Nijinsky, Pavlova, Duncan

Nijinsky, Pavlova, Duncan

Author: Paul Magriel

Publisher: Da Capo Press, Incorporated

Published: 1977-03-21

Total Pages: 288

ISBN-13:

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Long out of print, the three volumes contained here offer the modern reader a rare opportunity to see Vaslav Nijinsky, Anna Pavlova, and Isadora Duncan through the eyes of their contemporaries and admirers, and to share the excitement they were causing at the end of their careers.


Nijinsky

Nijinsky

Author: Lucy Moore

Publisher: Profile Books

Published: 2013-05-02

Total Pages: 460

ISBN-13: 1847658288

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'He achieves the miraculous,' the sculptor Auguste Rodin wrote of dancer Vaslav Nijinsky. 'He embodies all the beauty of classical frescoes and statues'. Like so many since, Rodin recognised that in Nijinsky classical ballet had one of the greatest and most original artists of the twentieth century, in any genre. Immersed in the world of dance from his childhood, he found his natural home in the Imperial Theatre and the Ballets Russes, he had a powerful sponsor in Sergei Diaghilev - until a dramatic and public failure ended his career and set him on a route to madness. As a dancer, he was acclaimed as godlike for his extraordinary grace and elevation, but the opening of Stravinsky's The Rite of Spring saw furious brawls between admirers of his radically unballetic choreography and horrified traditionalists. Nijinsky's story has lost none of its power to shock, fascinate and move. Adored and reviled in his lifetime, his phenomenal talent was shadowed by schizophrenia and an intense but destructive relationship with his lover, Diaghilev. 'I am alive' he wrote in his diary, 'and so I suffer'. In the first biography for forty years, Lucy Moore examines a career defined by two forces - inspired performance and an equally headline-grabbing talent for controversy, which tells us much about both genius and madness. This is the full story of one of the greatest figures of the twentieth century, comparable to the work of Rosamund Bartlett or Sjeng Scheijen.


The Queer Afterlife of Vaslav Nijinsky

The Queer Afterlife of Vaslav Nijinsky

Author: Kevin Kopelson

Publisher: Stanford University Press

Published: 1997

Total Pages: 252

ISBN-13: 9780804729499

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This is three books in one: an impressionistic account (based on the aestheticism of Walter Pater) of the dancer's homoerotic career, a deconstructive analysis of his gay male reception (drawn from the semiotics of Roland Barthes), and an exploration of the limitations of that analysis.


Isadora Duncan Sleeps with the Russian Navy

Isadora Duncan Sleeps with the Russian Navy

Author: Jeff Wanshel

Publisher: Dramatists Play Service Inc

Published: 1977

Total Pages: 66

ISBN-13: 9780822205760

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THE STORY: As the play begins we are in Hollywood, where a failed author has been offered a contract to write a film on the life and loves of Isadora Duncan. Reluctant at first, he decides to go ahead with the project, and as he creates the various


Isadora Duncan in the 21st Century

Isadora Duncan in the 21st Century

Author: Andrea Mantell Seidel

Publisher: McFarland

Published: 2015-12-01

Total Pages: 271

ISBN-13: 1476623694

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Part artistic study, part intimate memoir, this book illuminates the technique and repertory of American dancer Isadora Duncan (1877-1927) and her enduring legacy from the perspective of an artist and scholar who has reconstructed and performed her work for 35 years. Providing an overview of modern activities and trends in the teaching and performance of Duncan's dance, the author describes her own work directing The Isadora Duncan Dance Ensemble, the company that sought to implement Duncan's mission to create not a school of dance but "a school of life."


Nijinsky's Faune Restored

Nijinsky's Faune Restored

Author: Ann Hutchinson Guest

Publisher: Psychology Press

Published: 1991

Total Pages: 224

ISBN-13: 9782881248191

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This third volume in The Language of Dance series presents Nijinsky's ballet as he himself recorded it in 1915, making this authentic version, translated into Labanotation, immediately available to dance students, teachers, scholars and researchers. It intentionally includes the historical background, the chronology of Niminsky's performances of "Faune," Nijinsky's production notes, analysis of the choreographic style of the ballet, detailed study and performance notes, approaches to learning and teaching the ballet, research problems encountered in the transcription and revival, and a comprehensive explanation of Nijinsky's notation system with examples from his score. Supplemented by photographs of the 1912 production and with the music adjacent to the dance phrases, this book provides unique access to a much discussed and elusive ballet. Nijinsky's score of his "L'Apres-midi d'un faune" lay unused for nearly forty years after his death, because nobody could read it. In 1987


Dance Words

Dance Words

Author: Valerie Preston-Dunlop

Publisher: Routledge

Published: 2016-01-28

Total Pages: 739

ISBN-13: 113436122X

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In her unique collection of the verbal language of dance practitioners and researchers, Valerie Preston-Dunlop presents a comprehensive view of people in dance: what they do, their movement, their sound, and the space in which they work - from the standpoint of the performers, choreographers, audiences, administrators, and teachers. The words and phrases of their technical and vernacular languages, which are used to communicate what is essentially a non-verbal activity, have been collected in rehearsal classes and workshops by interviews, and from published sources. In this first collection of its kind Valerie Preston-Dunlop extends her selection of verbal language to include the various social and theatrical domains of dance.


Modern Dance in Germany and the United States

Modern Dance in Germany and the United States

Author: Isa Partsch-Bergsohn

Publisher: Routledge

Published: 2013-11-05

Total Pages: 204

ISBN-13: 1134358148

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First Published in 1995. In Modern Dance in Germany and the United States: Crosscurrents and Influences Isa Partsch­Bergsohn discusses the phenomenon of the modem dance movement between 1902 and 1986 in an international context, focussing on its beginnings in Europe and its philosophy as formulated by the pioneers Dalcroze, Laban, Wigman and Jooss. The author traces the effects the Third Reich had on these artists, and shows the influence these key choreographers had on the developing American modem dance movement through the postwar years, concentrating in particular on Kurt Jooss and his Tanztheater. When America took the lead in modem dance innovation during the sixties, artists such as Martha Graham, Jose Limon, Paul Taylor, Alvin Ailey and Alwin Nikolais overwhelmed European audiences. Subsequently, the artists of the New German Tanztheater revitalized German theatre traditions by blending new content with some of the American contemporary dance techniques. Although the history of modem dance in these two countries is closely linked, the author describes how each country has kept its own unique and distinctive style.


Poetics of Dance

Poetics of Dance

Author: Gabriele Brandstetter

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 457

ISBN-13: 0199916578

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The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Author Gabriele Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity.


Seduction and Power

Seduction and Power

Author: Silke Knippschild

Publisher: A&C Black

Published: 2013-08-15

Total Pages: 265

ISBN-13: 1441154205

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This volume focuses on the reception of antiquity in the performing and visual arts from the Renaissance to the twenty-first century. It explores the tensions and relations of gender, sexuality, eroticism and power in reception. Such universal themes dictated plots and characters of myth and drama, but also served to portray historical figures, events and places from Classical history. Their changing reception and reinterpretation across time has created stereotypes, models of virtue or immoral conduct, that blend the original features from the ancient world with a diverse range of visual and performing arts of the modern era.The volume deconstructs these traditions and shows how arts of different periods interlink to form and transmit these images to modern audiences and viewers. Drawing on contributions from across Europe and the United States, a trademark of the book is the inclusive treatment of all the arts beyond the traditional limits of academic disciplines.