A 2022 Coretta Scott King Book Award Honoree! This luminous, defining picture book biography illustrated by Caldecott Honoree Christian Robinson, tells the remarkable and inspiring story of acclaimed singer Nina Simone and her bold, defiant, and exultant legacy. Cover may vary. Born Eunice Kathleen Waymon in small town North Carolina, Nina Simone was a musical child. She sang before she talked and learned to play piano at a very young age. With the support of her family and community, she received music lessons that introduced her to classical composers like Bach who remained with her and influenced her music throughout her life. She loved the way his music began softly and then tumbled to thunder, like her mother's preaching, and in much the same way as her career. During her first performances under the name of Nina Simone her voice was rich and sweet but as the Civil Rights Movement gained steam, Nina's voice soon became a thunderous roar as she raised her voice in powerful protest in the fight against racial inequality and discrimination.
Nina Campbell is one of the world’s most respected and influential interior designers. Her current projects include a large residence on mainland China, a private house for a member of the Jordanian royal family in Amman, a town house in New York, and a country house hotel overlooking Cheltenham race course, and it is this broad range of commissions that makes Nina uniquely qualified to guide the home decorator. Nina Campbell Interiors focuses on introducing all-important detail into the home, whether in the form of texture, color, lighting, art, flowers, or other finishing touches. This book features the private homes of Nina’s clients, ranging from a city pied-a-terre to a large family home, from a chic apartment to a country bolt-hole, a vast home in Shanghai and a New York brownstone, all designed and decorated to suit a range of lifestyles, but all reflecting Nina’s infallible eye for detail.
"Monica Hand's me and Nina is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book."—Elizabeth Alexander In an intimate conversation with the "High Priestess of Soul," Monica A. Hand surveys the places and moods of alienation through poems that are as musical and stylistically diverse as Nina Simone's work. Hand readily embraces a "mass hypnosis" style, putting "a spell on [us]" with her intensely passionate cries and commitment to embracing both tragedy and exuberance in these insightful poems. From "Dear Nina": I am not recession depression oppression compression crooked line broken line polka dot parking lot or spot I am a Gift from God I know that I am an un-kept solo song Monica A. Hand is a poet and book artist currently living in Harlem, New York. Her poems have appeared or are forthcoming in Aunt Chloe, Black Renaissance Noire, The Sow's Ear, Drunken Boat, Beyond the Frontier, African-American Poetry for the 21st Century, Gathering Ground: A Reader Celebrating Cave Canem's First Decade, and elsewhere. She holds an MFA in poetry and poetry in translation from Drew University and is a founding member of Poets for Ayiti.
"We must all listen to Nina Garcia. Sharp and genuine, her advice can make or break an outfit." -- Tim Gunn, Fashion Consultant and Mentor of Project Runway "Believe me-there's pressure when you're deciding what to wear to a meeting with an iconic fashion designer or a member of the press. It can be terrifying. But instead of panicking, I stop, take a deep breath, and remember that I speak "fashion." And by the time you have read this book, you'll be able to speak the language of fashion too, at all the key moments of your life." -- from Nina Garcia's Look Book Every woman, at one time or another, has contemplated an all-important job interview, first date, formal party, or important presentation and wailed to herself and to her closest girlfriends, "What should I wear" In Nina Garcia's Look Book, style guru Nina Garcia solves this universal quandary with an inspired and unbeatable combination of fashion knowledge and common sense. She shows us the pieces, the accessories, and the strategies to create the looks that will take us from the first day on a job through the day we ask for a raise and beyond, from the first time we meet our boyfriend's parents (or his children) through the day we see our own children walk down the aisle. With Nina by your side, you can't go wrong. You'll have all the tips you will need to navigate every day looking your best. True style is not about having a closet full of expensive and beautiful things-it is instead about knowing when, where, and how to utilize what you have.
In this illuminating and deeply moving memoir, a former American military intelligence officer goes beyond traditional Cold War espionage tales to tell the true story of her family—of five women separated by the Iron Curtain for more than forty years, and their miraculous reunion after the fall of the Berlin Wall. Forty Autumns makes visceral the pain and longing of one family forced to live apart in a world divided by two. At twenty, Hanna escaped from East to West Germany. But the price of freedom—leaving behind her parents, eight siblings, and family home—was heartbreaking. Uprooted, Hanna eventually moved to America, where she settled down with her husband and had children of her own. Growing up near Washington, D.C., Hanna’s daughter, Nina Willner became the first female Army Intelligence Officer to lead sensitive intelligence operations in East Berlin at the height of the Cold War. Though only a few miles separated American Nina and her German relatives—grandmother Oma, Aunt Heidi, and cousin, Cordula, a member of the East German Olympic training team—a bitter political war kept them apart. In Forty Autumns, Nina recounts her family’s story—five ordinary lives buffeted by circumstances beyond their control. She takes us deep into the tumultuous and terrifying world of East Germany under Communist rule, revealing both the cruel reality her relatives endured and her own experiences as an intelligence officer, running secret operations behind the Berlin Wall that put her life at risk. A personal look at a tenuous era that divided a city and a nation, and continues to haunt us, Forty Autumns is an intimate and beautifully written story of courage, resilience, and love—of five women whose spirits could not be broken, and who fought to preserve what matters most: family. Forty Autumns is illustrated with dozens of black-and-white and color photographs.
A book of imagination for the little Nina in all of us. Make a little mess, collect some little snowflakes, and draw the things a little bird might say in this book that asks its owner to make his or her mark on every page. Keith Haring presented Nina’s Book of Little Things to a friend’s daughter on her seventh birthday. Now everybody can enjoy this classic book, back in print in a stylish new edition, featuring a back-page pocket for extra items and a band to keep everything safely stowed.
Near the end of Nabokov's Lolita, Humbert makes an honest admission: "[A]nd it struck me…that I simply did not know a thing about my darling's mind." That line sums up the isolate game of memorializing a deceased loved one, which is the basic tension in Nina's Memento Mori, an elegy to Mathias Freese's lost wife. The profound responsibility of answering the question "Who was Nina?" is left to the lone memoirist: I can say or write anything I want about her…There is much writerly power in that. I am the executor of her probate in all things now. She is mine now in ways she could not be when alive. I am the steward of her memory. Freese ends up analyzing himself, putting the "me" in "memento" and the "i" in "mori," thanks to ever-giving Nina posthumously providing a therapeutic mirror or "Rosebud," which Freese appropriates from Citizen Kane. But Freese mourns more over the burden of existence than over its loss. Appropriately, for Kane is not about the symbolic sled as much as it's about the cumulative snow that buries it.
Nina had the feeling that someone was following her ever since she and Gabriella had decided to open up their design business together. She couldn't understand why someone would want to follow her but she just knew someone was by the eerie feeling she had from time to time. She was out looking at properties for their business today while Gabriella and Niko were on their honeymoon. Nina's quest was to find the perfect property to show Gabriella when she got back. The property she was looking at she called the "House of Gables". It was so unique she wanted to get a better look at the grounds around back. While looking at the back property she heard the sound of tires crunching on leaves. Like someone had pulled into the driveway. She wanted to panic, but she knew that wouldn't help, she reached for her cell phone but she had left that and her purse in her vehicle. Damn now what could she do, her Dad was right she should not have come out here alone. Why was she so stubborn and never listened to anyone? She was trapped and no way to call for help. She wondered who this person was and why was he trying to scare her. Well try or not he had definitely succeeded in scaring her half to death. More importantly would she get to see her family again!!