MYSHKIN'S BLUES is a physical and emotional travelogue that takes as its patron saint Dostoevsky's holy fool. Organized into a double album in the manner of Cream's "Wheels of Fire" or Jimi's "Electric Ladyland" or Guns n'Roses' "Use Your Illusion," the poems of Mark Fogarty's questing work walk through the valley between folly and wisdom, relying on the magic of the blues to transform painful experiences into joyful ones!
The Red Wheelbarrow 9 continues the tradition of poetic excellence associated with Rutherford, NJ, hometown of major American poet William Carlos Williams. The Red Wheelbarrow Poets continue to attract the best of local poets and others drawn to the flame of modern 21st Century versifying. The RWP runs an ongoing weekly poetry workshop (it has been ongoing for ten years now) and monthly readings at both the Williams Center and GainVille Cafe in Rutherford. Participants in those three events are eligible for inclusion in the anthology, and this year we have nearly 50 poets and writers in a book that is bursting at the seams with poetry, prose and art. May the tribe increase!
The Red Wheelbarrow Poets are back with their best anthology ever! The Red Wheelbarrow 11 is full to bursting with great poetry, essays, artwork and reviews. There are dozens of poets here who have become a part of our community by reading at either of our monthly readings or participating in our long-running weekly poetry workshop. Featured poet is Jim Klein, with a selection of poems from his brand-new collection The Preembroidered Moment. Mike drop!
In 1909, William Carlos Williams published his first book of poetry in Rutherford, NJ and started the modernist revolution. In 2009, that tradition is continued by the release of the second Rutherford Red Wheelbarrow, a literary journal featuring the best of New Jersey and New York poets. There's an unpublished poem by Williams, several essays on the poet, and rare items from the Rutherford Public Library's Williams Collection.
It's hard to believe, but it has been ten years for The Red Wheelbarrow, the Rutherford, NJ anthology that has done so much to boost the poetry of the tri-state region and create a nexus of poetic energy around the birthplace of famed poet Dr. William Carlos Williams. This is our biggest and best book to date, bursting with poetry, prose and artwork and epitomizing Williams' beliefs that a poem is a machine made of words and the epic is the local fully realized.Since Williams was a baby doctor we often get asked if we were delivered by Dr. Williams. Our answer? Not yet, but we're getting there!
Kola Boof is an extravagently talented writer. IF MY FATHER DIES I GIVE BIRTH TO HIM AGAIN gives her what she's due for being an accomplished writer of fiction, poetry and memoir. This selected writings contains excerpts from her best work: *NILE RIVER WOMAN *DIARY OF A LOST GIRL *LONG TRAIN TO THE REDEEMING SIN *FLESH AND THE DEVIL
For the seventh time the Red Wheelbarrow Poets have packaged lightning in a bottle. Following the example of William Carlos Williams, the celebrated poet-doctor of Rutherford, NJ, these awesome poets and writers are turning the epic into the local fully realized. They are a closely knit community that has participated in the RWP writing workshop, now in its seventh year, or RWP readings at the Williams Center and GainVille Cafe, both in Rutherford. And they kick some ass too!
The Red Wheelbarrow Poets have staked a claim to one of the most valuable pieces of poetic ground in the country, Rutherford, NJ and the legacy of Rutherford's poet/physician William Carlos Williams. Each year for the past eight the group has produced an annual collection of the best poetry (and prose) from this lively and vibrant community. This year's Featured poet is Don Zirilli, who has also contributed four essays on Williams he has delivered at RWP readings in the past year.
"A comparative study that explores the influence of Christian and Classical ideas about the divine face in the writing of four major writers in Western literature"--
In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.
