One of The Christian Science Monitor's Ten Best Books of May "A highly original work of history . . . [Saltzman] has written a distinctive study that transcends both art and history and forces us to explore the connections between the two.” —Roger Lowenstein, The Wall Street Journal A captivatingstudy of Napoleon’s plundering of Europe’s art for the Louvre, told through the story of a Renaissance masterpiece seized from Venice Cynthia Saltzman’s Plunder recounts the fate of Paolo Veronese’s Wedding Feast at Cana, a vast, sublime canvas that the French, under the command of the young Napoleon Bonaparte, tore from a wall of the monastery of San Giorgio Maggiore, on an island in Venice, in 1797. Painted in 1563 during the Renaissance, the picture was immediately hailed as a masterpiece. Veronese had filled the scene with some 130 figures, lavishing color on the canvas to build the illusion that the viewers’ space opened onto a biblical banquet taking place on a terrace in sixteenth-century Venice. Once pulled from the wall, the Venetian canvas crossed the Mediterranean rolled on a cylinder; soon after, artworks commandeered from Venice and Rome were triumphantly brought into Paris. In 1801, the Veronese went on exhibition at the Louvre, the new public art museum founded during the Revolution in the former palace of the French kings. As Saltzman tells the larger story of Napoleon’s looting of Italian art and its role in the creation of the Louvre, she reveals the contradictions of his character: his thirst for greatness—to carry forward the finest aspects of civilization—and his ruthlessness in getting whatever he sought. After Napoleon’s 1815 defeat at Waterloo, the Duke of Wellington and the Allies forced the French to return many of the Louvre’s plundered paintings and sculptures. Nevertheless, The Wedding Feast at Cana remains in Paris to this day, hanging directly across from the Mona Lisa. Expertly researched and deftly told, Plunder chronicles one of the most spectacular art appropriation campaigns in history, one that sheds light on a seminal historical figure and the complex origins of one of the great museums of the world.
More than a third of a million men set out on that midsummer day of 1812: none can have imagined the terrors and hardships to come. They would be lured all the way to Moscow without having achieved the decisive battle Napoleon sought; and by the time they reached the city their numbers would already have dwindled by more than a third. One of the greatest disasters in military history was in the making. The fruit of more than twenty years of research, this superbly crafted work skilfully blends the memoirs and diaries of more than a hundred eyewitnesses, all of whom took part in the Grand Armys doomed march to Moscow, to reveal the inside story of this landmark military campaign. The result is a uniquely authentic account in which the reader sees and experiences the campaign through the eyes of participants at each stage of the advance in enthralling day-by-day, sometimes hour-by-hour detail.
A grunt’s-eye report from the battlefield in the spirit of The Red Badge of Courage and All Quiet on the Western Front—the only known account by a common soldier of the campaigns of Napoleon’s Grand Army between 1806 and 1813. When eighteen-year-old German stonemason Jakob Walter was conscripted into the Grand Army of Napoleon, he had no idea of the trials that lay ahead. The long, grueling marches in Prussia and Poland sacrificed countless men to Bonaparte’s grand designs. And the disastrous Russian campaign tested human endurance on an epic scale. Demoralized by defeat in a war few supported or understood, deprived of ammunition and leadership, driven past reason by starvation and bitter cold, men often turned on one another, killing fellow soldiers for bread or an able horse. Though there are numerous surviving accounts of the Napoleonic Wars written by officers, Walter’s is the only known memoir by a draftee, and as such is a unique and fascinating document—a compelling chronicle of a young soldier’s loss of innocence as well as an eloquent and moving portrait of the profound effects of war on the men who fight it. Professor Marc Raeff has added an Introduction to the memoirs as well as six letters home from the Russian front, previously unpublished in English, from German conscripts who served concurrently with Walter. The volume is illustrated with engravings and maps, contemporary with the manuscript, from the Russian/Soviet and East European collections of the New York Public Library. Honest, heartfelt, deeply personal yet objective, The Diary of a Napoleonic Foot Soldier is more than an informative and absorbing historical document—it is a timeless and unforgettable account of the horrors of war.
This vintage book comprises a fascinating collection of Bonaparte's letters; selected, translated, and edited by J. M. Thompson. This anthology forms one of the most truthful and interesting collections of historical documents pertaining to the famous French military and political leader - Napoleon Bonaparte. It offers the reader an interesting and unparalleled insight into his mind and personal life in 292 letters. The letters contained herein include: 'The Brothers', 'His Father's Death', 'The Corsican's Patriot', 'History of Corsica', 'Brothers Louis', 'The Young Jacobin', 'Paris in Revolution', 'Heroics', 'Brother's Joseph', 'Paris Life', 'Fatalism', 'Whiff of Grape-Shot', 'First Night', 'Separation', etcetera. Many antiquarian books such as this are becoming increasingly hard-to-come-by and expensive, and it is with this in mind that we are republishing this text now in an affordable, modern edition - complete with a specially commissioned new biography of the author.
One of the enduring controversies of the Waterloo campaign is the conduct of Marshal Grouchy. Given command of a third of Napoleons army and told to keep the Prussians from joining forces with Wellington, he failed to keep Wellington and Blcher apart with the result that Napoleon was overwhelmed at Waterloo. Grouchy, though, was not defeated. He kept his force together and retreated in good order back to France.Many have accused Grouchy of intentionally holding back his men and not marching to join Napoleon when the sound of the gunfire at Waterloo could clearly be heard, and he has been widely blamed for Napoleons defeat.Now, for the first time, Grouchys conduct during the Waterloo campaign is analyzed in fine detail, drawing principally on French sources not previously available in English. The author, for example, answers questions such as whether key orders did actually exist in 1815 or were they later fabrications to make Grouchy the scapegoat for Napoleons failures? Did General Grard really tell Grouchy to march to the sound of the guns? Why did Grouchy appear to move so slowly when speed was essential?This is a subject which is generally overlooked by British historians, who tend to concentrate on the actions of Wellington and Napoleon, and which French historians choose not to look at too closely for fear that it might reflect badly upon their hero Napoleon.Despite the mass of books written on Waterloo, this is a genuinely unique contribution to this most famous campaign. This book is certain to fuel debate and prompt historians to reconsider the events of June 1815.
Why did Napoleon succeed in 1805 but fail in 1812? Were the railways vital to Prussia's victory over France in 1870? Was the famous Schlieffen Plan militarily sound? Could the European half of World War II have been ended in 1944? These are only a few of the questions that form the subject-matter of this meticulously researched, lively book. Drawing on a very wide range of unpublished and previously unexploited sources, Martin van Creveld examines the 'nuts and bolts' of war: namely, those formidable problems of movement and supply, transportation and administration, so often mentioned - but rarely explored - by the vast majority of books on military history. In doing so he casts his net far and wide, from Gustavus Adolphus to Rommel, from Marlborough to Patton, subjecting the operations of each to a thorough analysis from a fresh and unusual point of view. The result is a fascinating book that has something new to say about virtually every one of the most important campaigns waged in Europe during the last two centuries.
“Rodenberg inventively uses Bonaparte’s own unfinished novel to tell the story of the despot’s rise to power, which she juxtaposes against the story of his last love affair. Told creatively and with excellent research!” —Stephanie Dray, New York Times and USA Today best-selling author of America's First Daughter and The Women of Chateau Lafayette “Beautiful and poignant.” —Allison Pataki, New York Times best-selling author of The Queen’s Fortune With its delightful adaptation of Napoleon Bonaparte’s real attempt to write romantic fiction, Finding Napoleon: A Novel offers a fresh take on Europe’s most powerful man after he’s lost everything—except his last love. A forgotten woman of history—the audacious Countess Albine—helps narrate their tale of intrigue, desire, and betrayal. After the defeated Emperor Napoleon goes into exile on tiny St. Helena Island in the remote South Atlantic, he and his lover, Albine de Montholon, plot to escape and rescue his young son. Banding together enslaved Africans, British sympathizers, a Jewish merchant, a Corsican rogue, and French followers, they confront British opposition—as well as treachery within their own ranks—with sometimes subtle, sometimes bold, but always desperate action. Amid his passions and intrigues, Napoleon finishes his real novel Clisson that he started writing as a young man. Now it's a father's message to the young son whom his enemies took from him, but how can they get it to the boy? When Napoleon and Albine break faith with one another, ambition and Albine’s husband threaten their reconciliation. To succeed, Napoleon must learn whom to trust. To survive, Albine must decide whom to betray. This elegant, richly researched novel reveals the Napoleon history conceals and the Countess Albine history has forgotten.
"This collection of letters reveals much about the times through which Napoleon and Josephine prospered and about the forces which played upon a couple who rose at astonishing speed to the very height of power and success. This edition includes detailed commentaries on the letters, a chronology and biographies of key personalities."--Jacket.