Nationalism, Modernism, and Personal Rivalry in Nineteenth-century Russian Music
Author: Robert C. Ridenour
Publisher:
Published: 1981
Total Pages: 272
ISBN-13:
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Author: Robert C. Ridenour
Publisher:
Published: 1981
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Taruskin
Publisher: Univ of California Press
Published: 2009
Total Pages: 416
ISBN-13: 0520268067
DOWNLOAD EBOOKThis volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Author: Francis Maes
Publisher: Univ of California Press
Published: 2006-02-20
Total Pages: 468
ISBN-13: 0520248252
DOWNLOAD EBOOKIntroduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.
Author: Lynn M. Sargeant
Publisher: OUP USA
Published: 2011-01-26
Total Pages: 369
ISBN-13: 0199735263
DOWNLOAD EBOOKThis text explores the development of Russian musical life during the 19th and early 20th centuries. At the heart of this cultural history lies the Russian Musical Society, as both a driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life.
Author: David Brown
Publisher: W. W. Norton & Company
Published: 1997-07
Total Pages: 280
ISBN-13: 9780393315851
DOWNLOAD EBOOKThe New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together. The New Grove composer biographies have been selected from the dictionary to bring the finest of the biographies to a wider audience. Each has been expanded and updated for book publication and contains a comprehensive work-list, index, and fully revised bibliography, in addition to the definitive view of the subject's life and works. The great traditions of Russian music began in the mid-19th century with Mikhail Glinka—the father figure for the next generations of Russian composers. His direct heirs were 'The Five,' or 'The Mighty Handful,' drawn together by Mily Balakirev, the teacher of two leading figures in the group: Alexander Borodin, creator of Prince Igor and quartets of an unmistakably Russian flavor, and Modest Musorgsky, creator of the greatest Russian epics of the lyric stage. Slightly apart from this group because of his more cosmopolitan approach to his art stands the most-loved of all Russian composers, the ever-appealing Tchaikovsky.
Author: James Benjamin Loeffler
Publisher: Yale University Press
Published: 2010-01-01
Total Pages: 287
ISBN-13: 0300137133
DOWNLOAD EBOOKAt a time of both rising anti-Semitism and burgeoning Jewish nationalism, how and why did Russian music become the gateway to Jewish modernity in music? Loeffler offers a new perspective on the emergence of Russian Jewish culture and identity.
Author: David Beard
Publisher: Routledge
Published: 2004-06-01
Total Pages: 260
ISBN-13: 1134372787
DOWNLOAD EBOOKMusicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including: - aesthetics - canon - culture - deconstruction - ethnicity - identity - subjectivity - value - work Fully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music.
Author: Nicholas Rzhevsky
Publisher: Routledge
Published: 2019-09-16
Total Pages: 566
ISBN-13: 1317476867
DOWNLOAD EBOOKRussia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.
Author: Louise McReynolds
Publisher: Cornell University Press
Published: 2018-07-05
Total Pages: 320
ISBN-13: 1501728776
DOWNLOAD EBOOKAn athlete becomes a movie star; a waiter rises to manage a chain of nightclubs; a movie scenarist takes to writing restaurant reviews. Intrepid women hunt bears, drive in automobile races, and fly, first in balloons and then in airplanes. Sensational crimes jump from city streets onto the screen almost before the pistols have had a chance to cool. Paris in the Twenties? Fitzgerald's New York? Early Hollywood? No, tsarist Russia in the last decades before the Revolution. In Russia at Play, Louise McReynolds recreates a vibrant, rapidly changing culture in rich detail. Her account encompasses the "legitimate" stage, vaudeville, nightclubs, restaurants, sports, tourism, and the silent movie industry. McReynolds reveals a pluralist and dynamic society, and shows how the new icons of mass culture affected the subsequent gendering of identities. The rapid industrialization and urbanization of the late tsarist period spawned dramatic social changes—an urban middle class and a voracious consumer culture demanded new forms of entertainment. The result was the rapid incursion of commercial values into the arts and the athletic field and unprecedented degrees of social interaction in the new nightclubs, vaudeville houses, and cheap movie houses. Traditional rules of social conduct shifted to greater self-fulfillment and self-expression, values associated with the individualism and consumerism of liberal capitalism. Leisure-time activities, McReynolds finds, allowed Russians who partook of them to recreate themselves, to develop a modern identity that allowed for different senses of the self depending on the circumstances. The society that spawned these impulses would disappear in Russia for decades under the combined blows of revolution, civil war, and collectivization, but questions of personal identity are again high on the agenda as Russia makes the transition from a collectivist society to one in which the dominant ethos remains undefined.
Author: Marina Ritzarev
Publisher: Cambridge Scholars Publishing
Published: 2023-10-13
Total Pages: 207
ISBN-13: 1527527417
DOWNLOAD EBOOKMusical vernaculars are a rare and challenging object of study. Their sound can include everything—from local folk and popular songs to random foreign hits and fragments of classic repertoire. It is an everchanging element—eclectic, whimsical, and resistant to regularity. Based on the author’s multicultural experience, proficiency in Russian and Jewish music history, and interest in anthropology, this book explores the essential features of vernaculars. They can have varying degrees of changeability; some are quite stable, and exist in closed rural or immigrant communities (phylo-vernacular), while others are dynamic, like those of an urbanized population (onto-vernacular). These types of vernacular can turn into one another when communities migrate—that is, agricultural people move to cities, and the townspeople settle on the land. Understanding the changes in the vernacular repertoires as something natural, this book defends the value of urbanized folk music, disputing the traditional view of art-music composers of rural folk songs as only “authentic” and suitable for expressing nationalistic sentiments. The book also examines unexpected interconnections between Russian and Jewish music, both in their vernacular manifestations and the creative work of Sergei Slonimsky and Dmitry Shostakovich.