Vincent Novello (1781–1861)

Vincent Novello (1781–1861)

Author: Fiona M. Palmer

Publisher: Routledge

Published: 2017-02-10

Total Pages: 287

ISBN-13: 135169748X

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Today Vincent Novello (1781-1861) is remembered as the father of the music-publishing firm. Fiona Palmer's evaluation of Novello the man and the musician in the marketplace draws on rich primary sources. It is the first to provide a rounded view of his life and work, and the nature of his importance both in his own time and to posterity. Novello's early musical training, particularly his experience of music-making in London's embassy chapels, influenced him profoundly. His practical experience as director of music at the Portuguese Embassy Chapel in Mayfair informed his approach to editing and arranging. Fundamental moral and social attitudes underpinned Novello's progress. Ideas on religion, education and the function of family and friendship within society shaped his life choices. The Novello family lived in turbulent times and was widely-read, discussing politics and religion and not only the arts at its social gatherings. Within Vincent and Mary Novello's close circle were radical thinkers with republican views - such as Leigh Hunt and Charles Cowden Clarke - who saw sociability as a means of reorganizing society. Thematic studies focus on Novello as practical musician and educator, as editor, and as composer. His connections with institutions such as the Covent Garden and Pantheon Theatres, the Philharmonic Society and Moorfields Chapel, together with his adjudicating and teaching activities, are examined. In his wide-ranging editorial work Novello found his true vocation positioning himself as preservationist, pioneer and philanthropist. His work as composer, though unremarkable in quality, mirrored the demands and expectations of his consumers. Novello emerges from this study as a visionary who single-mindedly pursued greater musical knowledge for the benefit of everyone.


The Business of Music

The Business of Music

Author: Michael Talbot

Publisher: Liverpool University Press

Published: 2002-01-01

Total Pages: 337

ISBN-13: 0853235384

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Is business, for music, a regrettable necessity or a spur to creativity? In the 11 essays in this text the authors wrestle with this question from the perspective of their chosen area of research.


Music Entries at Stationers' Hall, 1710–1818

Music Entries at Stationers' Hall, 1710–1818

Author: Michael Kassler

Publisher: Routledge

Published: 2016-04-29

Total Pages: 812

ISBN-13: 131709204X

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The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.


Cheap Print and Popular Song in the Nineteenth Century

Cheap Print and Popular Song in the Nineteenth Century

Author: Paul Watt

Publisher: Cambridge University Press

Published: 2017-03-23

Total Pages: 265

ISBN-13: 110816174X

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This book is a cultural history of the nineteenth-century songster: pocket-sized anthologies of song texts, usually without musical notation. It examines the musical, social, commercial and aesthetic functions songsters served and the processes by which they were produced and disseminated, the repertory they included, and the singers, printers and entrepreneurs that both inspired their manufacture and facilitated their consumption. Taking an international perspective, chapters focus on songsters from Ireland, North America, Australia and Britain and the varied public and private contexts in which they were used and exploited in oral and print cultures.


Charles Avison's Essay on Musical Expression

Charles Avison's Essay on Musical Expression

Author: Pierre Dubois

Publisher: Routledge

Published: 2017-07-05

Total Pages: 271

ISBN-13: 1351572350

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Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.


Routledge Revivals: Charles Edward Horn's Memoirs of His Father and Himself (2003)

Routledge Revivals: Charles Edward Horn's Memoirs of His Father and Himself (2003)

Author: Michael Kassler

Publisher: Routledge

Published: 2018-05-08

Total Pages: 90

ISBN-13: 1351119567

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Originally published in 2003, Charles Edward Horn's Memoirs of His Father and Himself is an annotated collection of the memoirs of Charles Edward Horn. They include an account of Horn’s father, Charles Frederick Horn, who arrived penniless in London in 1782 and rose to become music master to Queen Charlotte. Today he is most remembered for his pioneering publications of J.S. Bach’s music in England. Charles Edward Horn’s memoir covers his activities in England and Ireland and provide numerous details of English musical life in the Georgian era not previously known to scholars. They are supplemented in this book by transcripts of four other autobiographical accounts of the Horns, a summary of their extant correspondence and a chronology of their activities.


Reader's Guide to Music

Reader's Guide to Music

Author: Murray Steib

Publisher: Routledge

Published: 2013-12-02

Total Pages: 928

ISBN-13: 1135942625

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The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).


The Reputations of Thomas Moore

The Reputations of Thomas Moore

Author: Sarah McCleave

Publisher: Routledge

Published: 2019-08-08

Total Pages: 252

ISBN-13: 1000650960

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This collection of eleven essays positions Moore within a developing and expanding international readership during the course of the nineteenth century. In accounting for the successes he achieved and the challenges he faced, recurring themes include: Moore’s influence and reputation; modes of dissemination through networks and among communities; also, the articulation of personal, political, and national identities. This book, the product of an international team of scholars, is the first to focus explicitly on the reputations of Thomas Moore in different parts of the world, including Bombay, Dublin, Leipzig, and London, as well as America, Canada, Greece, and the Hispanic world. Through it, we will understand more about Moore’s reception, and also appreciate how the publication and dissemination of poetry and song in the romantic and Victorian eras operated in different parts of the world—in particular considering how artistic and political networks effected the transmission of cultural products.


Samuel Wesley (1766?837): A Source Book

Samuel Wesley (1766?837): A Source Book

Author: Michael Kassler

Publisher: Routledge

Published: 2017-07-05

Total Pages: 664

ISBN-13: 135155011X

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Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.


Samuel Wesley (1766–1837): A Source Book

Samuel Wesley (1766–1837): A Source Book

Author: Michael Kassler

Publisher: Routledge

Published: 2017-07-05

Total Pages: 776

ISBN-13: 1351550128

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Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.