Since footballer sexual assault became top news in 2004, six years after the first case was reported, much has been written in the news media about individual cases, footballers and women who have sex with them. Deb Waterhouse-Watson reveals how media representations of recent sexual assault cases involving Australian footballers amount to "trials by media", trials that result in acquittal. The stories told about footballers and women in the news media evoke stereotypes such as the "gold digger", "woman scorned" and the "predatory woman", which cast doubt on the alleged victims’ claims and suggest that they are lying. Waterhouse-Watson calls this a "narrative immunity" for footballers against allegations of sexual assault. This book details how popular conceptions of masculinity and femininity inform the way footballers’ bodies, team bonding, women, sex and alcohol are portrayed in the media, and connects stories relating to the cases with sports reporting generally. Uncovering similar patterns of narrative, grammar and discourse across these distinct yet related fields, Waterhouse-Watson shows how these discourses are naturalised, with reports on the cases intertwining with broader discourses of football reporting to provide immunity. Despite the prevalence of stories that discredit the alleged victims, Waterhouse-Watson also examines attempts to counter these pervasive rape myths, articulating successful strategies and elucidating the limitations built into journalistic practices, and language itself.
Research suggests that future influenza pandemics are inevitable as strains of the virus mutate in new ways. With this uncomfortable reality in mind, this book examines how the general public experienced the 2009 H1N1 influenza virus outbreak by bringing together stories about individuals' perception of their illness, as well as reflections on news, vaccination, social isolation, and other infection control measures. The book also charts the story-telling of public life, including the 'be alert, not alarmed' messages from the beginning of the outbreak through to the narratives that emerged later when the virus turned out to be less serious than initially thought. Providing unprecedented insight into the lives of ordinary people faced with the specter of a potentially lethal virus and drawing on currents in sociocultural scholarship of narrative, illness narrative, and narrative medicine, Pandemics, Publics, and Narrative develops a novel 'public health narrative' approach of interest to health communicators and researchers across the social and health sciences.
Anna and the French Kiss meets The Disreputable History of Frankie Landau-Banks in a romantic and hilarious new novel from Brodi Ashton, the author of the Everneath trilogy. Raucous parties, privileged attitudes, underage drinking, and diplomatic immunity . . . it’s all part of student life on Embassy Row. Piper Baird has always dreamed of becoming a journalist. So when she scores a scholarship to exclusive Chiswick Academy in Washington, DC, she knows it’s her big opportunity. Chiswick offers the most competitive prize for teen journalists—the Bennington scholarship—which would ensure her acceptance to one of the best schools in the country. Piper isn’t at Chiswick for two days before she witnesses the extreme privilege of the young and wealthy elite who attend her school—and realizes that access to these untouchable students just might give her the edge she’ll need to blow the lid off life at the school in a scathing and unforgettable exposé worthy of the Bennington. The key to the whole story lies with Rafael Amador, the son of the Spanish Ambassador—and the boy at the center of the most explosive secrets and scandals on Embassy Row. Rafael is big trouble—and when he drops into her bedroom window one night, asking for help, it’s Piper’s big chance to get the full scoop. Except Piper discovers that despite his dark streak, Rafael is smart, kind, funny, and gorgeous—and she might have real feelings for him. How can she break the story of a lifetime if it will destroy the boy she just might love?
The violence and destruction hiding behind the obsession with immunity Our contemporary political condition is obsessed with immunity. The immunity of bodies and the body politic; personal immunity and herd immunity; how to immunize the social system against breakdown. The obsession intensifies with every new crisis and the mobilization of yet more powers of war and police, from quarantine to border closures and from vaccination certificates to immunological surveillance. Engaging four key concepts with enormous cultural weight – Cell, Self, System and Sovereignty – Politics of Immunity moves from philosophical biology to intellectual history and from critical theory to psychoanalysis to expose the politics underpinning the way immunity is imagined. At the heart of this imagination is the way security has come to dominate the whole realm of human experience. From biological cell to political subject, and from physiological system to the social body, immunity folds into security, just as security folds into immunity. The book thus opens into a critique of the violence of security and spells out immunity’s tendency towards self-destruction and death: immunity, like security, can turn its aggression inwards, into the autoimmune disorder. Wide-ranging and polemical, Politics of Immunity lays down a major challenge to the ways in which the immunity of the self and the social are imagined.
Immunity’s Sovereignty and Eighteenth- and Nineteenth-Century American Literature tracks flashpoint events in U.S. history, constituting a genealogy of the effectiveness and resilience of the concept of immunity in democratic culture. Rick Rodriguez argues that following the American Revolution the former colonies found themselves subject to foreign and domestic threats imperiling their independence. Wars with North African regencies, responses to the Haitian revolution, reactions to the specter and reality of slave rebellion in the antebellum South, and plans to acquire Cuba to ease tensions between the states all constituted immunizing responses that helped define the conceptual and aesthetic protocols by which the U.S. represented itself to itself and to the world’s nations as distinct, exemplary, and vulnerable. Rodriguez examines these events as expressions of an immunitary logic that was—and still is— frequently deployed to legitimate state authority. Rodriguez identifies contradictions in literary texts’ dramatizations of these transnational events and their attending threats, revealing how democracy’s exposure to its own fragility serves as rationale for immunity’s sovereignty. This book shows how early U.S. literature, often conceived as a delivery system for American exceptionalism, is in effect critical of such immunitary discourses.
This first comprehensive history of the social and political aspects of vaccination in the United States tells the story of how vaccination became a widely accepted public health measure over the course of the twentieth century. One hundred years ago, just a handful of vaccines existed, and only one, for smallpox, was widely used. Today more than two dozen vaccines are in use, fourteen of which are universally recommended for children. State of Immunity examines the strategies that health officials have used—ranging from advertising and public relations campaigns to laws requiring children to be immunized before they can attend school—to gain public acceptance of vaccines. Like any medical intervention, vaccination carries a small risk of adverse reactions. But unlike other procedures, it is performed on healthy people, most commonly children, and has been mandated by law. Vaccination thus poses unique ethical, political, and legal questions. James Colgrove considers how individual liberty should be balanced against the need to protect the common welfare, how experts should act in the face of incomplete or inconsistent scientific information, and how the public should be involved in these decisions. A well-researched, intelligent, and balanced look at a timely topic, this book explores these issues through a vivid historical narrative that offers new insights into the past, present, and future of vaccination.
Around Christmas of 1882, while peering through a microscope at starfish larvae in which he had inserted tiny thorns, Russian zoologist Elie Metchnikoff had a brilliant insight: what if the mobile cells he saw gathering around the thorns were nothing but a healing force in action? Metchnikoff's daring theory of immunity—that voracious cells he called phagocytes formed the first line of defense against invading bacteria—would eventually earn the scientist a Nobel Prize, shared with his archrival, as well as the unofficial moniker "Father of Natural Immunity." But first he had to win over skeptics, especially those who called his theory "an oriental fairy tale." Using previously inaccessible archival materials, author Luba Vikhanski chronicles Metchnikoff's remarkable life and discoveries in the first moder n biography of this hero of medicine. Metchnikoff was a towering figure in the scientific community of the early twentieth century, a tireless humanitarian who, while working at the Pasteur Institute in Paris, also strived to curb the spread of cholera, syphilis, and other deadly diseases. In his later years, he startled the world with controversial theories on longevity, launching a global craze for yogurt, and pioneered research into gut microbes and aging. Though Metchnikoff was largely forgotten for nearly a hundred years, Vikhanski documents a remarkable revival of interest in his ideas on immunity and on the gut flora in the science of the twenty-first century.
Mangroves thrive in intertidal zones, where they gather organisms and objects from land, river, and ocean. They develop into complex ecologies in these dynamic in-between spaces. Mobilising resources drawn from semiotic materialism and the environmental humanities, this book seeks a form of social theory from the mangroves; that is to think interstitiality from the perspective of mangroves themselves, exploring the crafty and tenacious world-making they are engaged in. Three sections weave together theory, science and close observation, responding to calls within the environmental humanities for detailed attention to interactions in marginal spaces and those of interpretative tension. It examines interstitiality by considering theories of difference, relationality, and reflexivity in the context of mangrove socioecological materialities, drawing on influential writers such as Michel Serres, Jacques Derrida, Deborah Bird Rose, Donna Haraway, Brian Massumi and Maurice Merleau-Ponty as theoretical touchstones. Exploring Interstitiality with Mangroves is a lyrically crafted philosophical analysis that will appeal to scholars, researchers and students interested in the developing frontiers of more-than-human post-anthropocentric writing, theory and methodologies. It will be of interest to readers in ecocriticism, environmental humanities, cultural geography, place studies and nature writing. The Open Access version of the Introduction, available at http://www.taylorfrancis.com/books/e/9781003286493, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. The funder for this chapter is the Australian Academy of the Humanities via the Australian Academy of the Humanities Publication Subsidy Scheme
When Eula Biss became a mother, she stepped into a new world of fear: fear of the government, the medical establishment, the contents of her child's air, food, mattress and vaccines. In this bold, fascinating book, Biss investigates the metaphors and myths surrounding our conception of immunity, and its implications for the individual and the social body. Weaving her personal experiences with an exploration of classical and contemporary literature, Biss considers what vaccines, and the debate around them, mean for her own child, her immediate community and the wider world. On Immunity is an inoculation against our fear and a moving account of how we are all interconnected; our bodies and our fates. Eula Biss is the author of Notes from No Man’s Land, winner of the National Book Critics Circle Award for criticism, and The Balloonists. Her essays have appeared in the Believer and Harper’s Magazine. She teaches at Northwestern University and lives in Chicago. ‘So well written, it’s unbelievable’ Bill Gates ‘It’s fascinating reading, made possible by Biss’ particular blend of scepticism and empathy...Although the book is beautifully written in minimal prose and organised sharply, it is hard to overstate the wealth of information threaded and elaborated throughout its tidy, sturdy structure.’ Saturday Paper ‘Her [Biss] exploration of the history of vaccinating is absorbing.’ Adelaide Advertiser ‘She advances from all sides, like a chess player, drawing on science, myth, literature...What she seems to be suggesting is that knowledge isn’t an inoculation. It doesn’t happen just once. There are things that must be learned and learned again, seen first with the mind and felt later in the body.’ New York Times Book Review ‘This elegant, intelligent and very beautiful book...is elliptical, elusive, neither collection nor narrative exactly but more a set of questions about how we frame our interactions with the world.’ Los Angeles Times ‘The power of Biss’s book stems, in the end, from its subtle insistence on the interrelationship of things—of the mythological and the medical, the private and the public, the natural and the unnatural—and on the idea that one’s relationship with disease and immunity is not distinct from one’s relationship with the world.’ Slate ‘Biss’s project, it turns out, is far grander than a simple explanation of the facts...On Immunity is as much a book about trust as it is a book about vaccines.’ Millions ‘On Immunity is a history, a personal narrative, ultimately a powerful argument that reads, the whole time, like a poem.’ Guernica ‘On Immunity casts a spell...There’s drama in watching this smart writer feel her way through this material. She’s a poet, an essayist and a class spy. She reveals herself as believer and apostate, moth and flame.’ New York Times ‘[Biss] brings a sober, erudite, and humane voice to an often overheated debate.’ New Yorker ‘Brightly informative, giving readers a sturdy platform from which to conduct their own research and take personal responsibility.’ STARRED Review, Kirkus ‘On Immunity needs no topical hook to recommend it, such is its power as a work of literature. Eula Biss is as fine a thinker as she is a stylist.’ Sydney Morning Herald ‘Biss has produced a book that’s like a luxurious quilt, beautiful and comforting...[her] approach is subtle and indirect, circling the subject to illuminate it from different angles.’ Weekend Press ‘On Immunity is essential reading for anyone genuinely interested in the subject. Pro or con, it will shake up what you think you know.’ Australian ‘Thoughtful and thought provoking.’ Otago Daily Times ‘A lively examination of many of the troubling aspects of how we make decisions for ourselves and our communities...[Biss] dispels myths and delineates our fears. She notes her own fallibilities and transient misconceptions, and through this brisk and readable book enlightens us all.’ On MAS ‘This important book is highly recommended for anyone interested in how vaccination works, its history and current debates... On Immunity richly rewards a casual dip and, indeed, can be sampled in almost any order to experience the beguiling, life-saving world of the immune system and all that surrounds it.’ Australian Book Review
This collection addresses different issues involving performance and musical creation in contemporary piano music. Organised into three sections, it examines the aesthetic and technical aspects of musical creation in the 20th century, and evaluates the questions that these aspects pose regarding the interpretative and performative process. It also offers a reflection on artistic practices in the 21st century, and explores their contribution to redefining the contemporary performative field.
