The inside story of the covert operation that took down the heads of ISIS No Shadows in the Desert reveals the untold story of the behind-the-scenes fight against ISIS—one coordinated by heads of state and ultimately fought in the alleyways and open deserts of the Middle Eastern battlefield by spies and soldiers. Samuel M. Katz draws upon his sources within the global intelligence and counterterrorism community, as well as the international special operations and espionage fraternity, to tell the story of the covert campaign against ISIS by the operatives who ventured deeply and secretly into enemy territory. In this first-ever look at the secret inner workings of an Arab secret service, Katz tells the story of Jordan’s GID, the masters of human intelligence on the espionage battlefields of the Middle East, who proved pivotal and crucial go-to allies of the CIA and America’s other intelligence agencies in the war against ISIS and the war on terror. With the revealing and intimate insight of the intelligence officers who fought ISIS, No Shadows in the Desert is a rare glimpse into how a strategic partnership helped change how terrorism is fought in the Middle East and beyond.
The empires of ancient Persia remain as mysterious today as they were to contemporary Western scholars. Although Alexander the Great's conquest of Persia is legendary, the military successes of the Achaemenid, Parthian, and Sassanian empires, along with their revolutionary military technology, tactics, and culture have been almost forgotten in the sands of the East. Containing information never before published in English, Shadows in the Desert offers a comprehensive history of Persia's wars with East and West which spanned over a millennium, and offers an insight into the exchange of ideas and culture that occurred during these clashes between East and West, not only military technology, but influences in the arts, medicine, religion and science. This beautifully illustrated book delves into the rich heritage of the Persians, which was spread around the world through war and conquest, and which, after the fall of the Sassanians, continued to impact upon civilizations around the world.
In the darkness of the star-studded desert, bats and moths feed on the nectar of night-blooming cactus flowers. By day, birds and bees do the same, taking to blooms for their sweet sustenance. In return these special creatures pollinate the equally intriguing plants in an ecological circle of sustainability. The Sonoran Desert is the most biologically diverse desert in the world. Four species of columnar cacti, including the iconic saguaro and organ pipe, are among its most conspicuous plants. No Species Is an Island describes Theodore H. Fleming’s eleven-year study of the pollination biology of these species at a site he named Tortilla Flats in Sonora, Mexico, near Kino Bay. Now Fleming shares the surprising results of his intriguing work. Among the novel findings are one of the world’s rarest plant-breeding systems in a giant cactus; the ability of the organ pipe cactus to produce fruit with another species’ pollen; the highly specialized moth-cactus pollination system of the senita cactus; and the amazing lifestyle of the lesser long-nosed bat, the major nocturnal pollinator of three of these species. These discoveries serve as a primer on how to conduct ecological research, and they offer important conservation lessons for us all. Fleming highlights the preciousness of the ecological web of our planet—Tortilla Flats is a place where cacti and migratory bats and birds connect such far-flung habitats as Mexico’s tropical dry forest, the Sonoran Desert, and the temperate rain forests of southeastern Alaska. Fleming offers an insightful look at how field ecologists work and at the often big surprises that come from looking carefully at a natural world where no species stands alone.
In this explosive and compelling book, author Brian Desborough explores the activities of the thirteen interconnected family bloodlines that collectively comprise the secret group known as the Illuminati. His years spent aiding survivors of Satanic ritual abuse and mind control has provided the author with an in-depth knowledge of Illuminati history and their future plans for the human race. The culmination of three decades of intensive research, this provocative book is designed to take readers out of their comfort zone and examine the historical and archaeological data, which reveal that: · Israel was created not by illiterate pastoralists, as is claimed by biblical scholars, but by skilled Kenite copper smelters. · The Dead Sea Scrolls were not written at Khirbat Qumran. · The Temple Mount is not the site of the Temples of Solomon and Herod. Applying a synthesis of history, politics, science and covert intelligence sources, the author explores such diverse subjects as mind control, advanced energy systems, terrestrially constructed flying saucers, extraterrestrials, and the planned double-cross of the western Illuminati factions by China and Russia. Oriented toward both the scholar and layperson, this revealing book is a "must read" for those interested in history, politics or high technology.
Book 1 of the Desert Roses series. Working as a Harvey Girl at the luxury resort of El Tovar, located on the south rim of the Grand Canyon, Alexandra Keegan feels she is in a dream come true. But when her father's indiscretions come to light and her mother is suspected of murder, Alex finds herself the center of some unwelcome attention. Will she soon find herself alone in the world?
A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer
Tracing his story of becoming a US citizen, José Orduña’s memoir explores the complex issues of immigration and assimilation. José Orduña chronicles the process of becoming a North American citizen in a post-9/11 United States. Intractable realities—rooted in the continuity of US imperialism to globalism—form the landscape of Orduña’s daily experience, where the geopolitical meets the quotidian. In one anecdote, he recalls how the only apartment his parents could rent was one that didn’t require signing a lease or running a credit check, where the floors were so crooked he once dropped an orange and watched it roll in six directions before settling in a corner. Orduña describes the absurd feeling of being handed a piece of paper—his naturalization certificate—that guarantees something he has always known: he has every right to be here. A trenchant exploration of race, class, and identity, The Weight of Shadows is a searing meditation on the nature of political, linguistic, and cultural borders, and the meaning of “America.”
By illuminating the striking affinity between the most innovative aspects of postmodern thought and religious mystical discourse, Shadow of Spirit challenges the long established assumption that western thought is committed to nihilism. This collection of essays by internationally recognised scholars explores the implications of the fascination with the `sacred', `divine' or `infinite' which characterizes much contemporary thought. It shows how these concerns have surfaced in the work of Derrida, Baudrillard, Lyotard, Kristeva, Irigaray and others. Examining the connection between this postmodern `turn' and the current search for a new discourse of ethics and politics, it also stresses the contribution made by feminist thought to this unexpected intellectual direction.
An epic fantasy adventure set in the beloved world of the Demon Cycle, following a new generation of heroes, from New York Times bestselling author Peter V. Brett “Heart-wrenching, smart, and modern . . . The Desert Prince has set a new standard for fantasy.”—Wesley Chu, #1 New York Times bestselling author of The War Arts Saga Fifteen years have passed since the end of the war with demons, creatures of darkness who have hunted the night and plagued humanity since time out of mind. The heroes of humanity’s hour of need have become legend, and those who remain struggle to escape their shadows. Olive Paper and Darin Bales have grown up in this new peaceful world. Demons have been all but destroyed, but dangers still lurk for the children of heroes. Olive, princess of Hollow, has her entire life planned out by her mother, Duchess Leesha Paper: a steady march on a checklist to prepare her for succession. The more her mother writes the script, the more Olive rails against playing the parts she is assigned. Darin faces challenges of a different kind. Though free to choose his own path, the weight of legacy hangs heavy around his shoulders. It isn’t easy being the son of the man people say saved the world. Everyone expects greatness from Darin, but the only thing he’s ever been great at is hiding. When Olive and Darin step across the wards one night, they learn the demons are not all gone, and those that remain hunger for revenge. Events are set in motion that only prophecy can foresee as Olive and Darin seek to find their own places in the world in time to save it again.
