After the party, she had unwittingly barged into the ladies' restroom and met the cold and beautiful Director Xu Jie. She was embarrassed and frightened...
The secretary, Gu Yuwei, unexpectedly got to know the top figure of the Jiangyou Group, Zhao Muchen. Zhao Mu Chen was handsome and wise, which made Gu Yu Wei fall in love with him. He fell in love with her from then on. Amidst the entanglement and reality attacks of the secular world, she wanted to retreat time and time again, but each time she fell deeper into the abyss ... Could their love reach the end?
The Demon King Du Chunfeng, who had returned to the country to investigate his father's death, jumped off the plane and was saved by the mafia lord. He experienced a different life from the softhearted hearts of the battlefield ... Beautiful ladies, teachers, police officers, air stewardesses ... They came one after another!
The young reporter who had just joined the office was drunk. When he woke up, he opened his eyes and saw a beautiful female editor lying beside him ...
Is living with a beautiful woman a very happy and enjoyable thing? NO! Seeing the sorrow on Soldier King's face, Cao Xiaolei, everyone should wake up! My physiology is very normal, my intestines are very Hua Hua, don't f * * king push me too far! The new book has been prepared and released on the sweet potato web. As usual, it was relaxed and humorous. As usual, it was crazily strung up with the title "Super Miao Doctor". Please pay attention!
Believer and unbeliever alike are subtly evangelized every day of their lives by the ambient glow of God’s cinematic masterpiece. They sense something grand but are confused by the incoherent cultural edits scattered throughout the film. The Good News is that the deleted scenes are not lost but can be found in our shared human experiences, and once spliced back together reveal an epic of Biblical proportions, The Director’s Cut of the Greatest Story Ever Told. Dr. Erik Strandness takes a unique “bottom up” approach to apologetics by investigating experiences common to all people and concluding that they can only be adequately understood through a Biblical filter. The goal is to empower lay Christians to confidently share their faith in a concrete, friendly, real-world context that effectively engages the day-to-day realities of their audience. Dr. Strandness writes in a clear, engaging, and witty style, combining the thoughts of many great Christian thinkers with culturally relevant illustrations in order to make a solid real world case for the Christian worldview. “Once in a while, someone manages to put ageless truth in such a fresh package that it cries out, ‘Read on!’ That’s the way I felt when reviewing Erik Strandness’s book. What a pleasure it is to read! But it’s not just Erik’s engaging word images that make it such a great read. It’s the profound and timely message he is communicating in such an intelligent and winsome way. This is a book you will be telling others about.” —Dr. Christian Overman, Director, Worldview Matters, biblicalworldview.com
Life works best when we know that others value us for who we essentially are. Looks can get in the way. Two characters reflect on the subtleties of life, revealing insights and finding ways to develop deeper bonds with our own souls and the people in our lives.
Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.