"The first comprehensive collection of Davidman's poetry, A Naked Tree includes the poems that originally appeared in her Letter to a Comrade (1938), forty other published poems, and more than two hundred previously unpublished poems that came to light in a remarkable 2010 discovery"--Publisher's description.
" Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge; So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half-awakened birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more. Dear as remembered kisses after death, And sweet as those by hopeless fancy feigned On lips that are for others; deep as love, Deep as first love, and wild with all regret; O Death in Life, the days that are no more!"
Sexual identity, female friendship, and queer experiences of love Fraught with obsession, addiction, and unrequited love, Catherine Pond’s Fieldglass immerses us in the speaker’s transition from childhood to adulthood. A queer coming-of-age, this collection is a candid exploration of sexual identity, family dynamics, and friendships that elude easy categorization, offering insight on the ambiguous nature of identity. Saturated by her surroundings and permeated by the emotional lives of those close to her, the speaker struggles with feelings of displacement, trauma, and separateness. She is perpetually in transit, with long drives, flights, and train rides—moving most often between the city and the foothills of the Adirondack Mountains. As the collection unfolds, the speaker journeys toward adulthood, risking intimacy and attempting to undo her embedded impulses toward silence and absorption. Reflective, graceful, and understated, Pond’s images accumulate power through restraint and suggestion. Deeply personal and intense, searching and yearning, associative and lyric, Fieldglass is a confessional about growing up, loving hard, and letting go.
Poetry can be sensuous, but not every poet can be sensuous and impassioned. The poetry in this volume is both sensuous and impassioned. The poetry in this volume emerges from a smile, a dream, a memory, fire and snow. Rudy Thomas is impassioned enough to turn over stones along Old Seventy Creek and share the things he discovers beneath them as poetry.
A spirited collection of poems inspired by the Zen practice of one of America's most celebrated authors, Jim Harrison, a New York Times best-selling author. The popular novels of Jim Harrison (1937–2016) represent only part of his literary output—he was also widely acclaimed for the “renegade genius” of his powerful, expressive poems. After Ikkyū is the first collection of Harrison’s poetry directly inspired by his many years of Zen practice. The writing here is at once thought-provoking and passionate, immortalizing a celebrated American writer’s relationship to Zen in beautiful verse. These short, spirited poems will inspire you to look at life differently with a newfound sense of wonder and gratitude for everyday moments.
'Charmides, and Other Poems' is a collection of poems and sonnets by Oscar Wilde. 'Charmides', which is featured here, is known to be Oscar Wilde's longest and one of his most controversial poems. The story is original to Wilde, though it takes some hints from Lucian of Samosata and other ancient writers; it tells a tale of transgressive sexual passion in a mythological setting in ancient Greece. Other titles to be found within this publication include 'Rome Unvisited', 'Louis Napoleon', and 'The New Remorse'.