Book #1 in a new series of historical romances... with a twist. The Bluestocking Lady Corinna Mowbray has three passions: excellent books, intelligent conversation, and disdaining the libertine Earl of Chance. The Rake Lord Ian Chance has three pleasures: beautiful women, fast horses, and tormenting high-and-mighty Corinna Mowbray. Neighbors for years, they've been at each other's throats since they can remember. But when a twist of fate forces them to trade lives, how long will it be before they discover they cannot live without each other?
My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent, and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. Here is a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity. An entire chapter devoted to the Easter concert at the Lincoln Memorial in 1939 reveals Anderson's immense respect for Eleanor Roosevelt, who resigned from the Daughters of the American Revolution when they refused to let Anderson perform at Constitution Hall. Supplanting sorrow and regret for anger and violence, Anderson demurely imparts her views on discrimination and on becoming an icon in the struggle for civil rights. With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this new paperback edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame.
"You try to comfort yourself with visions of events that didn't happen, but that doesn't mean that what did happen left no scars." ⚜ After losing hearth and home, Meya attempts to escape the traumatic memories by travelling east. In 13th century Tristanja, however, it's not safe to be alone. A local slave trader catches wind of the kinless woman and abducts her in the dead of night. Beaten and abused, the now meek Meya is sold to Lord Deminas. He's known to be cruel, yet becomes strangely protective of his new chambermaid, punishing anyone who dares hurt her. After cutting her to drink her blood, he even uses his own to heal her wounds. Meya and her paramour wonder if Deminas' dark secret is why servants regularly vanish, including the lord's previous chambermaids. However, the two women quickly learn that Lord Deminas isn't the only danger lurking in the castle's shadows. ⚜ MY LORD is a queer, slow-burn erotic gothic horror novel about rediscovering yourself after trauma-with kinky, blood-drinking immortals and polyamory.
Julianna had lost everything—her father to illness, her belongings to bankruptcy, her beloved sweetheart to a voyage to the South Seas. Thrown into marriage by her vile stepbrother, she meets her husband-to-be on their wedding day. Sir Edmund is cold, distant and twenty years her senior! “Is this what my life has come to?” Strangely enough, he suggests that they keep their relationship chaste. He is hard to read and full of mystery, but as Julianna learns more about him, she can’t help but feel drawn to the kindness she discovers. Could her heart, promised to her beloved Crispin, possibly be swayed?
What is the relationship between feminist theology and classical Christian theology? Is feminist theology "Christian," and if so, in what respect and to what extent? This study seeks to analyze and evaluate the relation of feminist "reconstructions" to traditional Christian teaching. Greene-McCreight uses the extent to which the biblical depiction of God is allowed to guide theological hermeneutics as a test of orthodoxy. She looks at the writings of a wide range of contemporary feminist theologians, discusses their doctrinal patterns, and demonstrates how the Bible is used in undergirding their theological reconstructions.
A brave and beautiful peasant girl is the ultimate challenge for a Norman conqueror determined to claim her heart in this medieval romance. The tempestuous peasant daughter of a slain Saxon lord, Alana of Brynwald resists the brutal Norman invaders—but fears the mysterious specter who haunts her dreams. And now he stands before her—tall and strong as an oak ... terrifying yet strangely exciting. The dark knight of her visions has come to claim her as his prize. By rights, Merrick of Normandy should shun the serpent-tongued beauty who wishes him dead. But Alana's sensuous fire draws him to her — and burns him to his warrior soul. It is he who is lord and she the captive. Yet Merrick can never claim true victory until the proud Saxon maid shares his passion — and embraces him as master of her heart.