Author: Shakespeare Society Of New York

Publisher: Forgotten Books

Published: 2017-10-24

Total Pages: 382

ISBN-13: 9780266673927

Excerpt from New-Shakespeareana, Vol. 5: A Critical Contemporary and Current Review of Shakespearean and Elizabethan Studies Department OF textual criticism, conducted by E. Merton Dey, Esq., 17 - 55-87-135. I had my father's signet in my purse, 17. The time is out of joint, 19. There fore I have entreated him along With us, etc., 19. Let's be Sacrificers, but not Butchers, Caius, 19, 87. What cheer, how is't with you, best brother 55. Good, my com plexion, 56. I'll tell thee, Charles, it is the stubbornest young fellow of France, 57. Be it but so much, as makes it ly at or heavy in the substance or the division of the twen tieth part of one poor scruple, 58. You shall find her the infernal Ate in good apparel, 58, 135. Most ignorant of what he's most assured, His glassy essence, 87. Each par ticular hair to stand on end, 88. I would land-damn him, 89. And when he reades Thy personal venture in the Reb els fight, His wonders and his Prayses doe contend, which should be thine or his: silenced with that, 89. Wouldst not play false, And yet would'st wrongly win. That which cries, 'thus thou must do, ' etc., 90. 0, she is rich in beauty, only poor, That when she dies with beauty dies her store, 137. Rebellion subjects, enemies to peace, Profaners of this neighbour-stained steel, 138. It's the way To call hers, exquisite, in question now, 138. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.