"Foreword by Jean Robertson, Smithsonian Archives of American Art. World-renowned textile artist Nancy Crow explores the major transitions that have influenced and defined her work. This illustrated art book displays an incredible volume of work and captures the inspirations and thought processes behind Crow's contemporary quilts. * Covers eight major series, including Color Blocks and Constructions * Hundreds of color photos * Excerpts from Crow's journals and sketch books * Fold out pages to display oversize quilts."--Publisher's website.
Showcasing the latest work by a world-class artist, this catalog displays a stunning array of art quilts from her one-person exhibition at the Renwick Gallery in Washington, D.C.
Illus. in full color. This story of how the Rainbow Crow lost his sweet voice and brilliant colors by bringing the gift of fire to the other woodland animals is "a Native American legend that will be a fine read-aloud because of the smooth text and songs with repetitive chants. The illustrations, done in a primitive style, create a true sense of the Pennsylvania Lenape Indians and their winters."--School Library Journal.
A collection of 25 improvisational quilts, this compilation from one of the premier colorists in contemporary American art represents work from three distinct series of quilts, all of which are photographed in sensational colors and with extensive detail. The quilts in the first series, Constructions, are large complex pieces created from hundreds of strips of fabrics. The next, Markings, is a series of nine quilts in which the artist explores calligraphy. In the final series, Structures, the artist repeatedly places silk-screened images directly onto cloth, creating blocks of color. Featuring the works-in-progress alongside the finished artwork, this showcase provides fascinating insight into the artistic process.
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
Demystifying its subject for professionals and students alike, this title inspires confidence in colour's application to graphic design, illustration, painting, textile art, and textile design.
White supremacy shaped all aspects of post-Civil War southern life, yet its power was never complete or total. The form of segregation and subjection nicknamed Jim Crow constantly had to remake itself over time even as white southern politicians struggled to extend its grip. Here, some of the most innovative scholars of southern history question Jim Crow's sway, evolution, and methods over the course of a century. These essays bring to life the southern men and women--some heroic and decent, others mean and sinister, most a mixture of both--who supported and challenged Jim Crow, showing that white supremacy always had to prove its power. Jim Crow was always in motion, always adjusting to meet resistance and defiance by both African Americans and whites. Sometimes white supremacists responded with increased ferocity, sometimes with more subtle political and legal ploys. Jumpin' Jim Crow presents a clear picture of this complex negotiation. For example, even as some black and white women launched the strongest attacks on the system, other white women nurtured myths glorifying white supremacy. Even as elite whites blamed racial violence on poor whites, they used Jim Crow to dominate poor whites as well as blacks. Most important, the book portrays change over time, suggesting that Strom Thurmond is not a simple reincarnation of Ben Tillman and that Rosa Parks was not the first black woman to say no to Jim Crow. From a study of the segregation of household consumption to a fresh look at critical elections, from an examination of an unlikely antilynching campaign to an analysis of how miscegenation laws tried to sexualize black political power, these essays about specific southern times and places exemplify the latest trends in historical research. Its rich, accessible content makes Jumpin' Jim Crow an ideal undergraduate reader on American history, while its methodological innovations will be emulated by scholars of political history generally. In addition to the editors, the contributors are Edward L. Ayers, Elsa Barkley Brown, W. Fitzhugh Brundage, Laura F. Edwards, Kari Frederickson, David F. Godshalk, Grace Elizabeth Hale, Jacquelyn Dowd Hall, Stephen Kantrowitz, Nancy MacLean, Nell Irwin Painter, and Timothy B. Tyson.
