The Big one gets new clothes. The Little one gets hand-me-downs. The Big one does everything first. The Little one is always catching up But the little one can do some things well, and can even teach the older one a thing or two…. Big sisters and little sisters alike will agree: this is a sassy and touching celebration of sisterhood for all ages.
Daisy's older brother is thrilled when he gets a new sibling. They are best buddies who do everything together. But in kindergarten, things change. His sibling tells him she is a girl and wants to be called Daisy. Daisy's brother must adjust to the change--including what it means for him and their relationship. A powerful, moving picture book based on a true story, My Sister, Daisy handles a sensitive subject with warmth and love.
It’s a big job when a big brother gets to take his little sister home from school for the very first time. In debut author-illustrator Maple Lam’s charming story, she celebrates the incredible relationship between a little boy and his younger sister. Similar to books like I’m a Big Brother by Joana Cole and What Brothers Do Best by Laura Numeroff, this book is perfect to read with both older and younger siblings, as well as with youngsters getting ready for back-to-school!
My name is Grace, not "Kyle's little sister!" Having a good-looking, friendly, outgoing older brother sucks—especially when you're the total opposite, someone who likes staying home and playing video games. Your parents like him better (even if they deny it!), and everyone calls you "Kyle's little sister" while looking disappointed that you're not more like him. I was really hoping I'd get to go to a different middle school, but no such luck. At least I have my friends...until he finds a way to ruin that, too...! Argh! What do I have to do to get out of his shadow?!
A powerful memoir by two sisters about transitioning, family, and the path to self-realization. When Orange Is the New Black and Diary of a Future President star Selenis Leyva was young, her hardworking parents brought a new foster child into their warm, loving family in the Bronx. Selenis was immediately smitten; she doted on the baby, who in turn looked up to Selenis and followed her everywhere. The little boy became part of the family. But later, the siblings realized that the child was struggling with their identity. As Marizol transitioned and fought to define herself, Selenis and the family wanted to help, but didn't always have the language to describe what Marizol was going through or the knowledge to help her thrive. In My Sister, Selenis and Marizol narrate, in alternating chapters, their shared journey, challenges, and triumphs. They write honestly about the issues of violence, abuse, and discrimination that transgender people and women of color--and especially trans women of color--experience daily. And they are open about the messiness and confusion of fully realizing oneself and being properly affirmed by others, even those who love you. Profoundly moving and instructive, My Sister offers insight into the lives of two siblings learning to be their authentic selves. Ultimately, theirs is a story of hope, one that will resonate with and affirm those in the process of transitioning, watching a loved one transition, and anyone taking control of their gender or sexual identities.
Imagine an eighteen-year-old American girl who has never read a newspaper, watched television, or made a phone call. An eighteen-year-old-girl who has never danced—and this in the 1960s. It is in Cambridge, Massachusetts where Leonard Feeney, a controversial (soon to be excommunicated) Catholic priest, has founded a religious community called the Slaves of the Immaculate Heart of Mary. The Center's members—many of them educated at Harvard and Radcliffe—surrender all earthly possessions and aspects of their life, including their children, to him. Patricia Chadwick was one of those children, and Little Sister is her account of growing up in the Feeney sect. Separated from her parents and forbidden to speak to them, Patricia bristles against the community’s draconian rules, yearning for another life. When, at seventeen, she is banished from the Center, her home, she faces the world alone, without skills, family, or money but empowered with faith and a fierce determination to succeed on her own, which she does, rising eventually to the upper echelons of the world of finance and investing. A tale of resilience and grace, Little Sister chronicles, in riveting prose, a surreal childhood and does so without rancor or self-pity.
Thirteen-year-old Fujiwara no Mitsuko, daughter of a noble family in the imperial court of twelfth century Japan, enlists the help of a shape-shifter and other figures from Japanese mythology in her efforts to save her older sister's life.