Journey to Italy with "My Friend Prospero," a captivating love story set against the picturesque backdrop of the country. Harland weaves a tale of romance and discovery, as characters navigate the complexities of love and relationships. With its rich descriptions and engaging narrative, this work is a testament to Harland's prowess in American literature, capturing the essence of human emotions and the beauty of Italy.
In this “absorbing and moving” memoir, a scholar of children’s literature considers the relationship between fathers and sons, and between literature and life (Kenneth Gross, author of Puppet). Through elliptical memories and reflections, Seth Lerer delves into his own evolution from boyhood to fatherhood, as well as his intellectual evolution through his lifelong love of reading. While presenting an intimate portrait of Lerer’s life, Prospero’s Son is about the power of books and theater, the excitement of stories in a young man’s life, and the transformative magic of words and performance. Lerer’s father, a teacher and lifelong actor, comes to terms with his life as a gay man. Meanwhile, Lerer himself grows from bookish boy to professor of literature and an acclaimed expert on the very children’s books that set him on his path. Only then does he learn how hard it is to be a father—and how much books can, and cannot, instruct him. Throughout these intertwined accounts of changing selves, Lerer returns again and again to stories—the ways they teach us about discovery, deliverance, forgetting, and remembering.
From a member of the real-life family portrayed in The Durrells in Corfu, this memoir of the idyllic Greek island is “among the best books ever written” (The New York Times). Before Lawrence Durrell became a renowned novelist, poet, and travel writer, he spent four youthful years on Corfu, an island jewel with beauty to match the long and fascinating history within its rocky shores. While his brother, Gerald, was collecting animals as a budding naturalist, Lawrence fished, drank, and lived with the natives in the years leading up to World War II, sheltered from the tumult that was engulfing Europe—until finally he could ignore the world no longer. Durrell left for Alexandria, to serve his country as a wartime diplomat, but never forgot the wonders of Corfu. In this “brilliant” journey through that idyllic time and place, Durrell returns to the land that made him so happy, blending his love of history with memories of his adventures there (The Economist). Like the blue Aegean, Prospero’s Cell is deep and crystal clear, offering a perfect view straight to the heart of a nation.
Once there was only the land of Phesaotois, with a cold and baleful Stone at its magical heart. Much later came the land of Pheyarcet, younger and hotter, with its Well of Fire inextricably bound up with its ruler, the great Panurgus. Then Panurgus died, touching off a bitter struggle between his sons that ended with Avril on the throne and Prospero, mightiest of the sorcerers, in permanent exile. All that was an age ago. Now Prospero, grown ancient and subtle, has found a new, third land: bright Argylle, with its primal Spring of clear water. Argylle is a fair realm in its own right; but the children of Panurgus never forgive and never forget. And so Prospero decides it is an auspicious time to seize the throne of Phesaotois from Avril - thereby setting in motion a vast tale of romance and espionage, of talking animals and mythic beasts, of metaphysics and primal creation, of mannerly drama and gritty military detail: an epic that can only end in a conflagration of blood and honor.
A member of Mexico's privileged upper class, yet still subordinated because of her gender, Rosario Castellanos became one of Latin America's most influential feminist social critics. Joanna O'Connell here offers the first book-length study of all Castellanos' prose writings, focusing specifically on how Castellanos' experiences as a Mexican woman led her to an ethic of solidarity with the oppressed peoples of her home state of Chiapas. O'Connell provides an original and detailed analysis of Castellanos' first venture into feminist cultural analysis in her essay Sobre cultura feminina (1950) and traces her moral and intellectual trajectory as feminist and social critic. An overview of Mexican indigenismo establishes the context for individual chapters on Castellanos' narratives of ethnic conflict (the novels Balún Canán and Oficio de tinieblas and the short stories of Ciudad Real). In further chapters O'Connell reads Los convidados de agosto,Album de familia, and Castellanos' four collections of essays as developments of her feminist social analysis.
