New Theatre Quarterly 71: Volume 18, Part 3

New Theatre Quarterly 71: Volume 18, Part 3

Author: Clive Barker

Publisher: Cambridge University Press

Published: 2002-12-12

Total Pages: 100

ISBN-13: 9780521524049

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New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.


New Theatre Quarterly 43: Volume 11, Part 3

New Theatre Quarterly 43: Volume 11, Part 3

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1995-11-16

Total Pages: 98

ISBN-13: 9780521558426

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One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.


New Theatre Quarterly 67: Volume 17, Part 3

New Theatre Quarterly 67: Volume 17, Part 3

Author: Clive Barker

Publisher: Cambridge University Press

Published: 2001-10-26

Total Pages: 100

ISBN-13: 9780521002806

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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theater history has a contemporary relevance, that theater studies need a methodology, and that theater criticism needs a language. The journal publishes news, analysis and debate within the field of theater studies.


New Theatre Quarterly 28: Volume 7, Part 4

New Theatre Quarterly 28: Volume 7, Part 4

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1992-02-06

Total Pages: 110

ISBN-13: 9780521406642

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One of a series which discusses topics of interest in theatre studies from various perspectives. Part 28 includes discussions of 'Mother Courage' at the Citizens, 1990, by Margaret Eddershaw, and Wole Soyinka's 'Death and the King's Horseman', at the Royal Exchange, 1990, by Martin Banham.


Modern British Playwriting: The 1990s

Modern British Playwriting: The 1990s

Author: Aleks Sierz

Publisher: Bloomsbury Publishing

Published: 2012-05-24

Total Pages: 290

ISBN-13: 1408157128

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British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama's Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine Rees), Anthony Neilson (Patricia Reid), Mark Ravenhill (Graham Saunders) and Philip Ridley (Aleks Sierz). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1990s.


New Theatre Quarterly 73: Volume 19, Part 1

New Theatre Quarterly 73: Volume 19, Part 1

Author: Simon Trussler

Publisher: Cambridge University Press

Published: 2003-08-25

Total Pages: 98

ISBN-13: 9780521535885

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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.


New Theatre Quarterly 55: Volume 14, Part 3

New Theatre Quarterly 55: Volume 14, Part 3

Author: Clive Barker

Publisher: Cambridge University Press

Published: 1998-11-19

Total Pages: 108

ISBN-13: 9780521648516

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New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.