Musicians and the Prevention of Hearing Loss

Musicians and the Prevention of Hearing Loss

Author: Marshall Chasin

Publisher: Singular

Published: 1996

Total Pages: 204

ISBN-13:

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CONTENTSHearing and Hearing Loss--An Introduction. Factors Affecting Hearing Loss. Development of Acoustic Principles. The Physics of Musical Instruments. Hearing Protection. Clinical Assessment of Musicians - Audiologist as a Detective. Room Acoustics. Clinical and Environmental Strategies to Reduce Music Exposure. The Human Performance Approach to Prevention. References. Index.


Musicians and Hearing Loss

Musicians and Hearing Loss

Author: Marshall Chasin

Publisher: Plural Publishing

Published: 2022-02-03

Total Pages: 169

ISBN-13: 1635503965

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Music and Hearing Aids: A Clinical Approach is written for hearing health care professionals working with hard-of-hearing musicians and music lovers. This highly relevant book breaks down the research for how music can, and should, be processed through modern hearing aids and offers the busy audiologist clinically based strategies to optimize the sound of amplified music for hard-of-hearing people. With an easy-to-read style, this text meets audiologists where they are by providing a primer on wavelength acoustics, as well as walking the reader through the basics of music needed to understand the research available. in addition, this professional resource highlights gaps in the research and technology, offering a clear picture of the room for growth available in the field. Key Features * A wide range of information covered in a concise text with 26 figures and 7 tables * Statements throughout the book of where more work still needs to be done with 12 mini-experiments that could form the basis of student research projects * A balanced discussion of clinical practice and research * A chapter on "A return to older technology?” that includes input from many musicians who wear hearing aids * 15 audio files that serve to drive home the points presented in the text


The Musician's Way : A Guide to Practice, Performance, and Wellness

The Musician's Way : A Guide to Practice, Performance, and Wellness

Author: Gerald Klickstein

Publisher: Oxford University Press, USA

Published: 2009-08-06

Total Pages: 357

ISBN-13: 0199711291

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In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.


Binaural Interference: a Guide for Audiologists

Binaural Interference: a Guide for Audiologists

Author: James Jerger

Publisher: Plural Publishing

Published: 2018-02-23

Total Pages: 137

ISBN-13: 163550077X

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Binaural interference occurs when the speech input to one ear interferes with the input to the other ear during binaural stimulation. The first published study on binaural interference twenty-five years ago demonstrated that some individuals, particularly older individuals, perform more poorly with two hearing aids than with one and/or more poorly with binaural than monaural stimulation on electrophysiologic as well as behavioral measures. Binaural interference is relevant to every audiologist because it impacts the successful use of binaural hearing aids and may explain communicative difficulty in noise or other challenging listening situations in persons with normal-hearing sensitivity as well as persons with hearing loss. This exciting new book written by two highly respected audiologists first traces the history of its study by researchers, then reviews the evidence, both direct and indirect, supporting its reality. This is followed by a discussion of the possible causes of the phenomenon and in-depth analysis of illustrative cases. The authors outline a systematic approach to the clinical detection, evaluation and amelioration of individuals who exhibit binaural interference. Suggestions are furnished on improved techniques for evaluation of the binaural advantage in general and on sensitized detection of the disorder in particular. The book ends with recommendations for future directions. Given the adverse impact of binaural interference on auditory function and its occurrence in a significant subset of the population with hearing loss, as well as in some individuals with normal-hearing sensitivity, research on binaural interference only recently has begun to flourish, and adaptation of audiologic clinical practice to identify, assess, and manage individuals with binaural interference has yet to become widespread. The authors intend for the book to provide impetus for pursuing further research and to encourage audiologists to explore the possibility of binaural interference when patient complaints suggest it and when performing audiologic evaluations. The book is intended for practicing clinical audiologists, audiology students, and hearing scientists.


Playing (less) Hurt

Playing (less) Hurt

Author: Janet Horvath

Publisher: Playing (less) Hurt

Published: 2002

Total Pages: 246

ISBN-13: 0971373507

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How can musicians express themselves and recreate the great masterworks with ease and expressiveness and yet avoid injury in the process? Musicians face many challenges: a highly competitive environment, performance anxiety, demanding repertoire, years of solitary practice, and awkward postures. The hectic pace of rehearsals and performances when added to the mix often results in the very real risk of physical pain and injury. This book is a readable and comprehensive guide and reference for all concerned with pain in musical work: professional and amateur musicians, teachers and students, doctors and therapists. This book is essential for all musicians. String, keyboard, percussion, harp, brass and wind players will play better and feel better. Read about: Why it may hurt to play; Injury susceptibility quiz; Risk factors & danger signals; Hearing, back, disc, arm and shoulder problems; 10 onstage tricks; TMJ, teeth, larynx and joint laxity; Stretching & strengthening; Rehabilitation & work-hardening; Musician's survival kit; 10 do's & don'ts; Instrument modifications; Guide to safe practicing.


Music for Children with Hearing Loss

Music for Children with Hearing Loss

Author: Lyn Schraer-Joiner

Publisher: Oxford University Press

Published: 2014-07-02

Total Pages: 337

ISBN-13: 019985582X

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Written by an expert in the field who is both a teacher and a teacher-educator, this book is an in-depth and practical resource for educators and parents who wish to introduce music to children with hearing loss. Author Lyn Schraer-Joiner makes a compelling case for offering music education to children with hearing loss before presenting a series of important and up-to-date teaching strategies meant to inform their educational experience, including preparations for the classroom, communication strategies for parents and teaching staff, and tips on more specific or technical matters such as conducting musical audiograms. These resources provide a solid background for hands-on instructional materials such as music lessons, supplemental activities, educational resources, discussion points, and journal samples for the classroom and home. Schraer-Joiner goes to great lengths to offer detailed, purposeful suggestions for specific classroom settings such as general music, choral ensemble, and instrumental ensemble as well as a set of recommended listening lessons that take this potential variety of settings into account. Furthermore, Schraer-Joiner provides suggestions for incorporating music into everyday activities and also presents an overview of recent research which reinforces the benefits of music upon social and emotional development as well as speech and language development. Each chapter concludes with a section entitled "For Your Consideration" which features review questions, ideas, and instructional activities that teachers and parents can accomplish with deaf and hard of hearing children. The book's "Kids Only" online component provides deaf and hard-of-hearing children with descriptions of the many opportunities available to them in the arts, inspirational case studies and stories, as well as important ideas and topics for deaf and hard-of-hearing children to consider discussing with the teachers, family members, and healthcare professionals that they work with. The message of this book is a powerful one particularly in this day and age. As hearing aid and cochlear implant technologies improve and become increasingly widespread, all teachers--especially music teachers--should expect to see more deaf and hard-of-hearing children in their classrooms. Awareness and preparation are not only vital in aiding these children in the classroom, but are in fact required of teachers by federal law. This book is a comprehensive resource for teachers and parents who wish to gain a better understanding of the emerging field of music education for students with hearing loss.


Occupational Hearing Loss

Occupational Hearing Loss

Author: Robert Thayer Sataloff

Publisher: CRC Press

Published: 2006-04-24

Total Pages: 1007

ISBN-13: 1420015478

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Written in clear and accessible language, Occupational Hearing Loss provides a comprehensive overview of the hazards of occupational noise exposure, causes of hearing loss, testing of hearing, criteria to distinguish occupational hearing loss, and more. This third edition features expanded discussion of topics such as autoimmune inner ear disease and diagnosing occupational hearing loss. It includes new chapters on auditory evoked potentials, sudden sensorineural hearing loss, malignancies of the ear, otologic complications of scuba diving, and hearing in dogs. This text also contains updated and revised material on auditory processing disorders, systemic causes of hearing loss, and more.


Noise Exposure and Noise Induced Hearing Loss in Musicians

Noise Exposure and Noise Induced Hearing Loss in Musicians

Author: Jayradha Patel

Publisher:

Published: 2019

Total Pages: 190

ISBN-13:

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Noise induced hearing loss (NIHL) is prevalent amongst musicians and can have a debilitating influence on their musical careers and quality of life. The prevention of NIHL in musicians is challenging because of their need to hear music precisely. The use of earplugs is the most practical protective measure against NIHL. However, reported usage rates are poor. Amongst New Zealand musicians, little is known about their hearing health and use of noise reduction strategies. The aim of this research was to explore hearing loss, earplug use and sound exposure in New Zealand musicians. Methods: A short online questionnaire assessed selfreport measures related to NIHL in 81 musicians. Dosimetry measurement of sound levels was then conducted for seven days with a subset of 6 musicians. Audiometric testing involving measurement of otoacoustic emissions, pure tone audiometry, extended high frequency audiometry and real ear at threshold individual earplug fit testing was then undertaken with these 6 musicians. Findings: The prevalence of self-reported hearing loss was found to be 43.2%. Additionally, 17.7% of musicians always experienced tinnitus and 66.3% of musicians perceived hazardous sound exposure during performances. Reported earplug use was 46.9% and inconsistent across musical situations. Numerous barriers to earplug use were identified. Amongst the 6 musicians, dosimetry measures revealed a substantial risk of NIHL and fit training was demonstrated to improve the earplug attenuation achieved. Conclusion: The high prevalence of hearing issues and widespread difficulties associated with earplug use supports the need for the development of hearing conservation strategies for the musician population in New Zealand.