On Russian Music

On Russian Music

Author: Richard Taruskin

Publisher: Univ of California Press

Published: 2009

Total Pages: 416

ISBN-13: 0520268067

DOWNLOAD EBOOK

This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.


A History of Russian Music

A History of Russian Music

Author: Francis Maes

Publisher: Univ of California Press

Published: 2006-02-20

Total Pages: 468

ISBN-13: 0520248252

DOWNLOAD EBOOK

Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.


Harmony and Discord

Harmony and Discord

Author: Lynn M. Sargeant

Publisher: OUP USA

Published: 2011-01-26

Total Pages: 369

ISBN-13: 0199735263

DOWNLOAD EBOOK

This text explores the development of Russian musical life during the 19th and early 20th centuries. At the heart of this cultural history lies the Russian Musical Society, as both a driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life.


01 New Grove Russian Masters

01 New Grove Russian Masters

Author: David Brown

Publisher: W. W. Norton & Company

Published: 1997-07

Total Pages: 280

ISBN-13: 9780393315851

DOWNLOAD EBOOK

The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. The great traditions of Russian music began in the mid-19th century with Mikhail Glinka—the father figure for the next generations of Russian composers. His direct heirs were 'The Five,' or 'The Mighty Handful,' drawn together by Mily Balakirev, the teacher of two leading figures in the group: Alexander Borodin, creator of Prince Igor and quartets of an unmistakably Russian flavor, and Modest Musorgsky, creator of the greatest Russian epics of the lyric stage. Slightly apart from this group because of his more cosmopolitan approach to his art stands the most-loved of all Russian composers, the ever-appealing Tchaikovsky.


The Most Musical Nation

The Most Musical Nation

Author: James Benjamin Loeffler

Publisher: Yale University Press

Published: 2010-01-01

Total Pages: 287

ISBN-13: 0300137133

DOWNLOAD EBOOK

At a time of both rising anti-Semitism and burgeoning Jewish nationalism, how and why did Russian music become the gateway to Jewish modernity in music? Loeffler offers a new perspective on the emergence of Russian Jewish culture and identity.


Musicology: The Key Concepts

Musicology: The Key Concepts

Author: David Beard

Publisher: Routledge

Published: 2004-06-01

Total Pages: 260

ISBN-13: 1134372787

DOWNLOAD EBOOK

Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music.


An Anthology of Russian Literature from Earliest Writings to Modern Fiction

An Anthology of Russian Literature from Earliest Writings to Modern Fiction

Author: Nicholas Rzhevsky

Publisher: Routledge

Published: 2019-09-16

Total Pages: 566

ISBN-13: 1317476867

DOWNLOAD EBOOK

Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.


Russia at Play

Russia at Play

Author: Louise McReynolds

Publisher: Cornell University Press

Published: 2018-07-05

Total Pages: 320

ISBN-13: 1501728776

DOWNLOAD EBOOK

An athlete becomes a movie star; a waiter rises to manage a chain of nightclubs; a movie scenarist takes to writing restaurant reviews. Intrepid women hunt bears, drive in automobile races, and fly, first in balloons and then in airplanes. Sensational crimes jump from city streets onto the screen almost before the pistols have had a chance to cool. Paris in the Twenties? Fitzgerald's New York? Early Hollywood? No, tsarist Russia in the last decades before the Revolution. In Russia at Play, Louise McReynolds recreates a vibrant, rapidly changing culture in rich detail. Her account encompasses the "legitimate" stage, vaudeville, nightclubs, restaurants, sports, tourism, and the silent movie industry. McReynolds reveals a pluralist and dynamic society, and shows how the new icons of mass culture affected the subsequent gendering of identities. The rapid industrialization and urbanization of the late tsarist period spawned dramatic social changes—an urban middle class and a voracious consumer culture demanded new forms of entertainment. The result was the rapid incursion of commercial values into the arts and the athletic field and unprecedented degrees of social interaction in the new nightclubs, vaudeville houses, and cheap movie houses. Traditional rules of social conduct shifted to greater self-fulfillment and self-expression, values associated with the individualism and consumerism of liberal capitalism. Leisure-time activities, McReynolds finds, allowed Russians who partook of them to recreate themselves, to develop a modern identity that allowed for different senses of the self depending on the circumstances. The society that spawned these impulses would disappear in Russia for decades under the combined blows of revolution, civil war, and collectivization, but questions of personal identity are again high on the agenda as Russia makes the transition from a collectivist society to one in which the dominant ethos remains undefined.


The Paradox of Musical Vernaculars

The Paradox of Musical Vernaculars

Author: Marina Ritzarev

Publisher: Cambridge Scholars Publishing

Published: 2023-10-13

Total Pages: 207

ISBN-13: 1527527417

DOWNLOAD EBOOK

Musical vernaculars are a rare and challenging object of study. Their sound can include everything—from local folk and popular songs to random foreign hits and fragments of classic repertoire. It is an everchanging element—eclectic, whimsical, and resistant to regularity. Based on the author’s multicultural experience, proficiency in Russian and Jewish music history, and interest in anthropology, this book explores the essential features of vernaculars. They can have varying degrees of changeability; some are quite stable, and exist in closed rural or immigrant communities (phylo-vernacular), while others are dynamic, like those of an urbanized population (onto-vernacular). These types of vernacular can turn into one another when communities migrate—that is, agricultural people move to cities, and the townspeople settle on the land. Understanding the changes in the vernacular repertoires as something natural, this book defends the value of urbanized folk music, disputing the traditional view of art-music composers of rural folk songs as only “authentic” and suitable for expressing nationalistic sentiments. The book also examines unexpected interconnections between Russian and Jewish music, both in their vernacular manifestations and the creative work of Sergei Slonimsky and Dmitry Shostakovich.