Doucet's third book, her longest and most,ambitious story collected for the first time in,one beautifully produced softcover edition.,Details the events in Doucet's life during a six,month period in 1991 when she packed her bags and,moved to New York to join her new boyfriend in his,upper west side apartment. Doucet effectively,portrays how the initial excitement of their,new beginning gives way to his over bearing,jealousy. Includes 'My First Time' and 'Julie in,Junior College'.
New York is a city like no other. Through the centuries, she’s been embraced and reviled, worshipped and feared, praised and battered—all the while standing at the crossroads of American politics, business, society, and culture. Pulitzer Prize winner Teresa Carpenter, a lifelong diary enthusiast, scoured the archives of libraries, historical societies, and private estates to assemble here an almost holographic view of this iconic metropolis. Starting on January 1 and continuing day by day through the year, these journal entries are selected from four centuries of writing—revealing vivid and compelling snapshots of life in the Capital of the World. “Today I arrived by train in New York City . . . and instantly fell in love with it. Silently, inside myself, I yelled: I should have been born here!”—Edward Robb Ellis, May 22, 1947 Includes diary excerpts from Sherwood Anderson • Albert Camus • Noël Coward • Dorothy Day • John Dos Passos • Thomas Edison • Allen Ginsberg • Keith Haring • Henry Hudson • Anne Morrow Lindbergh • H. L. Mencken • John Cameron Mitchell • Julia Rosa Newberry • Eugene O’Neill • Edgar Allan Poe • Theodore Roosevelt • Elizabeth Cady Stanton • Alexis de Tocqueville • Mark Twain • Gertrude Vanderbilt • Andy Warhol • George Washington • Walt Whitman • and many others “The most convivial and unorthodox history of New York City one is likely to come across.”—The New York Times “A must-read for anyone who has fallen in love with the Big Apple.”—New York Journal of Books “An absolute masterpiece.”—The Atlantic
Spurned by his wife at home and by superiors at work, a young man sits in his cramped San Francisco apartment during the turbulent 1960s and channels everything around him into a diary that is a perfect record of a world going to pieces.
In 2008, the famed director Michel Gondry wrote to legendary cartoonist Julie Doucet - author of My New York Diary - to propose that they make a film together. Little did Gondry and Doucet know that the process itself would be the film and that they'd soon be starring in a 'reality' comic and film of their own devising. They settled on a process that involved inserting the real Julie into a landscape of her own drawings to create a magical, touching film. This archive collects all of Doucet's drawings as well as a DVD of the film, in a deluxe, hardcover volume.
"I seem to live: the New York diaries, 1950-2011 is Jonas Mekas's key literary work. The first volume of this magnum opus, covering the period from 1950-1969, appears posthumously in the year of his death. It stands on an equal fooing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. In 1954, the two brothers founded Film Culture magazine, and a weekly column for The Village Voice. It was in this period that his writing, films, and unflagging commitment to art began to establish him as a pioneer of American avant-garde cinema and the barometer of the New York art scene. An assemblage of Jonas's diaries from this exciting period, enriched with his own personal visual material, I seem to live: the New York diaries, vol. 1, 1950-1969 reads as a moving and subjectively condensed chronology of the postwar New York underground scene, which he shaped and defended through his writings"--Page 4 of cover
In Big Apple Diaries, a heartfelt diary-style graphic memoir by Alyssa Bermudez, a young New Yorker doodles her way through middle school—until the September 11, 2001, terrorist attack leaves her wondering if she can ever be a kid again. It’s the year 2000 in New York City. For 12-year old Alyssa, a biracial Puerto Rican girl, this means all kinds of new challenges: splitting time between her dad's apartment in Manhattan and her mom's new place in Queens, navigating the ups and downs of middle school, harboring an epic crush on a new classmate, and figuring out how to be a "real" Puerto Rican. The only way to make sense of it all is to write and draw her thoughts and worries into her diary. Then life abruptly changes on September 11, 2001. After the Twin Towers fall and so many lives are lost, her concerns about gossip, crushes, and fashion feel distant and insignificant. Alyssa must find a new sense of self and purpose amidst all of the chaos, and find strength to move forward with hope. This moving graphic memoir is based on Alyssa Bermudez's own middle school diaries.
Hailed as one of the most important works on the Hitler period, this is an “astonishing, compelling, and unnerving” portrait of life in Nazi Germany between 1936 and 1944—from a man who nearly shot Hitler himself (The New Yorker) Friedrich Reck might seem an unlikely rebel against Nazism. Not just a conservative but a rock-ribbed reactionary, he played the part of a landed gentleman, deplored democracy, and rejected the modern world outright. To Reck, the Nazis were ruthless revolutionaries in Gothic drag, and helpless as he was to counter the spell they had cast on the German people, he felt compelled to record the corruptions of their rule. The result is less a diary than a sequence of stark and astonishing snapshots of life in Germany between 1936 and 1944. We see the Nazis at the peak of power, and the murderous panic with which they respond to approaching defeat; their travesty of traditional folkways in the name of the Volk; and the author’s own missed opportunity to shoot Hitler. This riveting book is not only, as Hannah Arendt proclaimed it, “one of the most important documents of the Hitler period,” but a moving testament of a decent man struggling to do the right thing in a depraved world.
A Schoolboy’s Diary brings together more than seventy of Robert Walser’s strange and wonderful stories, most never before available in English. Opening with a sequence from Walser’s first book, “Fritz Kocher’s Essays,” the complete classroom assignments of a fictional boy who has met a tragically early death, this selection ranges from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to tales of devilish adultery, sexual encounters on a train, and Walser’s service in World War I. Throughout, Walser’s careening, confounding, delicious voice holds the reader transfixed.
Forced to drop out of school at the age of fourteen to help support her family, Angela, an Italian immigrant, works long hours for low wages in a garment factory, and becomes a participant in the shirtwaist worker strikes of 1909.
