Alexander the Great in Renaissance Art

Alexander the Great in Renaissance Art

Author: Ingrid Alexander-Skipnes

Publisher: Taylor & Francis

Published: 2024-04-22

Total Pages: 239

ISBN-13: 1040016189

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This volume explores the images of Alexander the Great from the fifteenth and sixteenth centuries, how they came about, and why they were so popular. In contrast to the numerous studies on the historical and legendary figure of Alexander, surprisingly few studies have examined, in one volume, the visual representation of the Macedonian king in frescoes, oil paintings, engravings, manuscripts, medals, sculpture, and tapestries during the Renaissance. The book covers a broad geographical area and includes transalpine perspectives. Ingrid Alexander-Skipnes examines the role that humanists played in disseminating the stories about Alexander and explores why Alexander was so popular during the Renaissance. Alexander-Skipnes offers cultural, political, and social perspectives on the Macedonian king and shows how Renaissance artists and patrons viewed Alexander the Great. The book will be of interest to scholars working in art history, Renaissance studies, ancient Greek history, and classics.


Man, Myth, and Sensual Pleasures

Man, Myth, and Sensual Pleasures

Author: Jan Gossaert

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 498

ISBN-13: 1588393984

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Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).


Rubens

Rubens

Author: Joost vander Auwera

Publisher: Lannoo Uitgeverij

Published: 2007

Total Pages: 308

ISBN-13: 9789020972429

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Over the past four years the Royal Fine Arts Museums of Belgium have undertaken a huge research


Frans Hals

Frans Hals

Author: Jaap van der Veen

Publisher: Hatje Cantz Verlag

Published: 2024-07-10

Total Pages: 370

ISBN-13: 3775757651

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Frans Hals is one of the most important portrait painters of all time. Like Rembrandt, the famous Dutch Baroque master's striking portraits of the bourgeoisie and social outsiders are distinguished by their extraordinary vividness and accurate depiction. His sketch-like paintings, executed with bold brushstrokes, had a decisive influence on modernist painting. This comprehensive publication coincides with the first major survey exhibition of Hals' oeuvre in more than thirty years. FRANS HALS (1582/84–1666) was born in Antwerp, the son of a cloth merchant. In 1610 he was accepted into the Haarlem Guild of St. Luke. Hals created hundreds of genre paintings, individual, and group portraits and enjoyed great public prestige. Despite his fame during his lifetime, it was not until the nineteenth century that he was enthusiastically rediscovered by the Impressionists and Realists.


Cultural Exchange in Early Modern Europe

Cultural Exchange in Early Modern Europe

Author: Robert Muchembled

Publisher: Cambridge University Press

Published: 2006

Total Pages: 466

ISBN-13: 0521845491

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This 2007 volume reveals how a first European identity was forged from the fifteenth to the seventeenth centuries. Cultural exchange played a central role in the elites' fashioning of self. The cultures they exchanged and often integrated with included palaces, dresses and jewellery but also gestures and dances.


Dutch and Flemish Flower Pieces (2 vols in case)

Dutch and Flemish Flower Pieces (2 vols in case)

Author: Sam Segal

Publisher: BRILL

Published: 2020-09-25

Total Pages: 1266

ISBN-13: 9004427457

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This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.


The Routledge Companion to Art and Disability

The Routledge Companion to Art and Disability

Author: Keri Watson

Publisher: Routledge

Published: 2022-03-30

Total Pages: 574

ISBN-13: 1000553450

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The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.