“A celebration of specific manifestations of universal love. . . . A deep and beautiful book modeling grandmothers as heroines.” —Kirkus Reviews (starred review) In this big universe full of many moons, I have traveled and seen many wonders, but I have never loved anything or anyone the way I love my grandma. While Mina is growing up in Iran, the center of her world is her grandmother. Whether visiting friends next door, going to the mosque for midnight prayers during Ramadan, or taking an imaginary trip around the planets, Mina and her grandma are never far apart. At once deeply personal and utterly universal, Mina Javaherbin’s words make up a love letter of the rarest sort: the kind that shares a bit of its warmth with every reader. Soft, colorful, and full of intricate patterns, Lindsey Yankey’s illustrations feel like a personal invitation into the coziest home filled with familial adoration.
Memory Scrapbooks are a great way for kids and their grandparents to collect and record their shared memories. They'll spend many hours together filling in names to complete a family tree, discussing what they like to do when they're together and noting each other's likes, dislikes, talents and traits. Designed like the other books in this popular series, there are lots of places to draw, paste in photos and write. There's even a pocket at the back to hold letters and souvenirs and a die-cut space in the front cover for a special photo of grandmother and child!
Stories My Grandmother Told Me by Anastasia Hamelis by no means an ordinary story.Her fascinatingly diverse life began in Greece and included long periodsspent in her grandmotherOCOs care while her parents searched for work.Ultimately, the young family moved to the United States, but AnastasiaOCOsheart was always with her beloved grandmother. Anastasia recalls that: Hearing my grandmother describe how myparents met and how their married life was full of turbulent times gaveme a better understanding of why they made some of their decisions.Her grandmotherOCOs patience in describing lifeOCOs events . . . was betterthan any book, better than any movie. It was real and all about ourfamily. AnastasiaOCOs own telling of those lifeOCOs events is a captivatingtale, as well as a beautiful tribute to a remarkable woman."
A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.
A celebration of family love from award-winning children's author Carole Boston Weatherford, this beautiful rhyming board book is filled with all the sweet reasons why Grandma's love is so special! With simple rhyming text, a young child reflects on the many reasons they love their Grandma. From the games they play together to the way she understands her grandchild, this sweet story show us all just how much our grandmas love us! This is adorable board book is the perfect way for children to feel the love and security grandmas give and to celebrate the diverse ways that love is shown and celebrated!
Children look to us as adults to guide and assist them through the confusing time both before and after the death of a loved one. This brief explanation is intended as a resource for adults to help you answer children's questions and reassure their uncertainties. These suggestions are intended to help you guide your children during times of change and to help children to actively remember their deceased loved ones, rather than dwell only on the pain of loss. Through remembering, children can honor the relationship they have with their dead loved ones in ways that enrich their own and their family's lives. We hope that this guide will spark ideas and practices that invite the joyful moments of remembering with your children.
The illuminating and deeply personal debut from Gabriela Maya Bernadett, Stories My Grandmother Told Me explores culture, race, and chosen family, set against the backdrop of the twentieth-century American Southwest. In a hilly Southern California suburb in the late twentieth century, Gabriela Maya Bernadett listens as her grandmother tells her a story. It’s the true story of Esther Small, the great-granddaughter of slaves, who became one of the few Black students to graduate from NYU in the 1940s. Having grown up in Harlem, Esther couldn’t imagine a better place to live; especially not somewhere in the American Southwest. But when she learns of a job teaching Native American children on a reservation, Esther decides to take a chance. She soon finds herself on a train to Fort Yuma, Arizona; unaware that each year, the Bureau of Indian Affairs kidnaps the native Tohono O’odham children from the reservation and forces them to be educated in the ‘ways of the White man.’ It doesn’t take long for Esther to notice how Fort Yuma parallels her own grandmother’s story as a slave in the South—the native children, constantly belittled by teachers and peers, are forced to perform manual labor for local farmers. One of two Black people in Fort Yuma, Esther feels isolated, never sure where she belongs in a community deeply divided between the White people and the Tohono O’odhams. John, the school bus driver and Tohono O’odham tribe member, is one of the only people she connects with. Friendship slowly grows into love, and together, Esther and John navigate a changing America. Seamlessly weaving in the present day with the past, Stories My Grandmother Told Me blends a woman’s memory of her life, and that woman’s granddaughter’s memories of how she heard these stories growing up. Bernadett’s captivating narrative explores themes of identity, tradition, and belonging, showing what it really means to exist in a multicultural America.
Like The Bolter and Portrait of a Marriage, this beguiling, heady tale of a scandalous ménage à trois among England's upper classes combines memoir and biography to re-create an unforgettably decadent world. Among the glittering stars of British society, Sofka Zinovieff's grandparents lived and loved with abandon. Robert Heber-Percy was a dashing young man who would rather have a drink than open a book, so his involvement with Jennifer Fry, a gorgeous socialite famous for her style and charm, was not surprising. But by the time Robert met and married Jennifer, he had already been involved with a man—Gerald, Lord Berners—for more than a decade. Stout, eccentric and significantly older, Gerald was a composer, writer and aesthete—a creative aristocrat most at home in the company of the era's best and brightest minds. He also owned one of Britain's loveliest stately homes, Faringdon House, in Oxfordshire, which under his stewardship became a beacon of sybaritic beauty. Robert and Gerald made an unlikely couple, especially because they lived together at Faringdon House when homosexuality was illegal. And then a pregnant Jennifer moved into Faringdon in 1942, creating a formidable ménage à trois. In this gorgeous, entertaining narrative of bohemian aristocracy, Sofka Zinovieff probes the mysteries of her grandparents and the third man in their marriage: Gerald, the complex and talented heir to a legendary house, its walls lined with priceless art and its gardens roamed by a bevy of doves, where he entertained everyone from Igor Stravinsky to Gertrude Stein. What brought Robert and Jennifer together under his roof, and why did Jennifer stay—and marry Robert? Blending memoir and biography in her quest to lay old ghosts to rest, Zinovieff pieces together the complicated reality behind the scandals of revelry and sexuality. The resulting story, defined by keen insight, deep affection and marvelous wit, captures the glory and indulgence of the age, and explores the many ways in which we have the capacity to love.
