Poetry. Poems of a loneliness that quarrels with itself from the far edge of love, this is a collection of would-be love poems chastened by experience. I was a Promethean dilettante disabused of tinder, says the speaker, who later observes, After you reach adulthood / no one bets you'll set this world / on fire. Ackerson-Kiely returns with a second book of perfectly trenchant heartbreak and longing.
A collection of haunting, image-rich poems about isolation, captivity, and vanishing. The poems in Paige Ackerson-Kiely's third collection are set primarily in the rural northeast of America, and explore rural poverty, entrapment, captivity, violence, and a longing to vanish. Ranging from free verse to a long noir prose poem, they examine who her, or our, "captors" might be. Ackerson-Kiely is interested in characters who are aware of their foibles, and who find ways to turn away from those problems in search of connection and freedom.
'A wonderful book - an invigorating revelation ... An essential collection of prose poems from across the globe, by old masters and new, reveals the form's astonishing range' Kate Kellaway, Observer 'A superb anthology . . . it is hard to know how it could possibly be bettered' Daily Telegraph This is the prose poem: a 'genre with an oxymoron for a name', one of literature's great open secrets, and the home for over 150 years of extraordinary work by many of the world's most beloved writers. This uniquely wide-ranging anthology gathers essential pieces of writing from every stage of the form's evolution, beginning with the great flowering of recent years before moving in reverse order through the international experiments of the 20th century and concluding with the prose poem's beginnings in 19th-century France. Edited with an introduction by Jeremy Noel-Tod
11 July, 1897. Three men set out in a hydrogen balloon bound for the North Pole. They never return. Two days into their journey they make a crash landing then disappear into a white nightmare. 33 years later. The men's bodies are found, perfectly preserved under the snow and ice. They had enough food, clothing and ammunition to survive. Why did they die? 66 years later. Bea Uusma is at a party. Bored, she pulls a books off the shelf. It is about the expedition. For the next fifteen years, Bea will think of nothing else... Can she solve the mystery of The Expedition?
Ley lines mark alignments of sacred sites such as ridgetops and ancient megaliths and create pathways between them. This book too marks alignments and creates pathways, but its sacred sites are not monuments, they’re artworks and poems. Its various forms of exchange between writers and artists offer unique access to contemporary art, poetry, and the creative process. In this unique anthology, working poets respond to questions about their recent books, painters and other artists offer statements about their work, and writers respond to artworks. These offerings and exchanges are juxtaposed so as to speak to one another in a capacious, resonant dialogue. The result is a broad-minded and inclusive poetics, a vision of creative work as a constituent of personal and civic life. Anyone who nurtures the creative impulse will enjoy Ley Lines and return to it again and again. Writing students, art students, and any reader engaged in artistic practice will find in Ley Lines not a how-to manual or step-by-step instruction but an inexhaustible vein of instructive reflection on imaginative work and the creative life.
NATIONAL BESTSELLER "Destined to become an adventure classic." —Anchorage Daily News Hailed as "gripping" (New York Times) and "beautiful" (Washington Post), The Adventurer's Son is Roman Dial’s extraordinary and widely acclaimed account of his two-year quest to unravel the mystery of his son’s disappearance in the jungles of Costa Rica. In the predawn hours of July 10, 2014, the twenty-seven-year-old son of preeminent Alaskan scientist and National Geographic Explorer Roman Dial, walked alone into Corcovado National Park, an untracked rainforest along Costa Rica’s remote Pacific Coast that shelters miners, poachers, and drug smugglers. He carried a light backpack and machete. Before he left, Cody Roman Dial emailed his father: “I am not sure how long it will take me, but I’m planning on doing 4 days in the jungle and a day to walk out. I’ll be bounded by a trail to the west and the coast everywhere else, so it should be difficult to get lost forever.” They were the last words Dial received from his son. As soon as he realized Cody Roman’s return date had passed, Dial set off for Costa Rica. As he trekked through the dense jungle, interviewing locals and searching for clues—the authorities suspected murder—the desperate father was forced to confront the deepest questions about himself and his own role in the events. Roman had raised his son to be fearless, to be at home in earth’s wildest places, travelling together through rugged Alaska to remote Borneo and Bhutan. Was he responsible for his son’s fate? Or, as he hoped, was Cody Roman safe and using his wilderness skills on a solo adventure from which he would emerge at any moment? Part detective story set in the most beautiful yet dangerous reaches of the planet, The Adventurer’s Son emerges as a far deeper tale of discovery—a journey to understand the truth about those we love the most. The Adventurer’s Son includes fifty black-and-white photographs.
In case after amazing case, you'll listen to the actual voices of the dead--contrary, lyrical entrancing. You'll explore the meaning of out-of-body experiences and learn how spirits of the dead can be seen as well as heard. You'll also discover how YOU can communicate with the dead--and capture their voices on an ordinary tape recorder!
MATTHEW HENSON AND THE ICE TEMPLE OF HARLEM is the first in a new exciting retro rollicking adventure series from 2021 Munsey Award-nominee Gary Phillips. This re-imagined pulp novel follows the Doc Savage-style adventures of the first black man to reach the North Pole —Matthew Henson. The tail end of the Roaring 20s. Harlem. Hired by controversial spiritual leader Daddy Paradise to retrieve his adult daughter who has been kidnapped, adventurer Matthew Henson does just that. Then he must safeguard the two until the firebrand can deliver a momentous speech at a mass rally. Henson must employ all his survival skills to fulfill his task—skills that kept him whole in forbidden jungles, across Asia, and in sub-zero ice storms when he first reached the North Pole. Henson’s charge brings him face-to-face with such illustrious characters as gangster Dutch Schultz, who's looking to muscle out numbers racket boss Queenie St. Clair, and famed inventor Nikola Tesla who is using his electrical acumen to surveil plutocrats. Henson’s pal Bessie Coleman, America’s first black aviatrix lends a hand as well. With a death ray zeroing in on him, he races against the clock to save lives, and keep a mysterious and powerful meteor fragment he brought back from the Arctic years ago out of the hands of monied evil-doers. Set against the intellectual, artistic and political firmament that was the Harlem Renaissance, THE ICE TEMPLE OF HARLEM re-imagines explorer Matthew Henson in the style of Doc Savage and Indiana Jones. The one the Inuit adopted as their own and considered the best example of those from the distant South.
Poetry. Literary Nonfiction. Following the 26-year poetic odyssey of her long poem Drafts, Rachel Blau DuPlessis invites readers, with DAYS AND WORKS, to embark with her on not just one but a plurality of voyages. In 2014, drawing on a 1914 translation of Hesiod's Works and Days appearing at the beginning of World War I, DuPlessis began to write, bent on dealing--as did Hesiod--with the insoluble oddity of being in the world and in our time. Both works are built of evocative awe and practical "life" advice, in which conflicting sensations of the textures of historical time, personal time, cosmological time all fold together, in all their contradictions and vectors of stimuli--desired and painful. DuPlessis's work, with rips of feeling, newspaper clippings, and senses of historical fate, represents the oddity of all these registers involving us in different emotional twists. How can so many opposite things and washes of multiple emotions occupy the same daily space? Are these movements through the highly saturated consciousness of modern life "a lexicon? A listing, a relocation?" DuPlessis answers in both form and language--with a sense of the generative and constant "between" in this work expanding the everyday into a mini-encyclopedic poem on an intimate scale. The text offers an evocative political poetics including feminist, eco- poetical and anti-war thinking. It is an intense and generous book.
