New Bearings in English Poetry

New Bearings in English Poetry

Author: F. R. Leavis

Publisher: Faber & Faber

Published: 2015-07-16

Total Pages: 181

ISBN-13: 057130673X

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It is difficult now to imagine the shock that this book caused when it was first published in 1932. The author was a teacher at a Cambridge college, an intensely serious man who had been seriously wounded by poison gas on the Western Front, and he was not disposed to suffer foolishness gladly. His opening sentences were arresting: 'Poetry matters little to the modern world. That is, very little of contemporary intelligence concerns itself with poetry'. What followed was nothing less than the welcoming of a revolution in English verse, set against the moral and social crisis that followed the trauma of the First World War. It was this situation, this feeling of breakdown and disorder, that gave such force to Leavis's dismissal of most late Romantic poetry and his welcoming of the modernists T. S. Eliot and Ezra Pound, and of the writer who Leavis regarded as their forebear, Gerard Manley Hopkins. The tone of high moral urgency, and the message that the experience of literature could become an engagement with life that was almost a secular equivalent to religion, seemed new and abrasively refreshing. Leavis despised the reigning dilettantism in both poetry and criticism, and in this book he threw down the gauntlet to the establishment as he understood it. In the same year he founded the journal Scrutiny, and began his long career as the most formidably serious literary critic of his time.


F.R. Leavis

F.R. Leavis

Author: Richard Storer

Publisher: Routledge

Published: 2009-09-10

Total Pages: 163

ISBN-13: 1134220251

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‘informative, succint, circumspect; an exacting introduction to Leavis as an incisive master critic. Ideal for today’s students and general readers’ – Chris Terry, Times Higher Education F.R. Leavis is a landmark figure in twentieth-century literary criticism and theory. His outspoken and confrontational work has often divided opinion and continues to generate interest as students and critics revisit his highly influential texts. Looking closely at a representative selection of Leavis’s work, Richard Storer outlines his thinking on key topics such as: literary theory, ‘criticism’ and culture canon formation modernism close reading higher education. Exploring the responses and engaging with the controversies generated by Leavis’s work, this clear, authoritative guide highlights how Leavis remains of critical significance to twenty-first-century study of literature and culture.


The Literary Criticism of F. R. Leavis

The Literary Criticism of F. R. Leavis

Author: R. P. Bilan

Publisher: Cambridge University Press

Published: 1979-10-18

Total Pages: 350

ISBN-13: 0521223245

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A comprehensive analysis and assessment of the many strands of Leavis's work, emphasising the basic unity of his ideas.


Our Bearings

Our Bearings

Author: Molly McGlennen

Publisher: University of Arizona Press

Published: 2020-03-03

Total Pages: 96

ISBN-13: 0816540179

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Our Bearings is a collection of narrative poetry that examines and celebrates Anishinaabe life in modern Minneapolis. Crafted around the four elements—earth, air, water, and fire— the poems are a beautifully layered discourse between landscapes, stories, and the people who inhabit them. Throughout the collection, McGlennen weaves the natural elements of Minnesota with rich historical commentary and current images of urban Native life. Reverence for wildlife and foliage is pierced by the sharp man-made skylines of Minneapolis while McGlennen reckons with the heavy impact of industrial progress on the souls and everyday lives of individuals. While working with both traditional and contemporary form, McGlennen’s unique use of space and rhythm creates poetry that is both captivating and accessible. Our Bearings does not attempt to speak for a population; rather it offers vibrant stories and moments that give voice to pieces of a large and complex tapestry of experiences. Through keen observation and a deep understanding of Native life in Minneapolis, McGlennen has created a timely collection that contributes beautifully to the important conversation about contemporary urban Native life in North America and globally.


W.B. Yeats

W.B. Yeats

Author: Norman A. Jeffares

Publisher: Routledge

Published: 2013-06-17

Total Pages: 504

ISBN-13: 1136212310

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This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.


Women, Modernism and British Poetry, 1910–1939

Women, Modernism and British Poetry, 1910–1939

Author: Jane Dowson

Publisher: Routledge

Published: 2017-03-02

Total Pages: 284

ISBN-13: 135187151X

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Primarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.