My Daddyji: Security Chief to India’s Nehru, by Rajshree Puri, presents simultaneously an intimate inside view for the reader of a particular time in the historical context of a country and a vulnerable era in the coming of age of a young girl. In the layers between the public and the private, the reader also gains an understanding of the rich heritage of family, culture, and personal faith of India. Through the eyes of the narrator, we follow the story of volatile political events while sensing, at the same time, a concern for the beloved father who must keep his country and his family safe from ensuing turbulence. When events turn to tragedy and loss, we witness the resilience and strength of the one who has become our heroine and see rising in her those qualities of power and tenderness we noted in her father. She becomes his legacy, and her story about him ensures the enduring essence of his
This book focuses on the changes currently redefining parties and party systems in Israel and India with regard to parliamentary democracy, coalitional polity, electoral profiles and social diversity. It compares the nature of parties and party systems in Israel and India since their independence and documents how the societies, states and governments have undergone significant transformations during the long course of their existence. In this regard, it also investigates the many significant similarities and glaring differences between India and Israel as two leading parliamentary democracies. Characterizing the transition of two countries’ party systems as ‘a shift from predominance to pluralism’, the book underlines its impact on the societies, democracies and governance of the two parliamentary nations. The book combines theoretical underpinnings with an empirical understanding of the subject matter, particularly the parties, leaders, state and g overnment, pursuing an interdisciplinary approach, which would appeal to a broad readership from academe and industry alike, and a valuable guide for students and scholars of Political Science, Public Administration, Sociology, Governance and Law.
Travelling through time, space and history to 'discover' his beloved city, the narrator of this novel meets a myriad of people - poets and princes, saints and sultans, temptresses and traitors, emperors and eunuchs - who have shaped and endowed Delhi with its very mystique.
Perched among peaks that loom over heat-shimmering plains, hill stations remain among the most curious monuments to the British colonial presence in India. In this engaging and meticulously researched study, Dane Kennedy explores the development and history of the hill stations of the raj. He shows that these cloud-enshrouded havens were sites of both refuge and surveillance for British expatriates: sanctuaries from the harsh climate as well as an alien culture; artificial environments where colonial rulers could nurture, educate, and reproduce themselves; commanding heights from which orders could be issued with an Olympian authority. Kennedy charts the symbolic and sociopolitical functions of the hill stations over the course of the nineteenth and early twentieth centuries, arguing that these highland communities became much more significant to the British colonial government than mere places for rest and play. Particularly after the revolt of 1857, they became headquarters for colonial political and military authorities. In addition, the hill stations provided employment to countless Indians who worked as porters, merchants, government clerks, domestics, and carpenters. The isolation of British authorities at the hill stations reflected the paradoxical character of the British raj itself, Kennedy argues. While attempting to control its subjects, it remained aloof from Indian society. Ironically, as more Indians were drawn to these mountain areas for work, and later for vacation, the carefully guarded boundaries between the British and their subjects eroded. Kennedy argues that after the turn of the century, the hill stations were increasingly incorporated into the landscape of Indian social and cultural life. Perched among peaks that loom over heat-shimmering plains, hill stations remain among the most curious monuments to the British colonial presence in India. In this engaging and meticulously researched study, Dane Kennedy explores the development and history of the hill stations of the raj. He shows that these cloud-enshrouded havens were sites of both refuge and surveillance for British expatriates: sanctuaries from the harsh climate as well as an alien culture; artificial environments where colonial rulers could nurture, educate, and reproduce themselves; commanding heights from which orders could be issued with an Olympian authority. Kennedy charts the symbolic and sociopolitical functions of the hill stations over the course of the nineteenth and early twentieth centuries, arguing that these highland communities became much more significant to the British colonial government than mere places for rest and play. Particularly after the revolt of 1857, they became headquarters for colonial political and military authorities. In addition, the hill stations provided employment to countless Indians who worked as porters, merchants, government clerks, domestics, and carpenters. The isolation of British authorities at the hill stations reflected the paradoxical character of the British raj itself, Kennedy argues. While attempting to control its subjects, it remained aloof from Indian society. Ironically, as more Indians were drawn to these mountain areas for work, and later for vacation, the carefully guarded boundaries between the British and their subjects eroded. Kennedy argues that after the turn of the century, the hill stations were increasingly incorporated into the landscape of Indian social and cultural life.
This book investigates what happens to the English language when it seeks to accommodate India and what happens to India when it is accommodated within the language of a far-off European country. It explores the work of writers from Kipling to Salman Rushdie, Ghandhi to Ruth Prawer Jhabvala.
The Booker Prize winner. “[One of] the top 10 books about the British in India . . . the book is a joy and makes an elegiac farewell to the Raj.” —Ferdinand Mount, The Guardian In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. “Staying On far transcends the events of its central action . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Scott’s vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, The New York Times Book Review “A graceful comic coda to the earlier song of India . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott.” —Paul Gray, Time “Staying On provides a sort of postscript to [Scott’s] deservedly acclaimed The Raj Quartet . . . It is, on any showing, a creditable achievement.” —Malcolm Muggeridge, The New York Times Book Review
The age-old conflicts between father and son are played out in this humorous and gently satirical novel set in postpartition India. Omi is just one of the boys in Camp Baldev Nagar expected to pass his exams, agree to an arranged marriage, and generally improve his station in life. However, he comes to resent the traditional life laid out for him by his hot-blooded, sweet-vending, social-climbing father. Creating a great deal of ill will as he challenges his father's authority, Omi strives to establish his independence and chart his own life. Along the way he surprises everybody, including himself.
Shakuntala is a young Indian woman who returns to post-Independence Delhi from Oxford University. Sketching a gallery of fascinating and distinctive characters against a rich background, she draws the contrast between two very different families and their daily lives - their squabbles, their politics, their love affairs, their expectations. She brings to life the nostalgic Englishman Esmond Stillwood, also the beautiful Gulab and her son Ravi, the elderly Uma, and Shakuntala's family and the neighbours Ram Nath and Lakshmi. A master of both the comic and the serious, Ruth Prawer Jhabvala has constructed a richly ripe Indian comedy of manners. She strips bare that certain section of affluent Indian society which is particularly vulnerable to the seductions of an imperial presence, and brilliantly and wittily crystallizes some of the confusions that bedevilled India at the dawn of Independence.
