A series of essays on parapsychology and psychical research with special reference to the importance of music in paganism and witchcraft. The author investigates the use of music in telepathic contact using controlled experiments. He looks at mediums who claim contact with dead composers and people who have heard 'ghostly' music are also examined.
The Paranormal, the new ebook series from F+W Media International Ltd, resurrecting rare titles, classic publications and out-of-print texts, as well as new ebook titles on the supernatural – other-worldly books for the digital age. The series includes a range of paranormal subjects from angels, fairies and UFOs to near-death experiences, vampires, ghosts and witchcraft. A series of essays on parapsychology and psychical research with special reference to the importance of music in paganism and witchcraft. The book is excellently researched using a myriad of sources including historical and first-hand accounts, relevant publications and of course the author's own thorough investigations.
Exploring the paranormal through musical phenomena, this encyclopedia covers a range of anomalies, from musical mediumship to locations throughout the world where music has been heard with no obvious source. Other manifestations, such as the abilities of musical savants and the anesthetic use of music during surgical procedures, are included with a focus on paraphysical aspects. Entries describe examples from earliest history up to the present--interpretation is left to the reader. Broader themes and concepts are discussed in appendices, with additional references provided for further study.
Despite the much vaunted ’end of religion’ and the growth of secularism, people are engaging like never before in their own ’spiritualities of life’. Across the West, paranormal belief is on the rise. The Ashgate Research Companion to Paranormal Cultures brings together the work of international scholars across the social sciences and humanities to question how and why people are seeking meaning in the realm of the paranormal, a heretofore subjugated knowledge. With contributions from the UK and other European countries, the USA, Australia and Canada, this ground-breaking book attends to the paranormal as a position from which to critique dominant forms of knowledge production and spirituality. A rich exploration of everyday life practices, textual engagements and discourses relating to the paranormal, as well as the mediation, technology and art of paranormal activity, this book explores themes such as subcultures and mainstreaming, as well as epistemological, methodological, and phenomenological questions, and the role of the paranormal in social change. The Ashgate Research Companion to Paranormal Cultures constitutes an essential resource for those interested in the academic study of cultural engagements with paranormality; it will appeal to scholars of cultural and media studies, popular culture, sociology, cultural geography, literature, film and music.
A literary mix tape that explores the entwined boundaries between sound, material culture, landscape and esoteric belief. Trees rigged up to the wireless radio heavens. A fax machine used to decode the language of hurricanes. A broadcast ghost that hijacked a television station to terrorize a city. A failed computer factory in the desert with a slap-back echo resounding into ruin. In High Static, Dead Lines, media historian and artist Kristen Gallerneaux weaves a literary mix tape that explores the entwined boundaries between sound, material culture, landscape, and esoteric belief. Essays and fictocritical interludes are arranged to evoke a network of ley lines for the “sonic spectre” to travel through—a hypothetical presence that manifests itself as an invisible layer of noise alongside the conventional histories of technological artifacts. The objects and stories within span from the mid-nineteenth century to the present day, touching upon military, communications, and cultural history. A connective thread is the recurring presence of sound—audible, self-generative, and remembered—charting the contentious sonic histories of paranormal culture.
In the first issue of Ghost Encounters Magazine we cover the journey of India's most prolific horror author Neil D'Silva as he talks about his methods, things he is scared off, his upcoming projects and more about his life. We also had a lovely chat with Ms. Alisha 'Priti' Kirpalani, progeny of the famed Ramsays and Author of 'Ghosts In Our Backyard' Know from a Paranormal Investigator's point of view, what they think about the Conjuring Universe, a Metaphysicians take on Near Death Experience, the uncanny resemblance between Witches and Metaphysicians, difference between Psychics and Psychos, the PAIRS team investigation at the cursed village and other topics from the Paranormal and Horror world.
Strum a Spooky Banjo, Tip that Ten-Gallon Hat, and Meet Country Music’s Greatest Ghosts Jam out to this impressive compilation of haunted hot spots, creepy curses, and celebrity spirits of country and western music. Presenting the paranormal legacy behind one of America’s oldest and most popular genres, Ghosts of Country Music takes a captivating, in-depth look at legendary musicians and the places where they perform . . . even after death. Experience true stories of larger-than-life stars—including Hank Williams, Patsy Cline, and Johnny Cash—haunting their favorite homes and stages. Step inside the Music City Center, the Apollo Civic Theatre, Bobby Mackey’s Music World, and other iconic venues where ghosts love to roam. Explore the numerous recording studios, record shops, and radio stations that attract paranormal activity. This fascinating book will thrill you with much more than just a catchy tune.
My goals for my final year at university were: 1) Kick ass at my internship 2) Keep hiding from my family 3) Stop frying my phone battery by accident with my powers. Then I walked into the first day of my internship at a hot indie record label to find that my old life had collided with my new one. Five hot guys in a band called Phoenixcry, I'm supposed to manage them, and oh yeah, PS, they're werewolves. I've left the magic world behind, but I'm still a witch and witches and werewolves don't mix. But doing the wrong thing was always my M.O., so now I'm out on the road with a band full of sexy, growly werewolves. But the magic world is one step behind us: there are hunters on our trail, and if they catch us the boys are dead and I'm back at home under lock and key. Oh, one more thing, I think I'm falling in love with them. Not just one of them, all of them, and to make it super complicated, I think they feel the same way. So I had to revise my goals for this year: 1) Kick ass at my internship 2) Don't fall in love with the band 3) Stay alive Sounds easy, right? ========== Meet Darcy Llewellyn, fourth year university student, music intern, and secretly a witch. This is the story about how she meets and falls in love with the werewolves that make up the band Phoenixcry: Finn Gunner, Elias Gunner, Charlie Gage, Wesley "Ace" Rivers, and Cash Legend. This steamy Reverse Harem Romance is over 80,000 words in length, and is the first in a series about Darcy Llewellyn and her pack of werewolf lovers.
America is haunted. Ghosts from its violent history--the genocide of Indigenous peoples, slavery, the threat of nuclear annihilation, and traumatic wars--are an inescapable and unsettled part of the nation's heritage. Not merely in the realm of metaphor but present and tangible, urgently calling for contact, these otherworldly visitors have been central to our national identity. Through times of mourning and trauma, artists have been integral to visualizing ghosts, whether national or personal, and in doing so have embraced the uncanny and the inexplicable. This stunning catalog, accompanying the first major exhibition to assess the spectral in American art, explores the numerous ways American artists have made sense of their own experiences of the paranormal and the supernatural, developing a rich visual culture of the intangible. Featuring artists from James McNeill Whistler and Kerry James Marshall to artist/mediums who made images with spirits during séances, this catalog covers more than two hundred years of the supernatural in American art. Here we find works that explore haunting, UFO sightings, and a broad range of experiential responses to other worldly contact.
