Modest Musorgsky and Boris Godunov

Modest Musorgsky and Boris Godunov

Author: Caryl Emerson

Publisher: Cambridge University Press

Published: 2006-11-02

Total Pages: 362

ISBN-13: 9780521369763

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Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.


Musorgsky

Musorgsky

Author: David Brown

Publisher: Oxford University Press

Published: 2010-05-14

Total Pages: 411

ISBN-13: 0199772924

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Modest Musorgsky was one of the towering figures of nineteenth-century Russian music. Now, in this new volume in the Master Musicians series, David Brown gives us the first life-and-works study of Musorgsky to appear in English for over a half century. Indeed, this is the largest such study of Musorgsky to have appeared outside Russia. Brown shows how Musorgsky, though essentially an amateur with no systematic training in composition, emerged in his first opera, Boris Godunov, as a supreme musical dramatist. Indeed, in this opera, and in certain of his piano pieces in Pictures at an Exhibition, Musorgsky produced some of the most startlingly novel music of the whole nineteenth century. He was also one of the most original of all song composers, with a prodigious gift for uncovering the emotional content of a text. As Brown illuminates Musorgsky's work, he also paints a detailed portrait of the composer's life. He describes how, unlike the systematic and disciplined Tchaikovsky, Musorgsky was a fitful composer. When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies. Written by one of the leading authorities on nineteenth-century Russian composers, Musorgsky is the finest available biography of this giant of Russian music.


Musorgsky

Musorgsky

Author: Richard Taruskin

Publisher: Princeton University Press

Published: 2021-01-12

Total Pages: 452

ISBN-13: 0691224064

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"It is [a] fully illuminated story that Richard Taruskin, in the path-breaking essays collected here, unfolds around Modest Musorgsky, Russia's greatest national composer. . . . [Taruskin's] tour de force comes with a frontal attack on all the Soviet-bred truisms that for a century have refashioned Musorgsky from what the evidence suggests he was—an aristocrat with an early clinical interest in true-to-life musical portraiture and a later penchant for drinking partners who were both folklore buffs and political reactionaries democrat."—from the foreword Incorporating both new and now-classic essays, this book for the first time sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context. From this perspective, Richard Taruskin revises fundamentally the composer's historical and artistic image, in particular debunking the century-old dogmas of Vladimir Stasov, Musorgsky's first biographer. Here the author offers the most complete explanation of the revision of the opera Boris Godunov, compares it to contemporaneous operas by Chaikovsky and Rimsky-Korsakov, advances a revisionary characterization of Khovanshchina as an aristocratic tragedy informed by a pessimistic view of history, discusses Musorgsky's use of folklore, and, focusing on Sorochintsi Fair, brings to a climax his refutation of Musorgsky as a protorevolutionary populist. The epilogue is a survey of revisionary productions of Musorgsky's works at home during the Gorbachev era.


The Life of Musorgsky

The Life of Musorgsky

Author: Caryl Emerson

Publisher: Cambridge University Press

Published: 1999-09-30

Total Pages: 220

ISBN-13: 9780521485074

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Modest Musorgsky is Russia's greatest musical dramatist. When he died in 1881 in St Petersburg at the age of forty-two, in poverty and relative obscurity, he was known for a single opera, Boris Godunov and a handful of eccentric 'realistic' songs set to prosaic Russian texts. He had no institutional connections, no 'degree', no family of his own, not even a permanent address. Except for Franz Liszt, no composer of stature knew of him outside Russia. Through the loyal (if controversial) intervention of his friends, his works survived in various editings into the early twentieth century, when revivals and evolving musical tastes restored him to new life. This account of his life, first published in 1999, emphasizes the psychological and economic factors that contributed to the composer's remarkable rise and tragic, premature end and is the first brief biography in English to make use of materials published in the new, de-Sovietized Russian academic climate.


Opera

Opera

Author: Guy A. Marco

Publisher: Routledge

Published: 2002-05-03

Total Pages: 1037

ISBN-13: 1135578001

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Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.


Jewish Identities

Jewish Identities

Author: Kl鈇ra·M鈕ricz

Publisher: Univ of California Press

Published: 2008-02-05

Total Pages: 456

ISBN-13: 0520250885

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"This book makes a decisive and controversial contribution to the history of musical modernism. Moricz radically but thoroughly scrutinizes concepts of Jewish identity, and in doing so re-orders our understanding of 'Jewish music' as an outgrowth of nationalist, racist and utopian ideologies. The scholarship is superior in every respect. Jewish Identities is destined to become a seminal work in the reception history of European musical modernism. An absolutely outstanding and intellectually brilliant work."—Harry White, author of The Keeper's Recital: Music and Cultural History in Ireland, 1770-1970


The Cambridge Companion to Jewish Music

The Cambridge Companion to Jewish Music

Author: Joshua S. Walden

Publisher: Cambridge University Press

Published: 2015-11-19

Total Pages: 311

ISBN-13: 131643205X

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The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.


The War for the Public Mind

The War for the Public Mind

Author: Robert J. Goldstein

Publisher: Bloomsbury Publishing USA

Published: 2000-03-30

Total Pages: 291

ISBN-13: 0313001219

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From 1815 to 1914, European governments and their political oppositions were engaged in a constant war for the minds of the general population, especially the working classes. The German socialist newspaper, Hamburger Echo, declared on September 27, 1910, In waging our war, we do not throw bombs. Instead we throw our newspapers amongst the masses of the working people. Printing ink is our explosive. The most comprehensive study ever published about European censorship practices during the 1815-1914 period, this book discusses the censorship of books, newspapers, caricatures, theater, and film through an analytical introductory survey and six chapters by leading specialists who summarize 19th-century censorship practices in the six major countries of continental Europe: Germany, Italy, France, Austria, Russia, and Spain. As a result of the massive transformation of European life in the post-Napoleonic period and the simultaneously rapid growth in industrialization, urbanization, literacy, transportation, and communication, the average European emerged quite suddenly as a potential player who could no longer be ignored by the ruling elite.