The always thrilling and entertaining cases of Leroy Jethro Gibbs (cover shot), played by Mark Harmon, and his NCIS-crew have been keeping a vast amount of followers all around the world glued to their seats and have made this series to one of the most successful in our times. Most likely being the absolute number one series on TV in the USA and in many other countries. This fan book, covering season 1-16, includes all the vital and necessary information on the series, short summaries of all episodes, coverage of the role vitas and the famous actors and - it goes without saying - Gibbs, Tony, Kate, Ziva, McGee, Abby, Bishop, Palmer, Ducky's best lines.
The always thrilling and entertaining cases of Leroy Jethro Gibbs (cover shot), played by Mark Harmon, and his NCIS-crew have been keeping a vast amount of followers all around the world glued to their seats and have made this series to one of the most successful in our times. Most likely being the absolute number one series on TV in the USA and in many other countries. This fan book, covering season 1-17, includes all the vital and necessary information on the series, short summaries of all episodes, coverage of the role vitas and the famous actors and - it goes without saying - Gibbs, Tony, Kate, Ziva, McGee, Abby, Bishop, Palmer and Ducky's best lines.
The always thrilling and entertaining cases of Leroy Jethro Gibbs (cover shot), played by Mark Harmon, and his NCIS-crew have been keeping a vast amount of followers all around the world glued to their seats and have made this series to one of the most successful in our times. Most likely being the absolute number one series on TV in the USA and in many other countries. This fan book, covering season 1-18, includes all the vital and necessary information on the series, short summaries of all episodes, coverage of the role vitas and the famous actors and - it goes without saying - Gibbs, Tony, Kate, Ziva, McGee, Abby, Bishop, Palmer and Ducky's best lines.
The always thrilling and entertaining cases of Leroy Jethro Gibbs (cover shot), played by Mark Harmon, and his NCIS-crew have been keeping a vast amount of followers all around the world glued to their seats and have made this series to one of the most successful in our times. Most likely being the absolute number one series on TV in the USA and in many other countries. This fan book, covering season 1-20, includes all the vital and necessary information on the series, short summaries of all episodes, coverage of the role vitas and the famous actors and - it goes without saying - Gibbs, Tony, Kate, Ziva, McGee, Abby, Bishop, Palmer and Ducky's best lines.
The always thrilling and entertaining cases of Leroy Jethro Gibbs (cover shot), played by Mark Harmon, and his NCIS-crew have been keeping a vast amount of followers all around the world glued to their seats and have made this series to one of the most successful in our times. Most likely being the absolute number one series on TV in the USA and in many other countries. This fan book, covering season 1-15, includes all the vital and necessary information on the series, short summaries of all episodes, coverage of the role vitas and the famous actors and - it goes without saying - Gibbs, Tony, Kate, Ziva, McGee, Abby, Bishop, Palmer, Ducky's best lines.
Whether it's Sherlock Holmes solving crimes or Sheldon and Leonard geeking out over sci-fi, geniuses are central figures on many of television's most popular series. They are often enigmatic, displaying superhuman intellect while struggling with mundane aspects of daily life. This collection of new essays explores why TV geniuses fascinate us and how they shape our perceptions of what it means to be highly intelligent. Examining series like Criminal Minds, The Big Bang Theory, Bones, Elementary, Fringe, House, The Mentalist, Monk, Sherlock, Leverage and others, scholars from a variety of disciplines discuss how television both reflects and informs our cultural understanding of genius.
A deliciously quirky crime novel from David McCallum, the beloved actor known for his portrayal of Illya Kuryakin on The Man From U.N.C.L.E. and Dr. Donald "Ducky" Mallard on NCIS. Crime pays. And pays well. Sal, Max and Enzo Bruschetti have proved this over a lifetime of nefarious activity that they have kept hidden from law enforcement. Nowhere in any file, on any computer is there a record of anything illegal from which they have profited. But Max has a problem. His body is getting old and his doctor has told him to take it easy. Max has decided that the time has come for the family to retire. But when young actor Harry Murphy overhears the Bruschetti brothers planning changes to their organization, including the murder of a man in London who knows too much, the Bruschetti's plans begin to unravel. After Harry makes the well-intentioned if egregious mistake of trying to warn the Bruchetti's intended victim he finds himself alone in a foreign country, on the wrong side of the law, with a suitcase full of cash and a dangerous man on his trail. And while his good looks, charm and cheerful persistence may prove assets in the turbulent events that follow, none of Harry's past roles have prepared him for what happens next. At turns tense and funny, Once a Crooked Man is infused with the infectious charm that has made David McCallum one of television's longest running, most-beloved stars.
Over the last few decades, television programs have attempted to depict some of the more troubling elements of society with a more conscientious approach. Issues that networks were once reluctant to broadcast—such as sexual abuse, sexual assault, and rape—have become frequent plot points for many popular shows. Narratives that portray important social issues could potentially affect the ways individual viewers understand such incidents in the real world, so it is important to pay close and critical attention to the stories about rape that are broadcast to mass audiences. In Assault on the Small Screen: Representations of Sexual Violence on Prime Time Television Dramas, Molly Ann Magestro examines the ways in which police and legal dramas on network and cable channels portray rape narratives. In this discussion, the author focuses on eight successful shows—NCIS, Criminal Minds, CSI, The Closer, Rizzoli & Isles, Dexter, Law and Order: Special Victims Unit, and The Good Wife. Each chapter offers a close reading and analysis of how one or more of the shows represent rape narratives and rape victims in ways that more or less address feminist understandings of rape and rape culture. The arguments in each chapter explore the specific narrative content of individual series rather than a single critical approach. Each of the eight shows considered within the book is the focus of its own argument, as the representations of rape narratives on television are as complex as issues surrounding rape can be in the real world. In a time when rape narratives are frequently making headlines, taking the time to examine and understand the messages broadcast by a medium as ubiquitous as television serves an important role in developing an understanding of rape culture. A significant step toward this understanding, Assault on the Small Screen will be of interest to scholars of film and television, media studies, gender studies, criminology, and sociology.
