Contributed articles and write-ups with reproduction of illustrations on various aspects of Indian folklore presented and performed during the festival.
In this anthropological history, Mary E. Hancock examines the politics of public memory in the southern Indian city of Chennai. Once a colonial port, Chennai is now poised to become a center for India's "new economy" of information technology, export processing, and back-office services. State and local governments promote tourism and a heritage-conscious cityscape to make Chennai a recognizable "brand" among investment and travel destinations. Using a range of textual, visual, architectural, and ethnographic sources, Hancock grapples with the question of how people in Chennai remember and represent their past, considering the political and economic contexts and implications of those memory practices. Working from specific sites, including a historic district created around an ancient Hindu temple, a living history museum, neo-traditional and vernacular architecture, and political memorials, Hancock examines the spatialization of memory under the conditions of neoliberalism.
This Volume Will Stand As An Eccelectic Testimony To The Fact That Folklorists Are The New Public Intellectuals Of 21St Century Addressing Issues Of Integrity And Representation, Cultural Freedom And Justice, Aesthetics Of Tradition And Change And Contributing To The Development Of Civic Republicanism.
"The V&A has the world's most important collection of nineteenth-century temple hangings from South India, but only one of the smaller pieces has ever been published. For the first time these amazing objects have been documented and made public. The hangings are of two main types: large narrative pieces from Andhra Pradesh which tell stories from the Ramayana, the exploits of Krishna or tales connected with South Indian deities, and smaller pieces from Tamil Nadu. A single extraordinary Ramayana hanging from Sri Lanka is also included. All of the pieces are illustrated in their entirety, along with ample details that highlight the remarkable skill and regional styles of the narrative artists. Each piece is accompanied by a brief summary of its story, but the full 'frame-by-frame' narrative is described in a separate illustrated catalogue section. This detailed section will also provide translations of all the Telugu and Tamil inscriptions that accompany the narratives, translated especially for this project. As well as the description of the pieces themselves, there will be a general introduction about how such pieces were used and their regional stylistic variations, and a chapter on technique and how they fit into the broader picture of Indian textiles, by V&A curator Rosemary Crill."--from V&A website.
A unique, international resource for Leisure Studies: in one volume the history, organization and central debates in the field of Leisure Studies are defined, providing a one-stop-shop for students and an agenda for future debate and research academics.