Woo ... Clang clang clang clang ... The train entered Jinhai Station with a roar. As soon as it stopped, the passengers in the train rushed out, rushing towards the exit. People were shouting, rubbing their shoulders, smoking for a long time, and they purposely stopped to light a cigarette.
The first time I returned home five years later, I was dragged into the bathroom by a rogue woman. She touched my chest while teasing me.Female hooligan? Sister? Lolita? The big-chested goddess?And to see how the rogue landlady would mix in with the beautiful Ru Yun's lodgers!
In opposition to Elizabeth Bowen, the superbly gifted Irish-English short story writer, who was not enticed by the idea of art as self-expression, other novelists believe that writing is autobiographical. The characters in the six stories that comprise Iridescent Stumbles are based on actual encounters. Their physical and psychological make-ups vary. Men and women either appear as shadowy reflections or are more sharply exposed depending upon the background into which they are set. In The upstairs Studio a woman, no longer in her thirties and her younger lover, a well over six feet tall runner, go late at night to their hide-out, an artist‘s studio in a semi rural location. During their love-making the enticing female‘s body appears in dreamlike sequences as a coveted symbol of a medieval monk‘s forbidden sexual cravings, and also changes into Selene who seduces Endymion in his sleep. In the runner‘s arms his inamorata whispers about a swim in the shark-infested Red Sea where she‘s encircled by a pod of dolphins that resemble a gam of sharks. The lovers erotic trysts end when the sprinter gets married again and his second young wife produces two healthy offspring. If a reader has enjoyed The upstairs Studio, he/she will most likely take pleasure too in March Mornings and Nights (a second richly varied love story), Hawaii (a mother-daughter team taking thrilling glimpses at the Aloha State‘s intrinsic, natural splendor and the diversity of Kanaka Maoli people), Tous les jours d‘Europe (fictionalizes a woman‘s journey into past personal occurrences in Europe), Lush Summer Days at Gaby‘s in the Birkshires (recalls annual holidays spent in Masschusetts) and Arizona with Sabine (explores parts of the United States enticing West). The author‘s style, the signature, if not the soul of a writer, so slippery, so hard to catch, remains the same. Her style unerringly aims for its most important goal: beauty.
The Tenant of Wildfell Hall was the second novel written by Anne Brontë, the youngest of the Brontë sisters. The novel begins with the arrival of a young widow, Mrs. Graham, in a rural neighborhood. She brings with her her five year old son Arthur and takes up residence in the partly-ruined Wildfell Hall. Gossip soon begins to swirl around her, questioning her mysterious background and the closeness of her relationship with her landlord. First released in 1848 under the pseudonym Acton Bell, The Tenant of Wildfell Hall was considered shocking by the standards of the time due to its themes of domestic disharmony, drunkenness and adultery. Perhaps this was why it quickly became a publishing success. However, when Anne died from tuberculosis her sister Charlotte prevented its republication until 1854, perhaps fearing for her sister’s reputation, though some attributed her actions to jealousy. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
The Tenant of Wildfell Hall was the second novel written by Anne Brontë, the youngest of the Brontë sisters. The novel begins with the arrival of a young widow, Mrs. Graham, in a rural neighborhood. She brings with her her five year old son Arthur and takes up residence in the partly-ruined Wildfell Hall. Gossip soon begins to swirl around her, questioning her mysterious background and the closeness of her relationship with her landlord. First released in 1848 under the pseudonym Acton Bell, The Tenant of Wildfell Hall was considered shocking by the standards of the time due to its themes of domestic disharmony, drunkenness and adultery. Perhaps this was why it quickly became a publishing success. However, when Anne died from tuberculosis her sister Charlotte prevented its republication until 1854, perhaps fearing for her sister’s reputation, though some attributed her actions to jealousy.
The only one-volume hardcover edition of the two uncommonly powerful novels written by the youngest of the famous Brontë sisters. Anne Brontë wrote these two fantastically successful novels just before her tragically early death, both of them in a much more grittily realistic mode than the more romantic ones favored by her sisters. Agnes Grey, the story of a governess working for disdainful and cruel employers, is a wrenching account of the desperate straits faced by Victorian women without money or husband. The Tenant of Wildfell Hall tells a story that was shocking for its time: a woman leaves her alcoholic and abusive husband in order to protect their young son and must live in hiding to prevent the law from taking her child away from her. These novels have become classics not only by dint of the subtle and ironic force of Anne Brontë's prose but because of the passionate indictments of social injustice that animate them.