Comparing the Literatures

Comparing the Literatures

Author: David Damrosch

Publisher: Princeton University Press

Published: 2022-02-08

Total Pages: 400

ISBN-13: 0691234558

DOWNLOAD EBOOK

Paperback reprint. Originally published: 2020.


Toni Tennille

Toni Tennille

Author: Toni Tennille

Publisher: Rowman & Littlefield

Published: 2016-04-01

Total Pages: 233

ISBN-13: 1630761753

DOWNLOAD EBOOK

Since bursting onto the scene in the mid ‘70s, the pop duo Captain and Tennille have long defined the sparkling, optimistic idea of everlasting love, both in their music and through their image as a happy and, seemingly, unbreakable couple. They were an irresistible pair to millions of fans all over the world, further underscored by the rousing “yes, we can!” gospel of their biggest hit, “Love Will Keep Us Together.” But underneath the image was an entirely different story that the fans never saw: a woman who fought a lonely struggle against the controlling and often bizarre behavior of her emotionally inaccessible husband. Toni Tennille: A Memoir is a visceral account of Toni Tennille’s life from her childhood in the segregated South to her thrilling rise to fame in the world of pop music to where she is now: no longer one-half of a famed couple, but a stronger woman for all she has experienced—both the good and the bad. Toni hopes that her story will help anyone who feels trapped in a toxic relationship realize that it is never too late to break away from it.


Music and Levels of Narration in Film

Music and Levels of Narration in Film

Author: Guido Heldt

Publisher: Intellect (UK)

Published: 2013

Total Pages: 312

ISBN-13:

DOWNLOAD EBOOK

Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music--or music that is not understood as part of a film's "story world"--Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.