Ah, Greek and Roman myths. The foundation of theatrical tradition! Watch as this zany, action-packed comedy (complete with Netflix references) brings you the abridged (but relatable) history of Greco-Roman mythology from Orpheus and Eurydice to Zeus to Sophocles to Aphrodite to everysinglemythyoucanthinkofandmore! It's sure to seem like, well, Greek, at first. But by the end, you'll be an expert...or at least you'll be able to pretend to be one at parties. Comedy One-act. 35-45 minutes 15-40 actors
Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.
Living Myth explores the dilemma of how to live life creatively at a time when the dominant myths of our culture are losing their power to give meaning to our lives. Using C. G. Jung's idea of discovering a "personal myth," D. Stephenson Bond reflects on the psychology of mythic imagination, as a force in both culture and individual life. He argues that meaning is experienced subjectively through the stirring of imagination and fantasy in the individual, which touches the larger impersonal, archetypal patterns. The book offers hopeful insights into the possibilities of cultural renewal and individual meaning through the restoration of the imagination.
Traditionally understood as pre-critical, even pre-rational, mythical thought has in fact played a critical role in post-Enlightenment intellectual history. Modernists in philosophy and literature have used the depictive rationality of myth to disclose, in self-reflective ways, the limits of discursive sense-making in various domains of human experience. In so doing, they have effectively furthered, without resort to analytical abstractions, the epistemological critique of reason begun during the Enlightenment. Stambovsky illustrates four widely diverse examples of this critical form of mythical thinking in works by Kierkegaard, Miguel de Unamuno, Henry James, and Margaret Atwood. The selected texts focus respectively on religious, national-cultural, psychosocial, and psychobiological realms of experience. These illustrations follow an inquiry into why the very possibility of critical, mythically inventive (mythopoetic) reflection is unsatisfactorily explained by leading rationalist accounts of myth. It is with this problem in mind that Stambovsky begins his monograph with observations on the origins of rationalist and counter-rationalist conceptualizations of myth in the fragments of Xenophanes (the father of rationalist mythology) and in Plato's Phaedrus. Of pivotal import is the early rationalist discrimination of mythos from logos and its epistemological implications (the rationalist legacy) in the history of the idea of myth. Following his look at paradigmatic classical precedents, Stambovsky traces the influence of the rationalist legacy in the myth theory of Malinowski, Lévi-Strauss, Cassirer, Ricoeur, and Blumenberg. The aim is to reveal how this influence in different ways limits these theories as instruments for detecting and explaining the seminal critical and historical significance of modern mythopoeia. This study will be of particular interest to teachers and students of myth theory in departments of philosophy, religion, literature, and cultural anthropology.
From Zeus to Europa, to Pan and Prometheus, the myths of ancient Greece and Rome continue to pervade the numerous facets of our existence. The author explores the rich history and varying interpretations of classical myth in both high art and popular culture as well as its ongoing influence in modern society.
The Myth of the Welfare Stale is a basic and sweeping explanation of the rise and fall of great powers, and of the profound impacts of these megastates on ordinary lives. Its central theme is the rise of bureaucratic collectivization in American society. It is Douglas's conviction, which he supports with a wealth of detail, that statist bureaucracies produce siagnation, often exacerbated by inflation, which in turn produces the waning of state power.Douglas has his own set of ""isms"" that require concerted attention: mass mediated rationalism, scientism, technologism, credentialism, and expertism. People who make policies have little, if any, awareness of the actual way social processes evolve: agricultural policy is set by people who know little of farming, arid manufacturing policy is set by people who have never set foot on a factory floor. In light of this ""soaring average ignorance,"" it is little wonder that policy-making has Alice-in-Wonderland characteristics and effects.Douglas sees the notion of a welfare state as a contradiction in terms; its widespread insinuation into the culture is made possible by its weak mythological form and benign-sounding characteristics. In fact, welfare states in whatever form they appear have failed in their purpose: to redistribute income or increase real wealth. The megastates are the source of social instability and economic downturn. They grow like a tidal drift. They start out to correct the historical grievances of the laissez-faire states, only to increase the problems they seek to correct. In this, the welfare state is a weakened form of the totalitarian state, producing similarly unhappy results.Professor Douglas has produced a work of ""anti-policy"" - arguing that freedom leavened by an ordinary sense of self-interest and social concern can overcome the shortfalls of the megastates and their myth-making, self-serving, propensities.
A look at the increasing role played by Google in education explores the many applications available through Google, from shared documents, presentations, and spreadsheets, to calendars and social networking tools.
Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century. Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond. A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
The renowned master of mythology is at his warm, accessible, and brilliant best in this illustrated collection of thirteen lectures covering mythological development around the world.
Brockway exposes Western mythic thought from Paleolithic times to the present. Myth and mythic thinking did not cease with the rise of science and philosophy during the Enlightenment, but continue to flourish in modern times. The author shows how mythic themes continue to occur in both high culture and popular arts.
