Nicholas Ray

Nicholas Ray

Author: Patrick McGilligan

Publisher: Harper Collins

Published: 2011-07-12

Total Pages: 564

ISBN-13: 0060731370

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From award-winning biographer Patrick McGilligan comes an eye-opening life of the troubled filmmaker behind Rebel Without a Cause Nicholas Ray spent the glory years of his career creating films that were dark, emotionally charged, and haunted by social misfits and bruised young people consumed by private anguish—from his career-defining debut, They Live by Night (1948), to his enduring masterwork, Rebel Without a Cause (1955); from the noir thriller In a Lonely Place (1950), pairing his second wife, the blond bombshell Gloria Grahame, with Humphrey Bogart, to cult pictures like Johnny Guitar (1954) and Bigger Than Life (1956). Yet his work on-screen is more than matched by the passions and struggles of his personal story—one of the most dramatic lives of any major Hollywood filmmaker. In Nicholas Ray: The Glorious Failure of an American Director, Patrick McGilligan offers a revelatory biography of Ray, a man whose troubled life was marked by creative peaks and valleys alike. As a young man, Ray personified the rambling spirit of twentieth-century America, learning from luminaries like Thornton Wilder and Frank Lloyd Wright; mingling with future legends like Elia Kazan, Joseph Losey, and John Houseman; and carousing with musicians like Lead Belly and Woody Guthrie. Notoriously self-destructive but irresistibly alluring—to men and women alike—Ray empathized with the broken and misunderstood, a talent that allowed him to create characters of true complexity on-screen. His youthful association with radical politics nearly killed his nascent film career—until a secret agreement to cooperate with the House Committee on Un-American Activities saved him. His tumultuous second marriage, to Grahame, was shattered after Ray found her in bed with his teenage son from his first marriage. He romanced stars and starlets, including Marilyn Monroe, Shelley Winters, Joan Crawford, and the teenage Natalie Wood, but never enjoyed a stable home life. The triumph of Rebel Without a Cause, his masterpiece of teenage angst, led to a burgeoning partnership with James Dean, but Dean’s untimely death devastated the filmmaker, who fell into a spiral of drinking and drug addiction. Less than a decade later, Ray’s career was effectively over . . . until the adoration of European critics, and a frantic last-ditch burst of creativity, nearly restored him to glory before his tragic early death in 1979. Meticulously detailed and compulsively readable, this new biography reconstructs the tortuous journey of one of the most enduringly fascinating figures in American film.


I Was Interrupted

I Was Interrupted

Author: Nicholas Ray

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 303

ISBN-13: 0520916670

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One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in Rebel Without a Cause (1955), he is also well regarded for his cult western Johnny Guitar (1954), and such prestigious noir classics as On Dangerous Ground (1951). I Was Interrupted offers a provocative selection of the filmmaker's writings, lectures, interviews, and more.


Nicholas Ray

Nicholas Ray

Author: Bernard Eisenschitz

Publisher: U of Minnesota Press

Published: 2011

Total Pages: 599

ISBN-13: 9780816676217

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Originally published: London: Faber and Faber Limited, 1993.


Ray by Ray

Ray by Ray

Author: Nicca Ray

Publisher: Three Rooms Press

Published: 2020-04-28

Total Pages: 336

ISBN-13: 9781941110874

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An essential new perspective on Nicholas Ray--legendary Hollywood director of Rebel Without a Cause--by his daughter and namesake Nicca, who examines her father's genius and demons, unraveling myths to illuminate who he really was, what drove him to create, and who, now, is Nicca Ray?


American Stranger

American Stranger

Author: Will Scheibel

Publisher: State University of New York Press

Published: 2017-02-02

Total Pages: 260

ISBN-13: 1438464134

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How does cinema culture imagine one of its favorite figures, the rebel? The reputation of the American director Nicholas Ray provides a particularly notable example. Most famous for Rebel Without a Cause, Ray has since been canonized as a "rebel auteur" and celebrated for seeking a personal vision and signature style under the industrial pressures of Classical Hollywood during its late studio period. In American Stranger, Will Scheibel reconstructs how Ray's reputation developed over time, analyzing the different historical practices of modernism that set new horizons for artistic rebellion in postwar cinema. Drawing on biographical legends, interviews, film reviews, articles in both national newspapers and international film magazines, and star promotion and publicity, Scheibel examines the contexts in which Ray's reputation was constructed. These include the consolidation of director-based film criticism and the rise of film studies as an academic discipline; star performances and personifications of the rebel male in Ray's films; the counterculture in which Ray promoted himself as a teacher and worked as a political avant-gardist; and the art cinemas of Jean-Luc Godard, Wim Wenders, and Jim Jarmusch, each of whom were influenced by Ray. In addition to Rebel Without a Cause, Scheibel also analyzes such classic films as The Lusty Men and In a Lonely Place, as well as collaborative, less-examined films from his later career outside of Hollywood, We Can't Go Home Again and Lightning Over Water. Reconstructing the evolution of Ray's place in cinema culture, this intellectual history measures the standards for both rebellion and convention, for the vanguard and the establishment, that determine an artistic reputation.


CinemaTexas Notes

CinemaTexas Notes

Author: Louis Black

Publisher: University of Texas Press

Published: 2018-02-26

Total Pages: 416

ISBN-13: 1477315446

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Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.


Lonely Places, Dangerous Ground

Lonely Places, Dangerous Ground

Author: Steven Rybin

Publisher: Suny Press

Published: 2014

Total Pages: 324

ISBN-13:

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The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director's place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray's most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray's lesser-known and underappreciated films, and devotes attention to the highly experimental We Can't Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.


Architecture and its Ethical Dilemmas

Architecture and its Ethical Dilemmas

Author: Nicholas Ray

Publisher: Taylor & Francis

Published: 2007-05-07

Total Pages: 196

ISBN-13: 1134274718

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A cast of leading writers and practitioners tackle the ethical questions that architects are increasingly facing in their work, from practical considerations in construction to the wider social context of buildings, their appearance, use and place in the narrative of the environment. This book gives an account of these ethical questions from the perspectives of historical architectural practice, philosophy, and business, and examines the implications of such dilemmas. Taking the current discussion of ethics in architecture on to a new stage, this volume provides an accumulation of diverse opinions, focusing on architects' actions and products that materially affect the lives of people in all urbanized societies.


That Untravell'd World

That Untravell'd World

Author: Nicholas Dylan Ray

Publisher:

Published: 2019

Total Pages: 0

ISBN-13: 9781909930766

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Nicholas Dylan Ray grew up next to an American national park, whose mountains and forests he explored to escape his troubled home. As a young man, he left the United States, and aged twenty-two set out on a six-month journey from France to Tibet, traveling through Turkey. That journey forms the first chapter of this book, and led to a career working with the Middle East. In middle age, the author returned to the road, travelling throughout Turkey. In the six subsequent chapters, one for each journey, he recounts his adventures, discusses the archaeology and history of the places visited, and the people met along the way. In Konya he is transported by the beauty of an Arabic quotation from the Qur¿an inscribed on Rumi¿s tomb. In Istanbul, among Syrian refugees, he considers the concept of charity in Islam. In Antalya, just after the Islamic State terrorist attack in his home country of France, he analyses the textual foundations of jihadism in Islamic law. Within earshot of the shelling in Syria, he contemplates genocide, and climbs Musa Dagh mountain, the last redoubt of the Armenians who fought the Ottoman troops in 1915. In the coastal region of the Black Sea, he examines the monastic urge in religion and experiments with fasting during Ramadan. And finally, on the north-western Mediterranean coast, he visits two battlefields, Troy and Gallipoli, before returning to Istanbul for a last visit to Sultanahmet, the center of the Islamic world for five centuries. During these wanderings Nicholas Dylan Ray shares with the reader his deep knowledge of Islamic religion, culture and history, discussing the foundational texts and their role in current events in the Middle East. He also takes note of those who have travelled these lands before him and reflects on the mixed experience of travel itself.


Triumph over Containment

Triumph over Containment

Author: Robert P. Kolker

Publisher: Rutgers University Press

Published: 2021-10-15

Total Pages: 144

ISBN-13: 1978820941

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The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences. Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture. This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.