Neoclassicism and Romanticism, 1750-1850: Restoration
Author:
Publisher:
Published: 1970
Total Pages:
ISBN-13:
DOWNLOAD EBOOKV. 2. Restoration/ Twilight of humanism.
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Author:
Publisher:
Published: 1970
Total Pages:
ISBN-13:
DOWNLOAD EBOOKV. 2. Restoration/ Twilight of humanism.
Author: L. Eitner
Publisher:
Published: 1970
Total Pages: 174
ISBN-13:
DOWNLOAD EBOOKAuthor: Lorenz Eitner
Publisher:
Published: 1970
Total Pages: 174
ISBN-13:
DOWNLOAD EBOOKAuthor: Lorenz Eitner
Publisher:
Published: 1970
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKV. 2. Restoration/ Twilight of humanism.
Author: Lorenz Eitner
Publisher:
Published: 1970
Total Pages: 188
ISBN-13:
DOWNLOAD EBOOKV. 2. Restoration/ Twilight of humanism.
Author: Gordon Fyfe
Publisher: A&C Black
Published: 2001-01-01
Total Pages: 224
ISBN-13: 0567151980
DOWNLOAD EBOOKHwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.
Author: Jadranka Skorin-Kapov
Publisher: Lexington Books
Published: 2016-04-21
Total Pages: 217
ISBN-13: 1498524575
DOWNLOAD EBOOKThe Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity analyzes the common experiential ground for both aesthetics and ethics by considering experiential environment (both nature and art), the precedents to desire, the notion of experience incorporating a break, and the reverberations of surprise leading to the intertwining of aesthetics and ethics. Jadranka Skorin-Kapov discusses different philosophical positions on the relationship between nature and art, in conversation with Kant, Hegel, Goethe, Gadamer, and Adorno. She argues that Kantian sublimity can carry over from nature to art. As part of the discussions of expectations and authenticity, the author interprets Husserl’s view on expectations, Heidegger’s view on death and authenticity, Blanchot’s view on death, and Arendt’s view on natality. As for understanding the aesthetic experience as the paradigmatic experience, Skorin-Kapov is informed by Dewey’s work on art as experience, Gadamer’s work on experience of art, and Jauss’s work on the aesthetics of reception and the horizon of expectations. After our sensibility and representational capability are broken, recuperation then leads to sublimity and the subsequent feelings of admiration and/or responsibility, allowing for the intertwining of aesthetics and ethics. Additionally, elements of Kantian morality, Foucault’s ethics, and Kierkegaard’s work on interactions between aesthetics and ethics together help to characterize the relation between aesthetics and ethics. Since we often encounter surprise due to unexpectedness in comedy, Skorin-Kapov also interprets philosophical views on the comedy and laughter (including Aristotle, Kierkegaard, Meredith, and Bergson), using the theatrical work of Dario Fo as an example. The novel analysis in The Intertwining of Aesthetics and Ethics will be of particular interest to students and scholars working or teaching in aesthetics, phenomenology, art history, cultural studies, and ethics.
Author: Lorenz Eitner
Publisher:
Published: 1970
Total Pages: 174
ISBN-13:
DOWNLOAD EBOOKAuthor: Caroline A. Jones
Publisher: University of Chicago Press
Published: 1996
Total Pages: 582
ISBN-13: 9780226406497
DOWNLOAD EBOOKDrawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
Author: Frauke Josenhans
Publisher: Yale University Press
Published: 2017-01-01
Total Pages: 273
ISBN-13: 0300225709
DOWNLOAD EBOOKAn unprecedented survey of artists in exile from the 19th century through the present day, with notable attention to Asian, Latin American, African American, and female artists This timely book offers a wide-ranging and beautifully illustrated study of exiled artists from the 19th century through the present day, with notable attention to individuals who have often been relegated to the margins of publications on exile in art history. The artworks featured here, including photography, paintings, drawings, prints, and sculpture, present an expanded view of the conditions of exile--forced or voluntary--as an agent for both trauma and ingenuity. The introduction outlines the history and perception of exile in art over the past 200 years, and the book's four sections explore its aesthetic impact through the themes of home and mobility, nostalgia, transfer and adjustment, and identity. Essays and catalogue entries in each section showcase diverse artists, including not only European ones--like Jacques-Louis David, Paul Gauguin, George Grosz, and Kurt Schwitters--but also female, African American, East Asian, Latin American, and Middle Eastern artists, such as Elizabeth Catlett, Harold Cousins, Mona Hatoum, Lotte Jacobi, An-My Lê, Matta, Ana Mendieta, Abelardo Morell, Mu Xin, and Shirin Neshat.