A clay disk that looks like a child's game has become a headache for archaeologists and historians. And for the throngs of tourists who visit Crete, it is fascinating for its mystery. This is a completely new interpretation of the meaning of the Phaistos Disc, which opens new horizons never before imagined by archaeologists and historians. The utilized interpretative methodology is new as well: It presents a new way of investigating artifacts that are mysterious due to their age; direct evidence isn't possible and interpretation is difficult. The ancients' access to ideas was much different than now. The difficulty of understanding lies in the code of communication, which is no longer understood and in the contents themselves, since neither of the two falls within our wealth of knowledge. The result with the classic historical-archaeological method can only be "un-understanding". This book presents one possible solution. If we are willing to mix "Sacred and Profane", "Rational and Intuitive", and "Scientist and Artist", we can reach the result of this book: The unveiling of a meaning that would otherwise remain mysterious to the mind of modern man.
Sometimes there are places that we find particularly attractive; places where we want to stay because something that is beyond our understanding calls to us. What I am about to describe to you belongs to this type of situation. The Phaistos Disc is a mystery. It belongs to that group of objects which are not interpretable through the classic historical-archaeological method. The Kernos Stone, however, is not considered to be a mystery: it is simply thought to be a surface for offerings. For traditional scholars, it is obvious what unites the Phaistos Disc to the Kernos Stone: they are both artifacts that belong to the archaeological heritage of Crete. Nothing more. But if we link these two objects in our imagination and, indeed, put one on top of the other, perhaps in the same place and at a specific day of the year, we would not only get the solution to an enigma, but also the magic combination to open the mystery that unites them and encloses them: an ancient ritual in which they were used together.
Destiny places “knowledge” among the priorities of my work. This text, the fifth in a series, is dedicated to what some Masters of Light of a high level have been transmitting to me for several years. It represents a chapter of my voyage into knowledge; a knowledge that comes from a wider vision of worldly things than that which is normally available to man. This book talks about crop circles, of the fact that they are messages and how I was taught to interpret them. I also argue against current opinions about who makes them and why and how they are made. The story then goes on to the interpretation of a specific circle at Bagnaria Arsa, that was made recently in Friuli, Italy, the region where I live. Its message establishes the entry into a phase of great transformation that man of our time is facing. I describe this transformation and the consequences it will have on humans and life on Earth. Finding that after a period of “demanding” change, as all changes are, a new man will inhabit the Earth, a man endowed with greater emotional balance and with additional powers.
This book is the preliminary part of a great work titled «THE BOOK OF THE EGYPTIAN: The beginning of the basic Egyptology or a key to the understanding of history, philosophy and world religion». Usually, the introduction is made in the form of a brief preface or foreword, but I got a whole book as the first step in a multi-volume publication of the study. The purpose of this specific introduction as the beginning of serious research – is right at the level of the opening to inspire a reader, showing him in a clear visual and comprehensible form, the whole true mechanism of the hieroglyphic writing. To achieve this, I will completely dispel the myth created by the modern science that hieroglyphs do not convey any meaning (of words, the whole idea), but only individual sounds (letters), or their combination (syllables). This scientific myth will be finally deprived of the status of scientific knowledge, and the translation of the Phaistos disc, on the contrary, will be clearly shown, what is called «broken apart», and will be read in the ancient hieroglyphic language united by the principle of construction – in the language of the ancient Egyptians. I can say that it will not be two simultaneously existing systems of hieroglyphs translation, as well as two Egyptologies, one will be false, and the other – true! To prove the validity of the system of translation I wanted to give you immediately not only a complete translation of the text of the Phaistos disc, where the number of occurrences of each hieroglyph is not big (1 to 19 times), but the translation of the whole ancient Egyptian writing, because the number of times it is used in there is thousands, if not even millions. And each such use of each hieroglyph is translating in the same way, so it creates the full reading of the hieroglyphic texts – writing, which will be easily read by everyone with the dictionary of hieroglyphs in the future. The main reason why I wanted to do it – is because, at first, I read the ancient Egyptian texts and only then, by chance, came across with the hieroglyphs of the Phaistos disc. But then, I decided to set a different aim – to teach the reader to think, and not just to read hieroglyphs. Since we have no ancient Egyptian temple, and you're not its novice, the method of achieving the aims will be different than in the antiquity. First of all, I would suggest not a translation of ancient Egyptian hieroglyphs, but a complete translation of the Phaistos disc, and at the same time to give them a sort of test of common sense to modern science in the face of particular academies and universities of the world. Let them answer me the question, not knowing the translations of ancient Egyptian texts, – whether they think this translation of the Phaistos disc is correct? So when I completely publish «The Book of Egyptian», it will become clear who they are and where do they lead all of you. As they always test the students, it's a time to test them as well. Will they pass the test, I do not know, but any way, you, my reader, will get to know about it, (in the main manuscript) and will be able to draw your own conclusions about their intellectual level. Therefore, I recommend you to take this message of the book, at least with the attention, because not every day the science gets a ready revelation, designed in the form of scientific study. And here the attention and common sense will help the reader to re-look the original, pure, uncomplicated meaning of the Hieroglyphs, which through the veil of delusion will finally begin to appear in their true, original and vibrant colors – and finally, get from the nether world – into the realm of the living!
Since it was discovered in 1908, the Phaistos Disk - one of the most important artifacts from Crete's minoan culture - has challenged scholars of diverse diciplines and captivated interests of amateurs. Its allure is primarily due to the fact that no one has been able to really solve its mystery. None of the numerous decipherments has found general acceptance or scientific approval. This book does not offer yet another attempt at deciphering the Disk. Rather, it is a short presentation of the various research efforts on the dating and origin, writing and language, as well as content and purpose of the Disk. This lively account of the most important aspects of a not-so-strictly-scholarly debate, which has gone on for decades, also includes a view of the putative solutions.
As a child I would often wonder when I saw an illustration of a stone tablet, and ask myself: What did the inscription mean? How did these people sound when they talked? What would that piece of clay say if it could speak! The enigma of the Phaistos Disc is revisited here in the light of new findings. From the various interpretations of the origin of the symbols depicted on the disc. Kober, Ventris, Chadwick and Bennett, the cryptologists are remembered for paving the way for us to understand the language and culture of early societies. Archaeological excavations, archaic languages and Myths are explored, together with theories of archaic Cretan relations as far away as the Black Sea. If this book enthuses just one person to forge ahead to uncover new information to allow “The Stones to Speak,” then I will be satisfied.
This books reveals shocking new secrets about the Phaistos Disc. There is a 46th distinct character hiding on the Phaistos Disc. The 46th character has been hiding in plain sight waiting for someone with a reason to go looking for it. The Phaistos Disc woman is hiding in Linear A variants. The UFO on the Phaistos Disc has a new mystery. The Phaistos Disc now hints at vocabulary from 3 separate ancient languages. The names of the gods and goddesses of the Minoans are revealed. A sacred cup ritual is revealed. The possible origin of the Phaistos Disc is revealed based on the place names listed on the Phaistos Disc itself. This book will also explore Linear A and other related writing systems with a wealth of hand drawn images. The message left from this 3,670 year old artifact is ready to be revealed to the modern world. What are the implications for humanity?
