Musick for Allan Ramsay's Collection of 71 Scots Songs

Musick for Allan Ramsay's Collection of 71 Scots Songs

Author: Alexander Stuart

Publisher:

Published: 2017-03-08

Total Pages: 198

ISBN-13: 9781543049381

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Allan Ramsay's collection The Tea-Table Miscellany, first published in Edinburgh in 1724, was among the most influential and most reprinted Scottish song collections of the century before Robert Burns. It gave a mixture of earlier traditional songs with others by contemporary song writers, including Ramsay's own words for "Auld Lang Syne" and other well-known songs. However, Ramsay's collection provided only the song words, not the tunes.The little book reproduced here, Musick for Allan Ramsay's Collection of 71 Scots Songs, was designed to fill that gap. With settings by the Edinburgh musician Alexander Stuart, and engraved by one of the best Edinburgh engravers Robert Cooper, the book was published in parts, probably in 1725, and complete sets of all six parts are extremely rare. This reprint is taken from the copy in the G. Ross Roy Collection, at the University of South Carolina, which has also been made available in the University Libraries' Digital Collections. Kirsteen McCue's specially-commissioned introduction traces the publication history and its connection to Ramsay and to the aristocratic Scottish women patrons to whom each part is dedicated. A new appendix provides cross-references between the music in this volume and the song-texts in The Tea-Table Miscellany.


The Tea-Table Miscellany

The Tea-Table Miscellany

Author: Allan Ramsay

Publisher: Legare Street Press

Published: 2023-07-18

Total Pages: 0

ISBN-13: 9781020389634

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This four-volume collection of songs by Scots poet Allan Ramsay is a must-read for fans of traditional Scottish music and poetry. First published in 1724, The Tea-Table Miscellany includes a range of love songs, drinking songs, ballads and laments, in both Scots and English. Ramsay's work is a fascinating insight into the musical traditions of Scotland, and his lyrical language is both beautiful and evocative. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Music in the British Provinces, 1690–1914

Music in the British Provinces, 1690–1914

Author: Peter Holman

Publisher: Routledge

Published: 2017-07-05

Total Pages: 428

ISBN-13: 1351557327

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The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.