Nina does not have a drinking problem. She likes a drink, sure. But what 17-year-old doesn’t? Nina’s mum isn’t so sure. But she’s busy with her new husband and five year old Katie. And Nina’s almost an adult after all. And if Nina sometimes wakes up with little memory of what happened the night before, then her friends are all too happy to fill in the blanks. Nina’s drunken exploits are the stuff of college legend. But then one dark Sunday morning, even her friends can’t help piece together Saturday night. All Nina feels is a deep sense of shame, that something very bad has happened to her... A dark, funny - sometimes shocking - coming of age novel from one of the UK’s leading comedians. NINA IS NOT O.K. will appeal to fans of Caitlin Moran and Lena Dunham.
Winner of the 2018 Michael L. Printz Award — An achingly beautiful novel about grief and the enduring power of friendship. “Short, poetic and gorgeously written.” —The New York Times Book Review “A beautiful, devastating piece of art." —Bookpage You go through life thinking there’s so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart. An intimate whisper that packs an indelible punch, We Are Okay is Nina LaCour at her finest. This gorgeously crafted and achingly honest portrayal of grief will leave you urgent to reach across any distance to reconnect with the people you love. Praise for We Are Okay “Nina LaCour treats her emotions so beautifully and with such empathy.” —Bustle ★ “Exquisite.” —Kirkus ★ “LaCour paints a captivating depiction of loss, bewilderment, and emotional paralysis . . . raw and beautiful.” —Booklist ★ “Beautifully crafted . . . . A quietly moving, potent novel.” —SLJ ★ “A moving portrait of a girl struggling to rebound after everything she’s known has been thrown into disarray.” —Publishers Weekly ★"Bittersweet and hopeful . . . poetic and skillfully crafted." —Shelf Awareness “So lonely and beautiful that I could hardly breathe. This is a perfect book.” —Stephanie Perkins, bestselling author of Anna and the French Kiss “As beautiful as the best memories, as sad as the best songs, as hopeful as your best dreams.” —Siobhan Vivian, bestselling author of The Last Boy and Girl in the World “You can feel every peak and valley of Marin’s emotional journey on your skin, in your gut. Beautifully written, heartfelt, and deeply real.” —Adi Alsaid, author of Never Always Sometimes and Let’s Get Lost
Motherhood. No one can prepare you for it. No matter how much you tell yourself you can do it – can you? Where's the rush of love? When will sleep again? What if the thing you fear most is also the thing you crave? All you wanted was one night of unbroken sleep, what have you done? Mum is a feverish journey through every parent's worst nightmare. A raw and real exploration of early motherhood from the award-winning writer of Emilia, Morgan Lloyd Malcolm. This edition was published to coincide with the world premiere at Theatre Royal, Plymouth and Soho Theatre, London.
In her first collection of plays, Olivier award-winning playwright and screenwriter Morgan Lloyd Malcolm's talent for writing complex female characters is on dazzling display. Belongings (2011): "Malcolm's writing is sharp and witty but also very powerful in places. Her use of humour can be shocking but it helps to balance out the weighty issues being explored: guilt, gender and family politics, sex as both a commodity and a weapon. Touching, funny and brutal, this is – on many levels – an impressive first work." - Exeunt The Wasp (2015): "Morgan Lloyd Malcolm's two-hander is sprung like a bear trap, a play with very sharp teeth." - The Stage Mum (2021): "Lloyd Malcolm, who resurrected a 17th-century feminist poet for her riotous 2018 hit Emilia, here spills the dark side of modern maternity: exhausted anxiety, love-hate co-dependency, what happens when your very worst fears come true." - Evening Standard When The Long Trick's Over (2022): "Grief can feel like drowning. And in Morgan Lloyd Malcolm's play about a swimmer with the challenge to cross the Channel, it is voluminous." - Guardian The Passenger (2021): Originally commissioned and produced by Shakespeare's Globe, this piece recounts the experience of the author's childhood terrors. A shadowy figure who follows. Has it followed us here? How will she escape him? The Passenger was staged as a part of the first Terrifying Women showcase at the Golden Goose Theatre, London, in October 2021. Morgan Lloyd Malcolm's play Emilia became a hit show in summer 2018 before transferring to the West End in 2019, winning three Olivier awards. Her adaptation of her play The Wasp completed filming at the end of 2022 starring Naomie Harris and Natalie Dormer and directed by Guillem Morales. Her play Belongings was shortlisted for the Charles Wintour Most Promising Playwright Award. She formed Terrifying Women with Abi Zakarian, Sampira and Amanda Castro in 2021 with an aim to producing more horror in theatre.
A computer genius. A missing Russian bride. A true-life murder mystery. Computer genius Hans Reiser married beautiful Russian pediatrician Nina Sharanova, moved with her to his native Oakland, California, and had two children. But bliss soon soured, and in the middle of a contentious divorce Nina simply vanished. One month later, Hans was charged with her murder. But that was just the beginning...
Will Nina and Jordan catch that flight to America for a fresh start? Or will Nina melt into Aarons arms and live happily ever after? Join the two best friends as they face yet another maze full of determination, dishonour and deceit because harboured secrets have turned into soul destroying lies. Is their friendship strong enough to survive? Learn how temptation whispers in Ninas ear as she struggles to shake off old habits and how revenge is sweet to Jordan. Witness how the masks drop off and old faces come creeping out of the woodworkseatbelts on, there will be turbulence on this flight!
Part ghost story, part murder mystery - a creepy and magical tale steeped in Norse myth, perfect for fans of Neil Gaiman. Welcome to the Circus of Myth & Mayhem - where performers re-enact tales of the Norse gods wearing masks which mysteriously change expression, the creepy jester isn't quite human, and the big top is full of the dead. Martha arrives at the circus, deep in the forests of Northern Norway, determined to learn how Nina died. Did she fall from the trapeze as Stig said, or was there more to her 'accident?' Drawn into a dangerous game of the gods, Martha must look behind the mask and see the truth . . . before it's too late. Following the events of THE TWISTED TREE, THE CROOKED MASK continues the story of Martha and Stig as she comes to terms with her magical inheritance. Praise for The Twisted Tree A creepy and evocative fantasy likely to make readers wary of the shadows in the corner of an eye, The Sunday Times Rattles along with proper page-turning pace, The Daily Express Creepy and amazing, MTV UK Creates an atmosphere of Stephen King intensity, The Irish Examiner A terrific read - twisty and scary and instantly gripping, Waterstones (Exeter Roman Gate) A ghost story that will get under the skin of the most hardened reader, Starburst Magazine The perfect book for cold and wintry nights, prepare to be chilled to your very bones, Culturefly
Nina had the feeling that someone was following her ever since she and Gabriella had decided to open up their design business together. She couldn't understand why someone would want to follow her but she just knew someone was by the eerie feeling she had from time to time. She was out looking at properties for their business today while Gabriella and Niko were on their honeymoon. Nina's quest was to find the perfect property to show Gabriella when she got back. The property she was looking at she called the "House of Gables". It was so unique she wanted to get a better look at the grounds around back. While looking at the back property she heard the sound of tires crunching on leaves. Like someone had pulled into the driveway. She wanted to panic, but she knew that wouldn't help, she reached for her cell phone but she had left that and her purse in her vehicle. Damn now what could she do, her Dad was right she should not have come out here alone. Why was she so stubborn and never listened to anyone? She was trapped and no way to call for help. She wondered who this person was and why was he trying to scare her. Well try or not he had definitely succeeded in scaring her half to death. More importantly would she get to see her family again!!
These stories about struggling artists are “a fierce and funny exploration of creation and its discontents” (Steve Almond, author of My Life in Heavy Metal). Set in various creative communities—an art school, an illegal loft studio, a guerrilla street performance troupe—where teamwork and professional jealousy mix, these interconnected short stories by prizewinning author Anne Elliot follow artists as they grapple with economic realities and evolving expectations. A middle-aged poet, reeling from 9/11, fights homesickness, writer’s block, and ladybugs at an artist’s colony. A new empty-nester finds a creative outlet in her community garden, but gets tangled up in garden politics. As the characters pass through each other’s stories, making messes and helping mop them up, some find inspiration in accidents and others are ready to quit art completely. Together, they stumble through the creative process, struggling to make art and find the spark of something new and original within themselves. In a world where the odds of becoming a star are nearly impossible, The Artstars tells the darkly humorous yet moving stories of those who dare to dream.
