In 1993, Amira Aass, a young Israeli reporter, drove to Gaza to cover a story - and stayed, the first journalist to live in the grim Palestinian enclave so feared and despised by most Israelis that, in the local idiom, "Go to Gaza" is another way to say "Go to hell." Now, in a work of calm power and painful clarity, Hass reflects on what she has seen in Gaza's gutted streets and destitute refugee camps. Drinking the Sea at Gaza maps the zones of ordinary Palestinian life. From her friends, Hass learns the secrets of slipping across sealed borders and stealing through night streets emptied by curfews. She shares Gaza's early euphoria over the peace process and its subsequent despair as hope gives way to unrelenting hardship. But even as Hass charts the griefs and humiliations of the Palestinians, she offers a remarkable portrait of a people not brutalized but eloquent, spiritually resilient, bleakly funny, and morally courageous. Full of testimonies and stories, facts and impressions, Drinking the Sea at Gaza makes an urgent claim on our humanity. Beautiful, haunting, and profound, it will stand with the great works of wartime reportage, from Michael Herr's Dispatches to Rian Malan's My Traitor's Heart.
"The Night Ocean" is told from the first person narrative and it follows the young painter who arrives in a small village of Ellston where he is supposed to enter a contest with his large mural. At first, he enjoys peace and quiet surroundings, but as he stays longer he start seeing and experiencing some strange things which, along with the loneliness, have strong effect to his psyche.
All at Sea is a remarkable story of love and loss, of how one couple changed each other’s life, and of what a sudden death can do to the people who survive. On a hot, still morning on a beautiful beach in Jamaica, Decca Aitkenhead’s life changed forever. Her four-year-old son was paddling peacefully at the water’s edge when a wave pulled him out to sea. Her partner, Tony, swam out and saved their son’s life—then drowned before her eyes. When Decca and Tony first met, a decade earlier, she was a renowned Guardian journalist profiling leading politicians of the day; he was a dreadlocked criminal with a history of drug dealing and violence. No one thought the romance would last, but it did—until the tide swept Tony away, plunging Decca into the dark chasm of random tragedy. Exploring race and redemption, privilege and prejudice, All at Sea is a breathtakingly honest, profound, and utterly unforgettable memoir.
National Bestseller "The Seas took me back to how I felt as a kid, when you’re newly falling in love with literature, newly shocked by its capacity to cast a spell..." ?Maggie Nelson (from the Introduction) A Most Anticipated Book of Summer at BuzzFeed, NYLON, and more. Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She’s often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid. True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior.The mesmerizing, fevered coming-of-age tale that follows will land her in jail. Her otherworldly escape will become the stuff of legend. With the inventive brilliance and psychological insight that have earned her international acclaim, Samantha Hunt pulls readers into an undertow of impossible love and intoxication, blurring the lines between reality and fairy tale, hope and delusion, sanity and madness.
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.
"When Cara and Brendan first meet, she's fresh out of college with a degree in the fine arts, recovering from the recent death of her mother and spending time on Martha's Vineyard while trying to figure out her next steps. She's swept away by Brendan's humor and charm and intoxicated by his thrilling, dangerous secret. He claims -- no, he insists -- that he he can breathe underwater. He shows Cara his gills. He dives beneath the waves and doesn't emerge for many minutes at a time. He offers her the most plausible of explanations: that he is a member of the United State's Army Special Forces and has undergone top-secret experimental surgery. And Cara, struck by the force of his devotion, by his unstoppable charisma, and most of all, by the casual truth of his claim, believes him. Their summer romance quickly turns serious. And then Cara gets pregnant. She and Brendan move into a house he buys for them, and when their son, Micah, is born, she is sure their happy ending is underway. Still, she is forced to contend with Brendan's dramatic moods, and struggles to overlook his unexplained disappearances and the weight of his dangerous secrets. She knows it must be PTSD. The trauma of war. The desperate, tragic memories that scar all soldiers. Cara is determined to stay strong for her young family, to heal Brendan's psychic wounds, to keep him safe. Until he and baby Micah seemingly vanish into thin air -- or deep water. Five years later, Cara is still struggling to move forward, married to another man and trying to rebuild her life, when a local fisherman announces he's spotted a man and small child treading water in Nantucket Sound. The news rekindles Cara's never-abandoned hope that her child may still be alive. As she fights to untangle delusion from reality, and revisits a past she's worked hard to reconcile, she's determined to learn the truth about her lost love and finally find her son"--
Wave after wave of passion sweeps a woman’s inhibitions away on a sultry cruise to Mexico in this sizzling romance from the author of 26 Hours in Paris. Four days on the water . . . Four nights in his arms . . . Charlene “Charlie” Stanton doubts her maiden voyage on a lusty singles cruise will direct her sails toward love. But an unexpected lothario just might change the tide in her favor . . . Charlie boarded the Cozumel-bound Lovers Sail cruise hoping for nothing more than writing an article that would make it into the pages of City Wings, a trendy travel magazine. Still recovering from a highly publicized divorce, love is the last thing on her mind—especially when she realizes she’s mistakenly booked herself a spot on a kink cruise. That is until she meets Ford, an outsider just like her, and he whips her attitude into submission. Despite rules limiting their interaction, he shows her a world where pleasure is encouraged, and nothing is forbidden. And with Ford as her anchor, she begins to wonder if she can turn four nights of fantasy into more nights of reality when the trip is over . . . Don’t miss the third book in the International Affairs series, One Week in Greece.
“A MASTER STORYTELLER.” —RT Book Reviews It was fate that helped fashion executive Skye Delaney survive the crash of a Lear jet. It was also fate that stranded her on a Pacific island with the plane's pilot, a seductive man who is both domineering and unexpectedly tender—a man to desire, but not to trust. Discovering that he is actually Kyle Jagger—a ruthless business tycoon with a reputation as an international playboy—makes Skye even more wary . . . at first. In a sultry Eden where a man's passion and a woman's love are their only hope for survival, she succumbs to Kyle's tender caresses. But Skye has a fiancé back in the States, and Kyle is rumored to have a wife. Once they return to their separate worlds, will they lose each other forever? Or will a love born in paradise bring a lifetime of joy and happiness to two yearning hearts? Praise for Heather Graham and her novels “Graham combines mystery with sizzling romance.” —Publishers Weekly “Has a talent for characterization and romantic tension.” —New York Daily News
It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. R is for Rushdie. Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as Gulliver’s Travels, Alice in Wonderland, and The Wizard of Oz. Haroun, a 12-year-old boy sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.
