This is a book meant to support grieving children and the people who care for them. The message of the book is to encourage healing and restoration during a difficult time for kids and adults alike.
From the publisher of the beloved Water Bugs and Dragonflies comes a new picture book to support grieving children: My Heart Sings a Sad Song. The heart-warming artwork holds the reader tenderly through the ache of grief, as a young rabbit remembers a loved one who has died. Hospice chaplain Jennifer Fargo Lathrop says of My Heart Sings a Sad Song: "The illustration of talking to 'my heart' is especially meaningful, offering children a model of how to engage their emotions and their memories."
From the publisher of the beloved Water Bugs and Dragonflies comes a new picture book to support grieving children: My Heart Sings a Sad Song. The heart-warming artwork holds the reader tenderly through the ache of grief, as a young rabbit remembers a loved one who has died. Hospice chaplain Jennifer Fargo Lathrop says of My Heart Sings a Sad Song: “The illustration of talking to ‘my heart’ is especially meaningful, offering children a model of how to engage their emotions and their memories.”
"You Make My Heart Sing" is an anthology with an essence of happiness which makes you fly in the air. This book leaves the reader with an experience of a fresh breeze , a magnificent rainbow, celestial twinkling stars, calm ocean and everything in this world and beyond, which makes you bloom even when everything around you seems to wither. This book is an aesthetic amalgamation of many writers' works who have penned down their heart. It is their favourite choice to lift, and motivate readers in all phases of life. Attachments area
This is the third volume of the First of the Year annual series. Contributors such as Armond White, Philip Levine, Charles O'Brien, Uri Avnery, Donna Gaines, Tom Smucker, Scott Spencer, and Amiri Baraka are back (and fractious as ever). And First's family of writers keeps growing. This volume includes vital new voices such as A. B. Spellman, Bernard Avishai, Rudolph Wurlitzer, and Diane di Prima.First never shies away from hot button issues Fredric Smoler, for example, offers a definitive consideration of America's recent history with torture. But First's approach to current political firestorms is often marked by a cool sense of the past. History is always in the mix when First writers examine the roots of Glenn Beck and Sarah Palin and contemporary right-wing pundits who falsely claim the mantle of Whittaker Chambers. First's refusal to toe "correct" lines is apparent in Benj DeMott's reconsideration of Chambers' work.The new volume is also marked by its cultivation of radical imaginations. The ideas of the Situationists and Cornelius Castoriadis are revived. A young historian, David Waldstreicher, recovers the radical, useable past in the 60s work of Staughton Lynd. Amiri Baraka evokes the felt quality of Jesse Jackson's 1988 campaign and another poet remembers (in verse) long-forgotten, extreme political acts of American Renaissance poets.A recent review of First of the Year: 2009 used a phrase of Kenneth Burke's "perspective by incongruity" to make sense of the method that shaped it. First is committed to thought-provoking incongruities. Faith that wonder is our best teacher informs this volume. First's music writing provides a high-low soundtrack of surprise. Beyond the section on Michael Jackson, there are serious responses to John Coltrane and Bach, World Saxophone Quartet and Mariah Carey, Sonny Rollins and Willie Mitchell. First's message is in
This comprehensive book explores the Malaysian form of shadow puppet theatre, highlighting its unique nature within the context of Southeast Asian and Asian shadow puppet theatre traditions. Intended for a Western audience not familiar with Asian performance and practices, the text serves as a bridge to this highly imaginative form. An in-depth examination of the Malaysian puppet tradition is provided, as well as performance scripts, designs for puppet characters, instructions for creating a shadow screen, and easy directions for performance. Another section then considers the practical, pedagogical, and ethical issues that arise in the teaching of this art.
In tracing theological approaches to music in the era between Luther and Bach, the author reveals the variety and tension in German Lutheran theology. Both dogmatism and devotionalism helped shape Lutheran spirituality. The introduction of Italian Baroque style into church music, however, evoked controversies which pitted Pietism against Orthodoxy and preachers against musicians.
This author appreciates writing poetry, novels, childrens stories; the performing arts; and music of many genres. She was raised on gospel and country music played on an old Victrola phonograph with a black-and-white dog staring into a gramophone on the inside of the cover. Today, this author has become enamored with and is fangirling over country a cappella music, which is relatively new. Curious about the behind the scenes activities of a successful bands life, living on the edge of temptations in todays media-frenzied world, she created a believable group running through life on unbelievable favor, spearheaded by love between a wealthy, incredibly intelligent and beautiful African-American ballerina and a super talented tenor from the deep South and their unique way of overcoming racial issues with love. Murder, sex, and drugs fuel the life and romance of these two extraordinary, opposite, characters living and excelling way above the normal expectations of life, hinting into the cosmic pluralism like no one has ever experienced before. This author spent thirty-five years in the busy, topsy-turvy support area of corporate America, starting with the FBI and ending in the legal field, before being forced to retire on disability. This is her first adult romance novel. She writes and has published poetry on poetry.com with two poems published in anthologies; she was the author and publisher of Newsletters for Boy Scout Troop and Pack 731, The Indian Creek District, and for newsletters, service bulletins, and memorial programs for two churches. The author is a widow who lives in Waldorf, Maryland, with her son, daughter-law, grandson, and grandpup, Toli.