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Author: Paul K. Berg
Publisher:
Published: 2020
Total Pages: 65
ISBN-13: 9780965967037
DOWNLOAD EBOOK"Certain illustrations replace poorer quality pictures seen in prior editions. The majority of the illustrations in the supplement represent cases of such quality that they should be recorded and added to the list shown in earlier editions"--
Author: Paul K. Berg
Publisher:
Published: 1995
Total Pages: 440
ISBN-13:
DOWNLOAD EBOOKAuthor: Paul K. Berg
Publisher:
Published: 1995-11
Total Pages: 418
ISBN-13: 9780965967006
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1995
Total Pages: 418
ISBN-13:
DOWNLOAD EBOOKAuthor: John Hannavy
Publisher: Routledge
Published: 2013-12-16
Total Pages: 1630
ISBN-13: 1135873267
DOWNLOAD EBOOKThe Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: William S. Johnson
Publisher: Burns & Oates
Published: 1990
Total Pages: 1000
ISBN-13:
DOWNLOAD EBOOKAuthor: Elizabeth Edwards
Publisher: Routledge
Published: 2004-06-01
Total Pages: 244
ISBN-13: 1134523564
DOWNLOAD EBOOKThis innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them. The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.
Author: John W. Payne
Publisher: Images Publishing Dist Ac
Published: 2007
Total Pages: 0
ISBN-13: 9781864701999
DOWNLOAD EBOOKA richly illustrated source book, detailing materials and methods of manufacture, Framing the Nineteenth Century is a select catalogue of frame makers and frames from the early 19th century to the early 20th century. For a long time the frames of the 19t
Author: Austin Losada
Publisher:
Published: 2023
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKThis thesis analyzes the utilitarian and decorative cases that housed early photographs, such as the daguerreotype and ambrotype. Photographic cases are carefully designed objects: their embossed leather, paper, or thermoplastic exteriors were ornamented; their book-like form opened to reveal similarly decorated silk and velvet interiors; and the brass mats and preservers surrounding each photograph echoed ornate picture frames. These presentational objects preserved early photographs from degradation and contextualized a new medium of visual representation in popular designs of the middle of the nineteenth century in the United States. The chapters that comprise this project follow these objects from their manufactory origins to their commercial life in studios and supply houses, and finally to their place in the private, domestic sphere. In doing so, this thesis offers a corrective to the study of early American photography by looking beyond the representational capacity of the medium to understand how photographic cases and their component parts shaped a burgeoning photographic industry and audience's perceptions of a new medium of visual representation.
Author: Marie-Stéphanie Delamaire
Publisher: Open Book Publishers
Published: 2021-10-08
Total Pages: 334
ISBN-13: 1800641494
DOWNLOAD EBOOKThe nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.
