The representation of the Muslims as threatening to India's body politic is central to the Hindu nationalist project of organizing a political movement and normalizing anti-minority violence. Adopting a critical ethnographic approach, this book identifies the poetics and politics of fear and violence engendered within Hindu nationalism.
In the twenty-first century, there has been a seismic shift in Indian political, religious and social life. The country’s guiding spirit was formerly a fusion of the anti-caste worldview of B.R. Ambedkar; the inclusive Hinduism of Mahatma Gandhi; and the agnostic secularism of Jawaharlal Nehru. Today, that fusion has given way to Hindutva. This now-dominant version of Hinduism blends the militant nationalism of V.D. Savarkar; the Brahmanical anti-minorityism of M.S. Golwalkar; and the global Islamophobia of India’s ruling regime. It requires deep cultural analysis and historical understanding, as only the sharpest and most profoundly informed historian can provide. For two decades, Tanika Sarkar has forged a path through the alleys and byways of Hindutva. She has trawled through the writing and iconography of its organisations and institutions, including RSS schools and VHP temples. She has visited the offices and homes of Hindutva’s votaries, interviewing men and women who believe fervently in their mission of Hinduising India. And she has contextualised this new ferment on the ground with her formidable archival knowledge of Hindutva’s origins and development over 150 years, from Bankimchandra to the Babri mosque and beyond. This riveting book connects Hindu religious nationalism with the cultural politics of everyday India.
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
This book offers interdisciplinary perspectives on nationalism in India and examines the ways in which literary-textual representations intervene in debates regarding Hindu, Muslim and other forms of Indian nationalism. The book interrogates questions of nationalism and nationhood in relation to literary and cultural texts, historic-linguistic contexts and new developments in queer nationalism and ecological nationalism. It adopts a nation-wide emphasis, including chapters on Northeast India and other regions that have been historically underrepresented in studies of Indian nationalism. Moreover, the volume explores a rich variety of literary works by various writers over the past two centuries that have created, enshrined and contested ideas pivotal to the development of Indian nationalism. Located in a range of disciplines, contributors bring extensive expertise in Indian literature, language and culture to the question of nationalism. The chapters challenge many of the accepted ideas on nationalism and critically examine the politics behind such nationalisms. Moving beyond an approach to Indian nationalism based exclusively in the historicist-political paradigm, this timely book challenges established ideas in Indian nationalism and critically examines the politics of nationalisms in terms of textual representations. The book will be of interest to researchers working on South Asian studies, including Indian culture, history, literature and politics.
How do we define nationalism? Who is a good nationalist? Do you become anti-national if you criticize the government? These are questions that overwhelm most debates today, but these discussions are not new. And while the loudest voices would have us believe that Indian nationalism is (and has always been) a narrow, parochial, xenophobic one, our finest political leaders, thinkers, scientists and writers have been debating the concept since the early nineteenth century and come to a different conclusion. Nationalism as we understand it today first came into being more than a hundred years ago. Studied by historians, political scientists and sociologists for its role in world history, it remains one of the strongest driving forces in politics and also the most malleable one. A double-edged sword, it can be a binding force or a deeply divisive instrument used to cause strife around political, cultural, linguistic or, more importantly, religious identities. In this anthology, historian S. Irfan Habib traces the growth and development of nationalism in India from the late nineteenth century through its various stages: liberal, religion-centric, revolutionary, cosmopolitan, syncretic, eclectic, right liberal...The views of our most important thinkers and leaders-Mahatma Gandhi, Jawaharlal Nehru, C. Rajajgopalachari, Bhagat Singh, Bal Gangadhar Tilak, Sarojini Naidu, B. R. Ambedkar, Rabindranath Tagore, M. N. Roy, Maulana Azad, Jayaprakash Narayan and others-remind us what nationalism should mean and the kind of inclusive, free and humanistic nation that we should continue to build.
A riveting account of how a popularly elected leader has steered the world's largest democracy toward authoritarianism and intolerance Over the past two decades, thanks to Narendra Modi, Hindu nationalism has been coupled with a form of national-populism that has ensured its success at the polls, first in Gujarat and then in India at large. Modi managed to seduce a substantial number of citizens by promising them development and polarizing the electorate along ethno-religious lines. Both facets of this national-populism found expression in a highly personalized political style as Modi related directly to the voters through all kinds of channels of communication in order to saturate the public space. Drawing on original interviews conducted across India, Christophe Jaffrelot shows how Modi's government has moved India toward a new form of democracy, an ethnic democracy that equates the majoritarian community with the nation and relegates Muslims and Christians to second-class citizens who are harassed by vigilante groups. He discusses how the promotion of Hindu nationalism has resulted in attacks against secularists, intellectuals, universities, and NGOs. Jaffrelot explains how the political system of India has acquired authoritarian features for other reasons, too. Eager to govern not only in New Delhi, but also in the states, the government has centralized power at the expense of federalism and undermined institutions that were part of the checks and balances, including India's Supreme Court. Modi's India is a sobering account of how a once-vibrant democracy can go wrong when a government backed by popular consent suppresses dissent while growing increasingly intolerant of ethnic and religious minorities.
In this volume Dr Seal analyses the social roots of the rather confused stirrings towards political organisations of the 1870s and 1880s which brought about the foundation of the Indian National Congress. He is concerned not only with the politicians, viceroys and civil servants but with the social structure of those parts of India where political movements were most prominent at the time. The emphasis of this work is more upon Indian politics than upon British policy: the associations in Bengal and Bombay, the genesis of the Congress and the Muslim breakaway which accentuated the political divisions in India.
Seventeen distinguished historians and political scientists discuss the phenomenon of Indian Nationalism, one hundred years after the founding of the Congress party. They offer important new interpretations of Nationalism's evolution during more than six decades of crucial change and rapid growth. As India's foremost political institution, the National Congress with its changing fortunes mirrored Indian aspirations, ideals, dreams, and failures during the country's struggle for nationhood. Many difficulties face by the pre-independence Indian National Congress are critically examined for the first time in this volume. Major times of crisis and transition are considered, as well as the tension between mass action and political control and the problem of creating and maintaining unity in the face of divisive social and economic interests and between deeply hostile religious communities. A composite portrait of the Congress Party emerges. We see a coalition of often conflicting communities and interests much like India itself, struggling to stay together, tenuously united by little more at times than a common "enemy," the imperial British Raj. But linked together in precarious, seemingly haphazard fashion, shifting networks of elite political entrepreneurs manage to keep India's National Congress alive long enough to convince the British that it would be easier to "Quit India" than to try to hang on to it by force. With the abrupt transfer of power form the British to the independent Dominions of India and Pakistan in 1947, Congress provided institutional sinews for the administration of what had been British India and over five hundred Princely States. By contributing to a deeper understanding of India's nationalist experience, this volume may illuminate the experience of other Third World states. Essays by:S. BhattacharyaJudith M. BrownMushirul HansanZoya HasanD.A. LowClaude MarkovitsJohn R. McLaneW.H. Morris-JonesGyanendra PandeyBimal PrasadRajat Kanta RayBarbara N. RamusackPeter D. ReevesHitesranjan SanyalRichard SissonStanley WolpertEleanor Zelliot This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
