Sometimes we find ourselves with people who tell us something that then turns out to be not true, that may not stop being an anecdote, but when lies are constant, we may be before a mythomaniac, that is, a person who lies almost compulsively, also known as a pathological liar. With this text you will learn what it is, how to differentiate it from other cases that show similar symptoms of lies and how to deal with this problem.
Weaves ancient myth into modern celebrity and consumerist culture to expose the absurdity and occasional insanity of twenty-first-century society, economy, and politics Despite a proclaimed respect for scientific reason, humans are still as intrigued by myth as their remote ancestors. Laptops and smartphones are sold under a logo that invokes the forbidden fruit of the Garden of Eden; skimpily clad classical nymphs cavort in TV reality shows; Narcissus makes a comeback whenever we snap a selfie. Mythical creatures such as handsome vampires abound in best-selling novels. Myth has also invaded the political realm, now that terrorists brandish black flags and recite theological mantras as they martyr themselves. In twenty-seven self-contained entries, Conrad illuminates in his own remarkable way subjects from the British Queen to the Kardashians, via Banksy, vaping, and the inception of the Large Hadron Collider. In Judge Judy, he shows a matronly Roman goddess dispensing justice with a fly swatter. In the metamorphosis of Caitlyn Jenner from Olympic athlete and paterfamilias into idealized female form, he finds parallels to the transformations of the residents of Mount Olympus. Myths used to tell us where we came from. Now, alarmed but also elated by the pace of change in our society, we need them to tell us where we are going.
In this modern version of the Greek myth, Persephone asks Hades for a ride to escape her overprotective mother, sneaks into the Underworld, and refuses to leave.
Discover a new middle-grade fantasy saga from Melissa de la Cruz, the #1 New York Times bestselling author of The Descendants series, with Never After: The Stolen Slippers, where real life and fairy tales collide! Tossed back into the not-so-familiar fairy-tale world of Never After, Filomena Jefferson-Cho and her friends set off on another adventure . . . this time in search of Cinderella’s glass slipper. Or rather, glass slippers. It turns out the classic story of Cinderella is full of lies—starting with how Cinderella herself is far from the innocent heroine everyone thinks she is. She is manipulative and cunning—willing to do anything to be the princess of Eastphalia. The real heroines of her story are her “wicked” stepsisters, Hortense and Beatrice, who aren’t actually wicked at all! With the help of the dashing Jack Stalker, adorable Alastair, and glamorous Gretel, Filomena must track down the slippers, which may be the key to a certain mysterious prophecy . . . And when Filomena and Beatrice get tossed into the Beast’s dungeon, all hope seems to be lost. Will the conniving Cinderella shatter everyone’s hopes for a true un-twisted ending? Or will Filomena and her friends secure the happily ever after Cinderella’s stepsisters deserve?
Frank Lloyd Wright (1867–1959) is often described as the greatest of American architects. His works—among them Taliesin North, Taliesin West, Fallingwater, the Johnson Wax buildings, the Guggenheim Museum—earned him a good measure of his fame, but his flamboyant personal life earned him the rest. Here Brendan Gill, a personal friend of Wright and his family, gives us not only the fullest, fairest, and most entertaining account of Wright to date, but also strips away the many masks the architect tirelessly constructed to fascinate his admirers and mislead his detractors. Enriched by hitherto unpublished letters and 300 photographs and drawings, this definitive biography makes Wright, in all his creativity, crankiness, and zest, fairly leap from its pages.
The Trojan War is over, but now Odysseus has to find his way home to Ithaca . . . and in typical fashion, he's angered Poseidon enough that the sea-god has decided to make his journey miserable (if not impossible).
This book is about the bold, beautiful, and faithful heroines of the Greek novels and their mythical models, such as Iphigenia, Phaedra, Penelope, and Helen. The novels manipulate readerly expectations through a complex web of mythical variants and constantly negotiate their adventure and erotic plot with that of traditional myths becoming, thus, part of the imperial mythical revision to which they add the prospect of a happy ending.
The Satyricon of Petronius, a comic novel written in the first century A.D., is famous today primarily for its amazing banquet tale, "Trimalchio's Feast." But this episode is only one part of the larger picture of life during Nero's rule presented in the work. In this accessible discussion of Petronius's masterful use of parody, Gian Biagio Conte offers an interpretation of the Satyricon as a whole. He combines the scholarly precision of close reading with a significant, original theoretical model. At the heart of his interpretation, Conte reveals the technique of the "hidden author" that Petronius employs at the expense of his characters, in particular the teller of the story, Enclopius. By remaining hidden outside the narrative, Petronius invites the reader to smile at the folies de grandeur that occur in a culture of scholars and declaimers. Yet as Conte shows, behind the parody and inexhaustible humor of the Satyricon lies an unexpectedly serious lament. For those familiar with the Satyricon, as well as for new readers, Conte's book will be a reliable, enjoyable guide to the wonders the Satyricon contains.
