These plays represent Sterling Houston's themes and styles. High Yellow Rose deflates the Alamo myth by casting the heroes as women. Isis in Nubia sets the Isis/Osiris myth in West Africa. Black Lily and White Lily is a domestic drama exploring racial tensions. Miranda Rites enacts Martha Mitchell's last days in hospital.
A study guide for Michael Frayn's "Noises Off", excerpted from Gale's acclaimed Drama for Students series. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
One of the few books of its kind, Acting Up and Getting Down brings together seven African American literary voices that all have a connection to the Lone Star state. Covering Texas themes and universal ones, this collection showcases often-overlooked literary talents to bring to life inspiring facets of black theatre history. Capturing the intensity of racial violence in Texas, from the Battle of San Jacinto to a World War I–era riot at a Houston training ground, Celeste Bedford Walker's Camp Logan and Ted Shine's Ancestors provide fascinating narratives through the lens of history. Thomas Meloncon's Johnny B. Goode and George Hawkins's Br'er Rabbit explore the cultural legacies of blues music and folktales. Three unflinching dramas (Sterling Houston's Driving Wheel, Eugene Lee's Killingsworth, and Elizabeth Brown-Guillory's When the Ancestors Call) examine homosexuality, a death in the family, and child abuse, bringing to light the private tensions of intersections between the individual and the community. Supplemented by a chronology of black literary milestones as well as a playwrights' canon, Acting Up and Getting Down puts the spotlight on creative achievements that have for too long been excluded from Texas letters. The resulting anthology not only provides new insight into a regional experience but also completes the American story as told onstage.
San Antonio is often described as the “mother” of Texas cities—the oldest and, for two and a half centuries, the largest city in Texas. To many it is, as novelist Larry McMurtry once famously proclaimed, “the one truly lovely city in the state.” Long recognized as a cultural crossroads between two continents, writers in San Antonio, both native and visiting, have had a significant effect upon the city’s literary and cultural landscape. Novels were being written in the city by the late 1830s. Nineteenth century writers like Frederick Law Olmsted, Sydney Lanier, and O. Henry wrote effusively about San Antonio; Oscar Wilde found here “a thrill of strange pleasure.” Here the Mexican Revolution was called into being, and here were the political and literary origins of the Chicano Movement. Literary San Antonio provides dozens of examples of the interplay and cross-pollination of Anglo and Latino literary forms, ideas, and traditions that led to the creation of a unique borderlands or frontera literature. This city, with its winding, still-sleepy river and its story-shrouded springs; its ancient acequias and missions, now acknowledged as valued “world heritage” sites; its sacred battle grounds and historic military forts and bases; its several unique neighborhoods and barrios that have produced and been celebrated by generations of writers; its rich heritage of heroism and revolutionary passion; its endlessly celebratory ability to revel in its multiracial, multiethnic, multilingual roots and branches . . . this city is a good place to write, to write about, and to wander with a book in hand.
From plantation performances to minstrel shows of the late nineteenth century, the roots of black theatre in Texas reflect the history of a state where black Texans have continually created powerful cultural emblems that defy the clichés of horses, cattle, and bravado. Drawing on troves of archival materials from numerous statewide sources, Stages of Struggle and Celebration captures the important legacies of the dramatic arts in a historical field that has paid most of its attention to black musicians. Setting the stage, the authors retrace the path of the cakewalk and African-inspired dance as forerunners to formalized productions at theaters in the major metropolitan areas. From Houston’s Ensemble and Encore Theaters to the Jubilee in Fort Worth, gospel stage plays of the Black Academy of Arts and Letters in Dallas, as well as San Antonio’s Hornsby Entertainment Theater Company and Renaissance Guild, concluding with ProArts Collective in Austin, Stages of Struggle and Celebration features founding narratives, descriptions of key players and memorable productions, and enlightening discussions of community reception and the business challenges faced by each theatre. The role of drama departments in historically black colleges in training the companies’ founding members is also explored, as is the role the support of national figures such as Tyler Perry plays in ensuring viability. A canon of Texas playwrights completes the tour. The result is a diverse tribute to the artistic legacies that continue to inspire new generations of producers and audiences.
Musaicum Books presents to you this ultimate collection about witchcraft: Introduction to Witchcraft: The Superstitions of Witchcraft by Howard Williams The Devil in Britain and America by John Ashton Witchcraft in Europe: History of Magic and Witchcraft: Magic and Witchcraft Lives of the Necromancers Witch, Warlock, and Magician Practitioners of Magic & Witchcraft and Clairvoyance Mary Schweidler, the Amber Witch Sidonia, the Sorceress La Sorcière: The Witch of the Middle Ages Tales & Legends: Witchcraft & Second Sight in the Highlands & Islands of Scotland Witch Stories Studies: The Witch Mania Witchcraft and Superstitious Record in the South-Western District of Scotland Modern Magic Witchcraft in America: The Wonders of the Invisible World Salem Witchcraft Salem Witchcraft and Cotton Mather A History of the Salem Village Witchcraft Trials An Account of the Witchcraft Delusion at Salem in 1682 House of John Procter, Witchcraft Martyr, 1692 Studies: The Salem Witchcraft, the Planchette Mystery, and Modern Spiritualism by Samuel Roberts Wells The Witchcraft Delusion in Colonial Connecticut (1647-1697) by John M. Taylor Witchcraft of New England Explained by Modern Spiritualism by Allen Putnam On Witchcraft: Glimpses of the Supernatural – Witchcraft and Necromancy by Frederick George Lee Letters On Demonology And Witchcraft by Sir Walter Scott
"This is the first English translation of a brief, scholarly, and brilliantly original work which sets out to examine the links between the legend of the artist, in all cultures, and what E.H. Gombrich, in an introductory essay, calls 'certain invariant traits of the human psyche.'"--Denis Thomas, Journal of the Royal Society of Arts "This book gathers together various legends and attitudes about artists, ancient and modern, East and West, and gives fascinating insights into attitudes toward artistic creation. It impinges on psychology, art history and history, aesthetics, biography, myth and magic, and will be of great interest to a wide audience in many fields.... A delightful and unrivalled study."--Howard Hibbard "Thought provoking and valuable.... To all those interested in psychiatry and art from the perspectives of history, criticism, or therapy and to the wide audience concerned with the psychology of aesthetics and of artistic creation."--Albert Rothenberg, American Journal of Psychiatry
Between Folk and Liturgy, the title of this collection, should not be understood to refer to some fixed point, some stable place between the two extremes of an illiterate and a literate culture. Rather, the title flags the wide and colourful spectrum of medieval dramatic possibility. Perhaps except one, none of the ten essays published here deal with a drama existing purely at either end of this scale. They add to our impression of the teaming fecundity and hybridism of early European drama, an impression that grows apace once we start to consider dramas situated Between Folk and Liturgy. The geographical terrain that the essays traverse ranges from the British Isles in the west to Poland in the east. The suppleness of the approaches taken here is the minimum critical requirement of anyone wanting to do justice to so complex and multifold a phenomenon as is early European drama.