Musical Tradition of the Eastern European Synagogue

Musical Tradition of the Eastern European Synagogue

Author: Sholom Kalib

Publisher: Syracuse University Press

Published: 2005-07-18

Total Pages: 1956

ISBN-13: 9780815630777

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This volume includes multiple renditions of every prayer, thus illustrating the broad diversity within traditional intonation of each prayer mode. In accordance with the traditional role assigned to the prayer leader of each service, renditions are presented at levels appropriate to the lay cantor (baal t'filo) as well the professional cantor (chazz'n). Liturgical texts that were traditionally intoned by cantor and choir, or by choir alone, are also included. Annotative commentary explains the liturgical role and character of each service and analyzes the musical content of each prayer mode within it. It also explains the techniques employed in applying the prayer mode to specific liturgical texts and how the applications reflect the literal as well as spiritual content of the texts. This set comprises four books covering the fourteen weekday liturgical occasions, with annotated commentary.


Klezmer

Klezmer

Author: Walter Zev Feldman

Publisher: Oxford University Press

Published: 2016-10-03

Total Pages: 441

ISBN-13: 0190244526

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Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major written sources--principally in Russian, Yiddish, Hebrew, and Romanian--from the 16th to the 20th centuries. He draws upon the foundational notated collections of the late Tsarist and early Soviet periods, as well as rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. He has conducted interviews with authoritative European-born klezmorim over a period of more than thirty years, in America, Europe, and Israel. Thus, his analysis reveals both the musical and cultural systems underlying the klezmer music of Eastern Europe.


The Art of Being Jewish in Modern Times

The Art of Being Jewish in Modern Times

Author: Barbara Kirshenblatt-Gimblett

Publisher: University of Pennsylvania Press

Published: 2013-02-11

Total Pages: 464

ISBN-13: 0812208862

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The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance.


The Jewish Cultural Tapestry : International Jewish Folk Traditions

The Jewish Cultural Tapestry : International Jewish Folk Traditions

Author: Steven M. Lowenstein Isadore Levine Professor of Jewish History University of Judaism

Publisher: Oxford University Press, USA

Published: 2001-05-17

Total Pages: 291

ISBN-13: 0195313607

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Here, in one compact volume, is an illuminating survey of Jewish folkways on five continents. Filled with fascinating facts and keen insights, The Jewish Cultural Tapestry is a richly woven fabric that vividly captures the diversity of Jewish life. All Jews are bound together by the common thread of the Torah and the Talmud, notes author Steven Lowenstein, but this thread takes on a different coloration in different parts of the world, as Jewish tradition and local non-Jewish customs intertwine. Lowenstein describes these widely varying regional Jewish cultures with needlepoint accuracy, highlighting the often surprising similarities between Jewish and non-Jewish local traditions, and revealing why Jewish customs vary as much as they do from region to region. We visit the great Ashkenazic and Sephardic cultures of Europe and the Mediterranean; the unique Jewish cultures of Iraq, Persia, Ethiopia and Yemen; the little-known cultures of the Bukharian Jews of Central Asia, the Cochin Jews of India, and the Kaifeng Jews of China. We read about regional religious practices, wedding ceremonies and marriage customs; different traditions of Jewish music and Jewish dress; and the origins of Jewish names. Lowenstein also surveys Jewish cuisine around the world, offering easy-to-prepare traditional recipes, ranging from kugel and blintzes to Malawach from Yemen, T'beet from Iraq, Mina de Cordero from Turkey, and Passover Soup from Uzbekistan. From Europe to India, Israel to America, The Jewish Cultural Tapestry offers an engaging overview of the customs and folkways of a people united by tradition, yet scattered to the far corners of the earth. Packaged in an attractive large format, this beautifully illustrated volume would be a meaningful gift for the holidays.


Music in the Hebrew Bible

Music in the Hebrew Bible

Author: Jonathan L. Friedmann

Publisher: McFarland

Published: 2013-11-04

Total Pages: 215

ISBN-13: 0786477733

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Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).


New York Noise

New York Noise

Author: Tamar Barzel

Publisher: Indiana University Press

Published: 2015-01-30

Total Pages: 324

ISBN-13: 0253015642

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An up-close view of the 1990s music scene that brought us neo-klezmer bands, Tzadik Records, and a new vision of Jewish identity. Coined in 1992 by composer/saxophonist John Zorn, “Radical Jewish Culture,” or RJC, became the banner under which many artists in Zorn’s circle performed, produced, and circulated their music. New York’s downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation, and it is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the “RJC moment” produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians’ dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns. Includes links to audiovisual content


Perspectives on Jewish Music

Perspectives on Jewish Music

Author: Jonathan L. Friedmann

Publisher: Rowman & Littlefield

Published: 2009

Total Pages: 178

ISBN-13: 9780739141526

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Perspectives on Jewish Music presents five unique and engaging explorations of Jewish music. Areas covered include self-expression in contemporary Jewish secular music, the rise of popular music in the American synagogue, the theological requirements of the cantor, the role of women in Sephardic music and society, and the personal reflections of a leading figure in American synagogue music. Its wide-ranging topics and disciplinary approaches give evidence for the centrality of music in Jewish religious and secular life, and demonstrate that Jewish music is as diverse as the Jews themselves. From these studies, readers will gain an appreciation of both what Jewish music is and what it does. This book will be useful for students, practitioners, and scholars of Jewish secular and religious music and Jewish cultural studies, as well as ethnomusicologists specializing in Jewish or religious music.


Altering States

Altering States

Author: Daphne Berdahl

Publisher: University of Michigan Press

Published: 2000

Total Pages: 266

ISBN-13: 9780472086177

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Analyzes the social and cultural aspects of transition