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Author: Arthur Wellesley Secord
Publisher:
Published: 1924
Total Pages: 478
ISBN-13:
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Author: Arthur Wellesley Secord
Publisher:
Published: 1924
Total Pages: 478
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
Published: 1926
Total Pages: 2236
ISBN-13:
DOWNLOAD EBOOKPart 1, Books, Group 1, v. 22 : Nos. 1-131 (Issued April, 1925 - April, 1926)
Author: Heinrich F. Plett
Publisher: Walter de Gruyter
Published: 2008-08-22
Total Pages: 598
ISBN-13: 3110201895
DOWNLOAD EBOOKSince Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.
Author: Library of Congress. Division of Documents
Publisher:
Published: 1926
Total Pages: 570
ISBN-13:
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Publisher:
Published: 1926
Total Pages: 2200
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Copyright Office
Publisher:
Published: 1925
Total Pages: 1190
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Exchange and Gift Division
Publisher:
Published: 1926
Total Pages: 618
ISBN-13:
DOWNLOAD EBOOKJune and Dec. issues contain listings of periodicals.
Author: Library of Congress
Publisher:
Published: 1976
Total Pages: 632
ISBN-13:
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Publisher:
Published: 1925
Total Pages: 806
ISBN-13:
DOWNLOAD EBOOKAuthor: Clark Hulse
Publisher: University of Chicago Press
Published: 1990
Total Pages: 244
ISBN-13: 9780226360522
DOWNLOAD EBOOKWhat do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in creating the humanistic culture that still has power over us today? These are the questions Clark Hulse takes up in this sophisticated interdisciplinary study of Renaissance aesthetics. Proposing an archeology of artistic knowledge, Hulse examines the theoretical language through which the poets, painters, and patrons of the Renaissance conceived of the relationship between the arts. That language is embedded in what he calls a "rule of art," a specific set of categories, assumptions, and practices that defined the two art forms and the relationship between them. Hulse charts the rise of both forms to the status of liberal arts requiring special intellectual training for artist and patron alike. In the process, he uncovers the history of the practice of theory in the Renaissance, revealing how artistic discourse lived in the world.