What's so silly about drawing? If you're doing it right, everything! In My Beastly Book of Silly Things the ridiculous possibilities are endless: flying elephants, sausage thieves, crazy hairdos, boogers, bugs, guacamole, and more! Like the other titles in the My Beastly Book series, My Beastly Book of Silly Things pushes kids' creativity into curious new and fun directions. Armed with only a pack of crayons or markers, children get to interpret visual cues and solve humorous mix-ups in their own unique way. What objects will they throw into the garbage? What's about to be hit by the little man's massive club? And just what are the silliest things they can think of? Well, that's all up to them. Getting the whole insane ball rolling is illustrator Vincent Boudgourd. His loose, exaggerated style not only perfectly sets up each crazy conundrum, it does so in a manner that encourages spontaneous and natural response from kids. The entire book is a wacky, unpretentious journey into a world where no idea is too weird to take root.
Meet the monsters in this who’s who of the baddest of the bad! Like those supernatural beasts everyone knows and fears—the bloodsucking vampire, Count Dracula, and that eight-foot-tall mash-up of corpses, Frankenstein’s Monster. Or that scariest of mummies, Cheops, who scientists revived after 4,700 years—big mistake! Or more horrifying yet, the Horla, an invisible, havoc-wreaking creature that herds humans like cattle and feeds of their souls. Drawn from the pages of classic books and tales as old as time, this frightfully exciting collection features 25 of the creepiest creatures ever imagined, from witches and werewolves to dragons and ghosts. Every monster is brought to life in a full-size full-color portrait that captures the essence of the beast, and in lively text that recounts the monster’s spine-tingling story. With sidebars that explore the history and the genre of each sourcebook, The Big Book of Monsters is an exciting introduction to literature and language arts.
Mara had some misfortunes in life. However, she never expected to be afflicted with a curse, where every death brings her back as an undead creature. Entering a world she has no memory of, Mara will be pulled along on a series of events to face the unavoidable and encounter monsters she never knew existed. While searching for her lost memories and a way to lift her curse, Mara learns about an omen of the world’s end. A prophecy looms over the land of Ardana, foretelling the return of a great and terrible beast. And one by one, the seven seals that kept the Dark One imprisoned shall fail.
Here be horror, humour, heartache, the dark, the deep, the distressing, the serious, the sad, the strange. And monsters all. This, ladies and gentlemen, is "The Monster Book for Girls," packed with short fiction and poetry from Allen Ashley, Rachel Kendall, Farah Ghuznavi, Gary Fry, Marc Lyth, Ian Sales, Kat Fullerton, Shay Darrach, Samantha Porter, Rosanne Robinowitz, Stuart Young, Kelly Rose Pflug-Black, Lorraine Slater, Andrew Hook, Nicole Papaioannou, Derek John, Jessica Lawrence, Gary McMahon, Tony Lovell, Terry Grimwood, Stephen Bacon, Sarah Hilary, Mark Howard Jones, Jamie Rosen, John Travis, John Forth, Regina de Burca and David Rix
The second book in this fantastic series. Ulf is an orphaned werewolf who has lived his whole life at Farraway Hall, the headquarters of The Royal Society for the Prevention of Cruelty to Beasts (RSPCB), a rescue centre for rare and endangered beasts. When an injured sea monster arrives, Ulf uncovers a poisonous mystery and a world of beast poaching in which sea beasts are eaten as delicacies. With the help of Orson the giant, Tiana the fairy and Dr Fielding the RSPCB vet, Ulf must defeat the cruel beast hunter Baron Marackai and stop the Beast Feast. The future of the RSPCB depends on it...
What does the future hold for academic libraries and librarians? These nineteen essays offer some interesting observations and opinions about the problems and issues that are changing academic librarianship as we know it.
The essays in this book examine various manifestations of monstrosity in the early literatures of England, Ireland and Scandinavia. The dates of the texts discussed range from the eighth to the thirteenth centuries and were written either in Latin or in one of the vernaculars. The present contributions shed light on the physical, mental and metaphysical qualities that characterize medieval monsters in general. How do such creatures relate to accepted physical norms? How do their behaviours deviate from established cultural practices? How can their presence in both fictional and non-fictional texts be explained either in terms of a textual tradition or as a response to actual events? Such issues are examined from literary, philological, theological, and historical points of view in order to provide a thorough, multifaceted depiction of the sub- and supernatural monsters of medieval Northwest Europe.