this painful truth is the first step in the writer's transformation from amateur to professional. From Chapter Four: “When you understand that nobody wants to read your shit, you develop empathy. You acquire the skill that is indispensable to all artists and entrepreneurs—the ability to switch back and forth in your imagination from your own point of view as writer/painter/seller to the point of view of your reader/gallery-goer/customer. You learn to ask yourself with every sentence and every phrase: Is this interesting? Is it fun or challenging or inventive? Am I giving the reader enough? Is she bored? Is she following where I want to lead her?
