Musical Colours
Musical Colours

Author: Ian Pearson

Publisher: FriesenPress

Published: 2022-01-31

Total Pages: 337

ISBN-13: 1039119786

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On the cover of the 1970 record THE VANISHING REGIMENTS, Colonel CH Jaeger OBE made an interesting observation: ‘Be it true or not that old soldiers never die but only fade away, it is absolutely certain that the music connected with soldiering never does in fact. Many famous Regiments in the last few years have passed off the scene, others have been amalgamated. Much of the music of former Regiments is still in use, though the names of the Regiments concerned have vanished, perhaps forever’. Regimental colours are the symbolic spirit of the regiment; their marches are the musical spirit. Their histories are sometimes older than the regiments themselves and very much guarded and cherished by them. When you hear a regimental band play a march, why that march? This book is an attempt to cover the fascinating histories of military marches, how and why regiments adopted them, even those that have faded into history. It will appeal to those interested in Regimental Marches of Canadian and United Kingdom Armed Forces. Over 500 marches are covered with many band photos from across the centuries. Also included are narratives of the composers, Victoria Cross musicians and even words to many marches. So, get out the records, crank up the volume and listen to the bands play their MUSICAL COLOURS while reading all bout them.

Color and the Moving Image
Color and the Moving Image

Author: Simon Brown

Publisher: Routledge

Published: 2013-10-28

Total Pages: 338

ISBN-13: 1136307885

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This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color—such as Hitchcock, Jarman and Sirk—as well as others whose use of color has not yet been explored in such detail—including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Color and Culture
Color and Culture

Author: John Gage

Publisher: Univ of California Press

Published: 1999

Total Pages: 344

ISBN-13: 0520222253

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An encyclopaedic work on color in Western art and culture from the Middle Ages to Post-Modernism.

Musical Understandings
Musical Understandings

Author: Stephen Davies

Publisher: Oxford University Press, USA

Published: 2011-08-25

Total Pages: 228

ISBN-13: 0199608776

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Musical Understandings presents an engaging collection of essays by Stephen Davies on the philosophy of music. He explores a range of topics, including how music expresses emotion, modes of perception, and musical profundity. The volume includes original material, newly revised articles, and work published in English for the first time.

Tracking Color in Cinema and Art
Tracking Color in Cinema and Art

Author: Edward Branigan

Publisher: Routledge

Published: 2017-10-30

Total Pages: 376

ISBN-13: 1315317486

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Color is one of cinema’s most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings. But what if color is not—or not only—a formal system, but instead a linguistic effect, emerging from the slipstream of our talk and embodiment in a world? This book develops a compelling framework from which to understand the mobility of color in art and mind, where color impressions are seen through, and even governed by, patterns of ordinary language use, schemata, memories, and narrative. Edward Branigan draws on the work of Ludwig Wittgenstein and other philosophers who struggle valiantly with problems of color aesthetics, contemporary theories of film and narrative, and art-historical models of analysis. Examples of a variety of media, from American pop art to contemporary European cinema, illustrate a theory based on a spectator’s present-time tracking of temporal patterns that are firmly entwined with language use and social intelligence.

A Cultural History of Color in the Renaissance
A Cultural History of Color in the Renaissance

Author: Sven Dupré

Publisher: Bloomsbury Publishing

Published: 2022-08-31

Total Pages: 281

ISBN-13: 135019350X

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A Cultural History of Color in the Renaissance covers the period 1400 to 1650, a time of change, conflict, and transformation. Innovations in color production transformed the material world of the Renaissance, especially in ceramics, cloth, and paint. Collectors across Europe prized colorful objects such as feathers and gemstones as material illustrations of foreign lands. The advances in technology and the increasing global circulation of colors led to new color terms enriching language. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Amy Buono is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University , USA. Sven Dupré is Professor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

The Color of Modernism
The Color of Modernism

Author: Deborah Ascher Barnstone

Publisher: Bloomsbury Publishing

Published: 2021-12-30

Total Pages: 289

ISBN-13: 1350251364

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One of the most enduring and pervasive myths about modernist architecture is that it was white-pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism's most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed.