No End of Guilty Creatures
No End of Guilty Creatures

Author: David P. Simmons

Publisher: iUniverse

Published: 2011-05-16

Total Pages: 227

ISBN-13: 1450296750

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THE TROUBLE BEGAN ON GRANITE LEDGE FARM WHEN NATE BREWSTER WAS FOUND DEAD, face down on the ledge where the ladder fell from the barn roof with him on it. His wife, Patience, contends it was nothing more than an unfortunate accident. The authorities believe otherwise and charge her brother-in-law and her two nephews with murder. The court convicts only one man. But insurance investigator Benjamin B. Beach is more tenacious and he refuses to believe the conclusions. Beach is positive Nates fall was not an accident, the real killer was not identified, and Patience was covering up for her relatives in court. So the arrogant man attacks the vulnerable woman, fully expecting to extract the truth by grilling her for the facts. Drawing support from Cleve, an attentive neighbor whose wife has left him, and Molly, her devoted English setter and best friend, Patience resists her latest aggressor and defends her dysfunctional clan. Disguising shocking conflicts within the family, wily Patience duels with Beach. As the resilient woman skillfully manipulates her interrogator away from the truth, she reconsiders the familys hidden secrets and, choosing the high road, she escapes from her life of oppression in a way she never expected.

Guilty Creatures
Guilty Creatures

Author: Dennis Kezar

Publisher: Oxford University Press

Published: 2011-05-12

Total Pages: 279

ISBN-13: 0199753377

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In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.

Guilty Creatures : Renaissance Poetry and the Ethics of Authorship
Guilty Creatures : Renaissance Poetry and the Ethics of Authorship

Author: Dennis Kezar Assistant Professor of English Vanderbilt University

Publisher: Oxford University Press, USA

Published: 2001-04-05

Total Pages: 282

ISBN-13: 0195349520

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In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.

If We Were Villains
If We Were Villains

Author: M. L. Rio

Publisher: Flatiron Books

Published: 2017-04-11

Total Pages: 368

ISBN-13: 1250095301

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“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

The Doctrine of the Incarnation Opened
The Doctrine of the Incarnation Opened

Author: Edward Irving

Publisher: Wipf and Stock Publishers

Published: 2021-08-31

Total Pages: 223

ISBN-13: 1725291843

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Edward Irving's Christological thought was at the center of a theological storm in the early nineteenth century. For Irving, that God the Son assumed a fallen human nature was of the upmost importance. Without this, he believed, the reality of salvation was questioned, the trinitarian grammar of the work of God was neglected, and the basis of Christian discipleship in the power of the Spirit was emptied of its power. Irving's views on this matter went on to inform the thought of John McLeod Campbell, Thomas F. Torrance, and Karl Barth. This abridgement presents Irving's distinctive views regarding the person of Jesus Christ in an accessible format. Readers will be further assisted in engaging with Irving's views with an introduction and a critical response.