The Myth of Abstraction

The Myth of Abstraction

Author: Andrea Meyertholen

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 311

ISBN-13: 1640141049

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An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.


The Poetics of Myth

The Poetics of Myth

Author: Eleazar M. Meletinsky

Publisher: Routledge

Published: 2014-01-21

Total Pages: 517

ISBN-13: 1135599068

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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.


The Seductiveness of Jewish Myth

The Seductiveness of Jewish Myth

Author: S. Daniel Breslauer

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 328

ISBN-13: 0791497445

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The Seductiveness of Jewish Myth offers a panorama of diverse definitions of myth, understandings of Judaism, and competing evaluations of the "mythic" element in religion. The contributors focus on the problem of defining myth as a category in religious studies, examine modern religion and the role of myth in a "secularized" world, and look at specific cases of Jewish myth from biblical through modern times.


Myth and Science: An Essay

Myth and Science: An Essay

Author: Tito Vignoli

Publisher: Library of Alexandria

Published: 2020-09-28

Total Pages: 313

ISBN-13: 1465610898

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Myth, as it is understood by us, and as It will be developed and explained in this work, cannot be defined in summary terms, since its multiform and comprehensive nature embraces and includes all primitive action, as well as much which is consecutive and historical in the intelligence and feelings of man, with respect to the immediate and the reflex interpretation of the world, of the Individual, and of the society in which our common life is passed. We hold that myth is, in its most general and comprehensive nature, the spontaneous and imaginative form in which the human intelligence and human emotions conceive and represent themselves and things in general; it is the psychical and physical mode in which man projects himself into all those phenomena which he is able to apprehend and perceive. We do not propose to consider in this treatise the myths peculiar to one people, nor to one race; we do not seek to estimate the intrinsic value of myths at the time when they were already developed among various peoples, and constituted into an Olympus, or special religion; we do not wish to determine the special and historical cause of their manifestations in the life of any one people, since we now refrain from entering on the field of comparative mythology. It is the scope and object of our modest researches to trace the strictly primitive origin of the human myths as a whole; to reach the ultimate fact, and the causes of this fact, whence myth, in its necessary and universal form, is evolved and has its origin. We must therefore seek to discover whether, in addition to the various causes assigned for myth in earlier ages, and still more in modern times by our great philologists, ethnologists, and philosophers of every school—causes which are for the most part extrinsic—there be not a reason more deeply seated in our nature, which is first manifested as a necessary and spontaneous function of the intelligence, and which is therefore intrinsic and inevitable. In this case myth will appear to us, not as an accident in the life of primitive peoples varying in intensity and extent, not as a vague conception of things due to the erroneous interpretation of words and phrases, nor again as the fanciful creation of ignorant minds; but it will appear to be a special faculty of the human mind, inspired by emotions which accompany and animate its products. Since this innate faculty of myth is indigenous and common to all men, it will not only be the portion of all peoples, but of each individual in every age, in every race, whatever may be their respective conditions.


Structuralism in Myth

Structuralism in Myth

Author: Robert Alan Segal

Publisher: Taylor & Francis

Published: 1996

Total Pages: 350

ISBN-13: 9780815322603

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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.


Abstraction & Economy

Abstraction & Economy

Author: Eva Maria Stadler

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2024-04-22

Total Pages: 272

ISBN-13: 3111371344

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Opposing a regime of accumulation and abstraction This anthology explores the tension between abstraction and economics from the perspectives of art, art theory, art history, as well as law, sociology, philosophy, and economics. It poses questions about the current challenges of a global capitalist economy with claims to expansive growth in relation to aesthetics, technology, and democracy. The relationship between abstraction and economics is discussed in a series of theoretical and artistic contributions. The main focus is on the role of art in mediating between the concrete and the abstract, on formalist approaches to art theory, and on the social and economic cues that help us trace the aesthetic regime of capitalism. Ultimately, this book asks, “how can artistic-aesthetic practices counteract the regime of accumulation and abstraction?” The visual arts in a socioeconomic context Reflecting on the relationship between abstraction and economics from capitalist-critical, decolonial, ecological, and queer-feminist perspectives Contributions by Brenna Bhandar, Christina von Braun, Sabeth Buchmann, Denise Ferreira da Silva, Sven Lütticken, R. H. Quaytman, Marina Vishmidt, and others Look inside